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""Writing is a cover for necromancy", Carmen Innocencia accuses her creator, Flamingo Tongue, a young Jamaican writer. Carmen is not the only one of Flamingo's creations to confront her author, for her characters and their tragic, heartening story come vividly alive, perhaps too alive, and just to make sure she can control them, Flamingo makes doll figures of them, but even then... There is Alva Donovan, blinded in childhood, with one seeing eye, one dreaming eye, with whom Flamingo exchanges shoes and in whom she begins to fear she will lose herself. There are the other members of the Donovan family: Dahlia, Paul aka Made in China, and their parents Mama Milly and Daddy Clive the bee-keeper whose sudden, violent deaths set up the patterns of separation and eventual reconnection and healing that run through the novel. As Carmen's accusation suggests, this is a novel set at the cross-roads between the living and the dead - and the cemetery literally becomes the refuge of the orphaned children - between the harsh realities of the violence which spills over from an election campaign and a world where dreams, spirit possession and women who become snails are just as real."--BOOK JACKET.
"We live in an Enquirer, reality television–addled world, a world in which most college students receive their news from the Daily Show and discourse via text message," assert Charles Blackstone and Jill Talbot. "Recently, two nonfiction writers have been criticized for falsifying memoirs. Oprah excoriated James Frey on her show; Nasdijj was impugned by Sherman Alexie in Time. Is our next trend in literature to lock down such boundaries among the literati? Or should we address the fictionalizing of nonfiction, the truth of fiction?" The Art of Friction surveys the borderlands where fiction and nonfiction intersect, commingle, and challenge genre lines. It anthologizes nineteen creative works by contemporary, award-winning writers including Junot Díaz, Jonathan Safran Foer, Thomas Beller, Bernard Cooper, Wendy McClure, and Terry Tempest Williams, who also provide companion pieces in which they comment on their work. These selections, which place short stories and personal essays (and hybrids of the two) side by side, allow readers to examine the similarities and differences between the genres, as well as explore the trends in genre overlap. Functioning as both a reader and a discussion of the craft of writing, The Art of Friction is a timely, essential book for all writers and readers who seek the truthfulness of lived experience through (non)fictions.
First published a decade ago, A Writer's Book of Days has become the ideal writing coach for thousands of writers. Newly revised, with new prompts, up-to-date Web resources, and more useful information than ever, this invaluable guide offers something for everyone looking to put pen to paper — a treasure trove of practical suggestions, expert advice, and powerful inspiration. Judy Reeves meets you wherever you may be on a given day with: • get-going prompts and exercises • insight into writing blocks • tips and techniques for finding time and creating space • ways to find images and inspiration • advice on working in writing groups • suggestions, quips, and trivia from accomplished practitioners Reeves's holistic approach addresses every aspect of what makes creativity possible (and joyful) — the physical, emotional, and spiritual. And like a smart, empathetic inner mentor, she will help you make every day a writing day.
An extended study of the writings of Lil' Kim, the multi-platinum selling Hip Hop artist. Examines Lil' Kim's anti-sexist, gender-defiant and ultra-erotic verse alongside issues of race and the politics of imprisonment. This is the first study to apply the tools of literary criticism to Hip Hop's lyrical writings.
Not distributed; available at Arkansas State Library.
"This complete self-study course in modern Wicca is a treasured classic - an essential and trusted guide that belongs in every witch's library."---Back cover
. . . a fascinating, informative, complete, and objective picture including descriptions, history, comparisons, and case studies about traditional and complementary medicine. . . . Highly recommended for health professionals, faculty, and students at all levels. - ChoiceModern medicine is one of the most successful branches of science, with a distinguished history of conquering many of the twentieth century's deadliest diseases. Yet today people are turning in record numbers to alternative therapies that have little or no scientific basis. What accounts for this flight from reason in the face of hard evidence that medical doctors do a better job of treating disease and alleviating suffering than their alternative counterparts?In Magic or Medicine? Dr. Robert Buckman and Karl Sabbagh offer a response to this question by critically evaluating both alternative and conventional medical approaches to patient care. The authors argue that healing has always been partly the science of clinical treatment (medicine) and partly an art (magic). Medicine may make the patient get well, but often it is magic that makes the patient feel well.With all the pressures under which they work, modern medical doctors often neglect the magic in their dealings with patients. Alternative therapists, however, frequently offer nothing but magic. Buckman and Sabbagh look closely at the claims made for both medical science and alternative treatments and discover a gap between the promises and the reality of each approach.Magic or Medicine? is vital reading for anyone conerned about the effective delivery of healthcare.Robert Buckman, Ph.D., FRCP, is a cancer specialist and assistant professor at the Toronto Bayview Regional Cancer Centre at Sunnybrook Hospital, University of Toronto. He is also the current president of the Humanist Association of Canada. Among his previous books are How to Break Bad News and I Don't Know What to Say: How to Help and Support Someone Who Is Dying.Karl Sabbagh, M.A., is a television producer whose credits include The Body in Question with Dr. Jonathan Miller. He is also the author of numerous books on scientific and medical topics, including The Living Body: A Guide to How the Body Works.
Medical expert Paul A. Offit, M.D., offers a scathing exposé of the alternative medicine industry, revealing how even though some popular therapies are remarkably helpful due to the placebo response, many of them are ineffective, expensive, and even deadly. Dr. Offit reveals how alternative medicine—an unregulated industry under no legal obligation to prove its claims or admit its risks—can actually be harmful to our health. Using dramatic real-life stories, Offit separates the sense from the nonsense, showing why any therapy—alternative or traditional—should be scrutinized. He also shows how some nontraditional methods can do a great deal of good, in some cases exceeding therapies offered by conventional practitioners. An outspoken advocate for science-based health advocacy who is not afraid to take on media celebrities who promote alternative practices, Dr. Offit advises, “There’s no such thing as alternative medicine. There’s only medicine that works and medicine that doesn’t.”
"Smith’s powerful style of living journalism uses the collective, cathartic nature of the theater to move us from despair toward hope.” —The Village Voice Anna Deavere Smith’s extraordinary form of documentary theater shines a light on injustices by portraying the real-life people who have experienced them. "One of her most ambitious and powerful works on how matters of race continue to divide and enslave the nation” (Variety). Smith renders a host of figures who have lived and fought the system that pushes students of color out of the classroom and into prisons. (As Smith has put it: “Rich kids get mischief, poor kids get pathologized and incarcerated.”) Using people’s own words, culled from interviews and speeches, Smith depicts Rev. Jamal Harrison Bryant, who eulogized Freddie Gray; Niya Kenny, a high school student who confronted a violent police deputy; activist Bree Newsome, who took the Confederate flag down from the South Carolina State House grounds; and many others. Their voices bear powerful witness to a great iniquity of our time—and call us to action with their accounts of resistance and hope.