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Notes for Violists: A Guide to the Repertoire offers historical and analytical information about thirty-five of the best-known pieces for the instrument, making it an essential resource for professional, amateur, and student violists alike. With engaging prose supported by fact-filled analytical charts, the book offers rich biographical information and insightful analyses that help violists gain a more complete understanding of pieces like Béla Bartók's Concerto for Viola and Orchestra, Rebecca Clarke's Sonata for Viola and Piano, Robert Schumann's Märchenbilder for Viola and Piano, op. 113, Carl Stamitz's Concerto for Viola and Orchestra in D Major, Igor Stravinsky's Élégie for Viola or Violin Unaccompanied, and thirty other masterpieces. This comprehensive guide to key pieces from the viola repertoire from the eighteenth through the twentieth century covers concertos, chamber pieces, and works for solo viola by a wide range of composers, including Bach, Telemann, Mozart, Hoffmeister, Walton, and Hindemith. Author David M. Bynog not only offers clear structural analyses of these compositions but also situates them in their historical contexts as he highlights crucial biographical information on composers and explores the circumstances of the development and performance of each work. By connecting performance studies with scholarship, this indispensable handbook for students and professionals allows readers to gain a more complete picture of each work and encourages them to approach other compositions in a similarly analytical manner.
Solos for Young Violists is a five-volume series of music books featuring 34 works for viola and piano. Many of the pieces in this collection have long been recognized as stepping stones to the major viola repertoire, while others are newly discovered, arranged, and published for this series. Compiled, edited and recorded by violist Barbara Barber, Solos for Young Violists is a graded series of works ranging from elementary to advanced levels and represents an exciting variety of styles and techniques for violists. The collection has become a valuable resource for teachers and students of all ages.
(Essential Elements for Strings). (Essential Elements for Strings and Essential Elements Interactive are fully compatible with Essential Elements 2000 for Strings) Essential Elements for Strings offers beginning students sound pedagogy and engaging music, all carefully paced to successfully start young players on their musical journey. EE features both familiar songs and specially designed exercises, created and arranged for the classroom in a unison-learning environment, as well as instrument-specific exercises to focus each student on the unique characteristics of their own instrument. EE provides both teachers and students with a wealth of materials to develop total musicianship, even at the beginning stages. Books 1 and 2 also include access to Essential Elements Interactive (EEi) , the ultimate online music education resource - anywhere, anytime, and on any device. Go to www.essentialelementsinteractive.com to learn more! Method features: * Enhanced Starting System * Optimum Reinforced Learning * Pacing * Theory, History, Cross-Curriculum & Creativity * Performance Spotlights Book also includes My EE Library * (www.myeelibrary.com) - Instant Stream/Download/CD-ROM* * Start-up video Learn the basics * Play-along mp3 tracks for all exercises Features a professional orchestra * Duets and trios Print and play parts with friends * Music listening library Hear great pieces for orchestra! *Internet access required for My EE Library . Book includes instructions to order free opt. CD-ROM.
"The Advancing Violist s Handbook is a concise but thorough treatise on virtually every aspect of practicing and learning to play the violin. This book is primarily designed for intermediate violinists, which usually means ages 14 to 20, but which could be any age from 6 to 80. The purpose of this book is to provide you with much of the basic information that you need in order to become good at practicing the violin. This is the book for you if: You want to learn how to improve rapidly as a violist. You don t feel that you know how to practice. You want to get a faster rate of advancement out of your available practice time. "
This systemized set of work sheets for supplementing any elementary class or private method is designed to help the student gain a better understanding of the problems of fingering and reading music, while saving valuable lesson time. Available for violin, viola, cello, string bass, clarinet, cornet, trombone, saxophone, flute, oboe, bassoon, French horn, baritone, and tuba.
This book works on basic viola bowing and rhythm skills using only open strings. From quarter and eighth notes to the first slurs, this book can help students read music and play open strings at the very first lesson. Other skills taught include rests, open string double stops, 3/4 timing, string crossing, and half and whole notes. Are you teaching beginning violists? This is a great book to use with students from the very first lesson. While they progress to fingered notes after (and sometimes during) the first lesson, you can continue assigning this book until the student finishes it. It's great as a warm-up at the beginning of the lesson where they can focus on bowing. Are you teaching yourself? This book doesn't have any explanatory words and was intended to be used in a lesson. However, adult learners can play through it and improve their playing if they know a bit about how to read music (how notes fall on a staff, how rhythms are notated, etc.). This book could be used along with Learning the Viola, Book One and could be followed by The Hot Cross Buns Book for Viola.
In A Notebook for Viola Players, Ivo-Jan van der Werff offers a guide to playing the viola with the greatest freedom, dexterity, and ease. It includes right and left hand exercises to build a sound technique, sections on how to practice them, how to hold the viola and bow, how to think about good posture, how to create a good sound, how to play with the least amount of tension, how to deal with anxiety, and thoughts on wellness and practice techniques. Alongside these are photographs and a companion website of video demonstrations of the exercises played by the author, as if in a lesson. Interspersed throughout the book are lively and illuminating anecdotes of van der Werff's own experiences as a student and as a professional musician, as well as a number of blank pages and staff paper for the student to literally 'make notes' and write down their own ideas, offering a space for creative expression using the skills they learn in reading and playing along with the text. Bringing together decades of teaching and performance experience from one of the most respected figures in viola pedagogy, A Notebook for Viola Players is a master class in viola ideal for any player hoping to perfect the fundamental areas of their practice.
The Advancing Violist¿s Handbook is the most thorough guide to practicing the viola available. It covers everything that an aspiring musician would expect to find in such a book, plus many things that other books do not address, such as the psychology of practicing and how to practice without the instrument. It also includes a walk-through of a hypothetical practice session along with specific descriptions of how to practice several common works from the viola literature. Perfect for the person who sincerely wants to improve as a violist, or for those who want to get the most out of individual practice time but don¿t know how.
Warm-ups for the Violist is an adaptation of Warm-ups for the Violinist. It is targeted to help build, strengthen and develop the muscles and techniques needed for viola playing. It is especially suited and created for the more casual violist who is sincerely interested in getting maximum benefit from a minimum of effort.I first tested these scales and exercises on myself for six months, faithfully using them for about 20 minutes as warm-ups to my daily practice. I was rewarded with a definite improvement in my technique. I was actually surprised to see my dexterity grow as I charted my metronomic progress on a calendar. I remember thinking, I will never be able to play faster than this. But then a couple of weeks later I would indeed climb a notch higher!Through the years I have used these exercises in countless workshops and with private students. the letters of thanks and positive feedback from students who were thrilled with improved violin and fiddle technique have brought me great satisfaction. Progress with these exercises is like the progress of a body builder. Body builders do not get up in the morning and think, I am going to develop and build my muscles today, and instantly look like Mr. Atlas. It takes weeks, months and for some, years, to attain results. It must be done over a period of time. Like all diets and exercise programs, determination and dedication are most important to success!I sincerely believe that these exercises, when faithfully practiced, will help violists improve their skills. the exercises will help develop and strengthen muscles used for finger dexterity, clarity of notes, tone, bowing-arm control, intonation, double stops, and a flexible bowing-arm wrist.A companion audio play-along recording is available online.
Solos for Young Violinists is a graded series of works ranging from elementary to advanced levels representing an exciting variety of styles and techniques for violinists -- a valuable resource for teachers and students of all ages. Many of the works in this collection have long been recognized as stepping stones to the major violin repertoire, while others are newly published pieces for further choices of study. This title is available in Music Prodigy.