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This is the definitive, widely acclaimed translation of the major prose work of one of our century's greatest poets -- "a masterpiece like no other" (Elizabeth Hardwick) -- Rilke's only novel, extraordinary for its structural uniqueness and purity of language. First published in 1910, it has proven to be one of the most influential and enduring works of fiction of our century. Malte Laurids Brigge is a young Danish nobleman and poet living in Paris. Obsessed with death and with the reality that lurks behind appearances, Brigge muses on his family and their history and on the teeming, alien life of the city. Many of the themes and images that occur in Rilke's poetry can also be found in the novel, prefiguring the modernist movement in its self-awareness and imagistic immediacy.
Rainer Maria Rilke offers a compelling portrait of Parisian life, art, and culture at the beginning of the 20th century. In 1902, the young German writer Rainer Maria Rilke traveled to Paris to write a monograph on the sculptor Auguste Rodin. He returned many times over the course of his life, by turns inspired and appalled by the city's high culture and low society, and his writings give a fascinating insight into Parisian art and culture in the last century. Paris was a lifelong source of inspiration for Rilke. Perhaps most significantly, the letters he wrote about it formed the basis of his prose masterpiece, The Notebooks of Malte Laurids Brigge. Much of this work, despite its perennial popularity in French, German, and Italian, has never before been translated into English. This volume brings together a translation of Rilke's essay on poetry, 'Notes on the Melody of Things' and the first English translation of Rilke's experiences in Paris as observed by his French translator.
More than twenty stories from the Alaskan Tlingit tradition are accompanied by information on its culture, history and art.
The reputation of Rainer Maria Rilke has grown steadily since his death in 1926; today he is widely considered to be the greatest poet of the twentieth century. This Modern Library edition presents Stephen Mitchell’s acclaimed translations of Rilke, which have won praise for their re-creation of the poet’s rich formal music and depth of thought. “If Rilke had written in English,” Denis Donoghue wrote in The New York Times Book Review, “he would have written in this English.” Ahead of All Parting is an abundant selection of Rilke’s lifework. It contains representative poems from his early collections The Book of Hours and The Book of Pictures; many selections from the revolutionary New Poems, which drew inspiration from Rodin and Cezanne; the hitherto little-known “Requiem for a Friend”; and a generous selection of the late uncollected poems, which constitute some of his finest work. Included too are passages from Rilke’s influential novel, The Notebooks of Malte Laurids Brigge, and nine of his brilliant uncollected prose pieces. Finally, the book presents the poet’s two greatest masterpieces in their entirety: the Duino Elegies and The Sonnets to Orpheus. “Rilke’s voice, with its extraordinary combination of formality, power, speed and lightness, can be heard in Mr. Mitchell’s versions more clearly than in any others,” said W. S. Merwin. “His work is masterful.”
First published in 1975, The Cage was a graphic novel before there was a name for the genre. Considered an early masterpiece of the genre, the Canadian cult comic has been out of print for decades. The new edition includes an introduction by Canadian comics master and Lemony Snicket collaborator Seth (Palookaville; It's a Good Life, If You Don't Weaken). Cryptic and disturbing, like Dave Gibbons (Watchmen) illustrating a film by Ozu, The Cage spurns narrative for atmosphere, guiding us through a series of disarrayed rooms and desolate landscapes, tracking a stuttering and circling time and a sequence of objects: headphones, inky stains, bedsheets. It's not about where we're going but how – if – we get there.
Illuminates the major aspects of the works of Germany's greatest 20th-century poet. Rainer Maria Rilke (1875-1926) is the best-known German poet of his generation and is widely appreciated today by readers in Europe, the United States, and world-wide. Because of the inventiveness and musicality of his poetic language and the visionary intuition of his thinking, Rilke's influence extends well beyond poetry to include religion, philosophy, the social sciences, and the arts. His works have been widely translated into English, and new enderings of such poem cycles as The Duino Elegies and The Sonnets to Orpheus appear frequently. Critics regard Rilke's Notebooks of Malte Laurids Brigge as a seminal modern novel. The Companion to Rilke provides essential, up-to-date essays by top Rilke scholars on a wide range of the major aspects of Rilke's life and works. The volume follows the chronology of Rilke's career, emphasizing those works that have met with the greatest critical interest. Among the topics covered are: Rilke's life and thought; the writings before 1902; Das Stunden-Buch and Das Buch der Bilder; the Neue Gedichte, The Cornet and other brief narratives; Malte Laurids Brigge; The Duino Elegies; The Sonnets to Orpheus; Rilke as a poet in French; Rilke and the visual arts. Erika and Michael Metzger (SUNY Buffalo) have written extensively on various aspects ofGerman literature and have edited significant Baroque texts.
A semi-autobiographical novel in the form of a diary. A young man "lives in a cheap room in Paris while his belongings rot in storage. Every person he sees seems to carry their death within them and with little but a library card to distinguish him from the city's untouchables, he thinks of the deaths, and ghosts, of his aristocratic family, of which he is the sole living descendant."--Goodreads.
"In this improbable love story, we meet a man who is obsessed with himself: how he does things and all the ways he might have done them, how he thinks, why he thinks the way that he thinks, how he might do or think otherwise. What happens? He takes driving lessons, goes grocery shopping, slowly yet methodically battles an olive on a plate. It is all simple and amusing until life intercedes: there is love, suddenly, and change, a flurry of emotion, and an unexpected incident with a camera on a ship. Only Jean-Philippe Toussaint - master of poignant deadpan - could write a novel at once so aloof and so touching, where we come to know our narrator intimately while knowing almost nothing about him."--BOOK JACKET.
This book is an investigation of the role of creative labor and the five senses in Rainer Maria Rilke’s prose works, including his “Primal Sound” essay, the Stories of God, The Notebooks of Malte Laurids Brigge, and his monograph on Auguste Rodin. It is about several protagonists’ quest to achieve creative labor by reconnecting spirit or the unconscious to the hand. There are many difficulties in the way, however, illustrated by Rilke’s essays, tales, and monographs. In the process of overcoming these impediments, the five senses are expanded and refined. Rilke’s characters undergo a transformation that not only allows them to do true creative labor, but also brings them into a new relationship with themselves, the world around them and other people. Nicholas Carroll Reynolds received his PhD at the University of Oregon, USA. He has authored several articles on philosophy and literature, and has worked as an editor and translator. He is currently employed at Trinity University in San Antonio, Texas, USA, where he teaches in the German, Philosophy, and First Year Experience programs, as well as in Trinity’s Study abroad program in Berlin, Germany.
Winner of the 2016 Marfield Prize In 1902, Rainer Maria Rilke—then a struggling poet in Germany—went to Paris to research and write a short book about the sculptor Auguste Rodin. The two were almost polar opposites: Rilke in his twenties, delicate and unknown; Rodin in his sixties, carnal and revered. Yet they fell into an instantaneous friendship. Transporting readers to early twentieth-century Paris, Rachel Corbett’s You Must Change Your Life is a vibrant portrait of Rilke and Rodin and their circle, revealing how deeply Rodin’s ideas about art and creativity influenced Rilke’s classic Letters to a Young Poet.