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Cheever looks back with clear-eyed candor on a way of life that brought her perilously close to the edge in a book about recovery that is both wrenching and ultimately inspiring.
A representative of Poe’s tales of the sea, "Ms. Found in a Bottle" follows the writer’s infatuation with the horrific and unknown forces around us. An avid reader just like his creator, the narrator finds solace within books and ancient lore, thus testing the limits of one’s imagination, and at the same time paving the road for further exploration of the unknown. Poe’s otherworldly narrative could easily fall in the same category as the sea voyages and tribulations described by later authors such as Herman Melville and Joseph Conrad. Edgar Allan Poe (1809-1849) was an American poet, author, and literary critic. Most famous for his poetry, short stories, and tales of the supernatural, mysterious, and macabre, he is also regarded as the inventor of the detective genre and a contributor to the emergence of science fiction, dark romanticism, and weird fiction. His most famous works include "The Raven" (1945), "The Black Cat" (1943), and "The Gold-Bug" (1843).
Born into a world ruled and defined by the cocktail hour, in which the solution to any problem could be found in a dry martini or another glass of wine, Susan Cheever led a life both charmed and damned. She and her father, the celebrated writer John Cheever, were deeply affected and troubled by alcohol. Addressing for the first time the profound effects that alcohol had on her life, in shaping of her relationships with men and in influencing her as a writer, Susan Cheever delivers an elegant memoir of clear-eyed candor and unsettling immediacy. She tells of her childhood obsession with the niceties of cocktails and all that they implied -- sociability, sophistication, status; of college days spent drinking beer and cheap wine; of her three failed marriages, in which alcohol was the inescapable component, of a way of life that brought her perilously close to the edge. At once devastating and inspiring, Note Found in a Bottle offers a startlingly intimate portrait of the alcoholic's life -- and of the corageous journey to recovery.
In a moment of desolation on a windswept beach, Garrett bottles his words of undying love for a lost woman, and throws them to the sea. My dearest Catherine, I miss you my darling, as I always do, but today is particularly hard because the ocean has been singing to me, and the song is that of our life together . . . But the bottle is picked up by Theresa, a mother with a shattered past, who feels unaccountably drawn to this lonely man. Who are this couple? What is their story? Beginning a search that will take her to a sunlit coastal town and an unexpected confrontation, it is a tale that resonates with everlasting love and the enduring promise of redemption.
Bernard Krigstein began his career as an unremarkable journeyman cartoonist during the 1940s and finished it as a respected fine artist and illustrator ― but comics historians know him for his explosively creative 1950s, during which he applied all the craft, intelligence and ambition of a burgeoning “serious” artist to his comics work, with results that remain stunning to this day. Krigstein’s legend rests mostly on the 30 or so stories he created for the EC Comics, but dozens of stories drawn for other, lesser publishers such as Rae Herman, Hillman, and Atlas (which would become Marvel) showcase his skills and radical reinterpretation of the comics page, in particular his groundbreaking slicing and dicing of time lapses through a series of narrow, nearly animated panels. Greg Sadowski, who has previously written and designed a Harvey Award-winning biography of Krigstein, has assembled the very best of Krigstein’s comics work, starting with his earliest creative rumblings, through his glory days at EC, to his final, even more brilliantly radical stories for Atlas Comics ― running through every genre popular at the time, be it horror, science fiction, war, western, or romance (but no super-heroes).
A message in a bottle holds the promise of surprise and wonder, as told in this enthralling picture book by Caldecott Medalist Erin E. Stead The Uncorker of Ocean Bottles, who lives alone atop a hill, has a job of the utmost importance. It is his task to open any bottles found at sea and make sure that the messages are delivered. He loves his job, though he has always wished that, someday, one of the letters would be addressed to him. One day he opens a party invitation—but there’s no name attached. As he devotes himself to the mystery of the intended recipient, he ends up finding something even more special: the possibility of new friends.
"Ayatsuji's brilliant and richly atmospheric puzzle will appeal to fans of golden age whodunits... Every word counts, leading up to a jaw-dropping but logical reveal" — Publishers Weekly A hugely enjoyable, page-turning murder mystery sure to appeal to fans of Elly Griffiths, Anthony Horowitz, and Agatha Christie, with one of the best and most-satisfying conclusions you'll ever read. A classic in Japan, available in English for the first time. From The New York Times Book Review: "Read Yukito Ayatsuji’s landmark mystery, The Decagon House Murders, and discover a real depth of feeling beneath the fiendish foul play. Taking its cues from Agatha Christie’s locked-room classic And Then There Were None, the setup is this: The members of a university detective-fiction club, each nicknamed for a favorite crime writer (Poe, Carr, Orczy, Van Queen, Leroux and — yes — Christie), spend a week on remote Tsunojima Island, attracted to the place, and its eerie 10-sided house, because of a spate of murders that transpired the year before. That collective curiosity will, of course, be their undoing. As the students approach Tsunojima in a hired fishing boat, 'the sunlight shining down turned the rippling waves to silver. The island lay ahead of them, wrapped in a misty veil of dust,' its sheer, dark cliffs rising straight out of the sea, accessible by one small inlet. There is no electricity on the island, and no telephones, either. A fresh round of violent deaths begins, and Ayatsuji’s skillful, furious pacing propels the narrative. As the students are picked off one by one, he weaves in the story of the mainland investigation of the earlier murders. This is a homage to Golden Age detective fiction, but it’s also unabashed entertainment."
My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?
Often considered the foremost reference for manufacturer's marks, this epic work is astounding in its breadth. By his own count, Toulouse offers information on more than 1,200 different marks found on glass bottles and jars. (Antiques/Collectibles)