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Available in English for the first time, Modern Armenian Drama presents seven classic works from the Armenian stage. Spanning over a century (1871–1992), the plays explore such diverse themes science and religion, socioeconomic injustice, women's emancipation, and political reform through the medium of all the major European dramatic genres. Nishan Parlakian and S. Peter Cowe provide a comprehensive introduction to the history of Armenian drama, giving a valuable overview of its importance and development in Armenia, as well as a brief biography for each playwright. A preface to each play helps in placing the work within the context of historical and cultural issues of the time. Like the plays of Ibsen and O'Neill, the plays presented in this anthology are considered modern classics. They have an enduring quality and appeal to audiences who see them today. The editors have collected translations of the best examples of Armenian theater from its renaissance in the mid-nineteenth century to the present.
Although ancestral voices have inspired many Armenian American writers of poetry and fiction in the twentieth century, their expression through drama has been limited. The first of its kind, this anthology is a collection of plays by notable Armenian Americans. Written in English largely by artists of Armenian extraction during the latter part of the twentieth century, the plays reflect the outrage of the Armenian Genocide, the forced transplantation that created the Armenian Diaspora, and the desire to maintain the newly established democratic homeland. Including a range of authors from William Saroyan to more contemporary voices, this anthology represents the writers that have stimulated cutting-edge contemporary drama from the mid-twentieth century to the present. The collection includes farce, comedy, tragicomedy, and tragedy (and sometimes blends of all of these). The plays reflect the shared experiences of Armenian family life in Armenia, Turkey, and America. The themes include the joy of freedom to practice their faith and ethnic customs, the turmoil of acculturation, and the feared loss of identity through assimilation. The editor has provided headnotes for each play and an extensive introduction tracing the history of Armenian American drama in the United States.
There are two Armenias: the current Republic of Armenia and historic Armenia. The modern state dates from the early 20th century. Historic Armenia was part of the ancient world and expired in the Middle Ages. Its people, however, survived, and from its residue recreated a new country. The history of the Armenians is the story of how an ancient people endured into modern times and how its culture evolved from one conceived under the influence of Mesopotamia to one redefined by the civilization of Europe. The second edition of the Historical Dictionary of Armenia relates the turbulent past of this persistent country through a chronology, an introductory essay, a bibliography, and over 200 cross-referenced dictionary entries on significant persons, events, places, organizations, and other aspects of Armenian history from the earliest times to the present.
A History of Armenian Womenâ (TM)s Writing: 1880-1921 introduces the reader to the wealth and diversity of womenâ (TM)s writing in Armenian in the late nineteenth and early twentieth centuries. The volume focuses on six Armenian women writers-Srpouhi Dussap, Sibyl, Mariam Khatisian, Marie Beylerian, Shushanik Kurghinian and Zabel Yesayian and these authorsâ (TM) novels, short stories, poems and essays. The study contends that Western and Eastern Armenian women writers, while not displaying a uniformity of opinion and vision, nevertheless found inspiration in the activism, writings and arguments of one another and form a literary genealogy of womenâ (TM)s writing in Armenian. The study has several objectives. For general readers and those interested primarily in the historical account it provides a chronological description of the formative period of modern Armenian womenâ (TM)s writing beginning in 1880 with the publication of a series of articles on womenâ (TM)s education and employment by Srpouhi Dussap and concludes with the physical dislocations and psychological traumas of the Armenian Genocide in 1915 and the fall of the first independent Republic of Armenia in 1921. On another level the book concentrates on disentangling the contemporaneous intellectual debates about Armenian womenâ (TM)s proper sphere. The author argues that the role of the Armenian woman was central to debates about national identity, education, the family and society by Armenian writers and women writers sought to participate in and guide this discourse through literary texts.
Out of My Great Sorrows is the story of Philadelphia artist Mary Zakarian, whose life and work were shaped by the experiences of her mother, a survivor of the 1915 Armenian Genocide. Written by Mary Zakarian’s niece and nephew, the narrative examines the complexities of the artist’s life as they relate to many issues, including ethnicity, gender, immigration, and assimilation. Above all this is a story of trauma—its effects on the survivor, its transmission through the generations, and its role in the artistic experience. Zakarian painted obsessively throughout her life. As she gained recognition for her artwork, she became increasingly haunted by her mother’s untold story and was driven to express the tragedy of the Armenian Genocide in her art. Zakarian’s attempt to deal openly with the issues of trauma and guilt caused conflicts in her relationship with her mother. These emotions became a driving force behind her art as well as the basis for her personal difficulties. By examining Mary Zakarian’s life and art, the authors bring new insights to the study of the Armenian experience. This moving story will inspire all those who have struggled to express themselves in the face of injustice and oppression.
Preserving Armenia's rich literary tradition from a multitude of viewpoints has been the aim of this three-volume work. This third volume joins the previous two in making excerpts of Armenian masterpieces accessible in beautifully rendered English translations, while enabling readers to enjoy the immediacy of these works through lively discussions of the authors and their times. Here the focus is on the eighteenth through twentieth centuries. The volume begins with a comprehensive overview of the entire historical, social, and literary panorama of the periods covered: the Armenian Renaissance, the development of modern Armenian (with its Western and Eastern versions), the emergence of a national identity and democratic thinking (with their impact on literature and theater), and such literary schools as Romanticism, Realism, and Aestheticism. Biographies of more than 130 prominent authors appear in these pages, together with critical comments concerning their works and extensive excerpts from the works themselves. The texts are edited, annotated with footnotes, and presented in a format that permits easy comprehension. Literature unveils a rich pageant of works in historical perspective. The varied experiences from the Armenian past come alive, allowing for new understandings and comparisons to literatures of other nations.
What remains and becomes Armenian in a historically informed moment of increased mobility? Taking an anthropological approach with ethnographic data collected from Turkey and Armenia over the course of almost 10 years, this book focuses on themes of migration, human movement, community-making and the conditions that facilitate mobility and place-making. Looking at case studies ranging from bus and taxi drivers travelling between Armenia and Turkey to undocumented migrants deported from Turkey and now living in Armenian cities and Armenian residents of Istanbul, the author provides a vivid description of contemporary non-Muslim life in Turkey through the lives of Armenian Turkish citizens and undocumented migrants from Armenia, as well as Greek, Jewish and Kurdish communities. The author provides both a critical account of how historical and more contemporary forms of violence and structural discrimination have targeted Armenians in the country, and also focuses on the re-articulations and the appropriation of a sense of belonging by these and other minority communities.
Includes section "Reviews and notices of books".