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Not So Good a Gay Man is the compelling memoir of author, screenwriter, and activist Frank M. Robinson. Frank M. Robinson (1926-2014) accomplished a great deal in his long life, working in magazine publishing, including a stint for Playboy, and writing science fiction such as The Power, The Dark Beyond the Stars, and thrillers such as The Glass Inferno (filmed as The Towering Inferno). Robinson also passionately engaged in politics, fighting for gay rights, and most famously writing speeches for his good friend Harvey Milk in San Francisco. This deeply personal autobiography, addressed to a friend in the gay community, explains the life of one gay man over eight decades in America. By turns witty, charming, and poignant, this memoir grants insights into Robinson's work not just as a journalist and writer, but as a gay man navigating the often perilous social landscape of 20th century life in the United States. The bedrock sincerity and painful honesty with which he describes this life makes Not So Good a Gay Man compelling reading. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
"Frank M. Robinson (1926-2014) accomplished a great deal in his long life, working in magazine publishing, including a stint for Playboy, and writing science fiction such as The Power, The Dark Beyond the Stars, and thrillers such as The Glass Inferno (filmed as The Towering Inferno). Robinson also passionately engaged in politics, fighting for gay rights, and most famously writing speeches for his good friend Harvey Milk in San Francisco. This deeply personal autobiography, addressed to a friend in the gay community, explains the life of one gay man over eight decades in America. By turns witty, charming, and poignant, this memoir grants insights into Robinson's work not just as a journalist and writer, but as a gay man navigating the often perilous social landscape of 20th century life in the United States. The bedrock sincerity and painful honesty with which he describes this life makes Not So Good a Gay Man compelling reading." -- Provided by publisher.
From bestselling author of The Book of Delights and award-winning poet, a book of lyrical mini-essays celebrating the everyday that will inspire readers to rediscover the joys in the world around us. In Ross Gay’s new collection of small, daily wonders, again written over the course of a year, one of America’s most original voices continues his ongoing investigation of delight. For Gay, what delights us is what connects us, what gives us meaning, from the joy of hearing a nostalgic song blasting from a passing car to the pleasure of refusing the “nefarious” scannable QR code menus, from the tiny dog he fell hard for to his mother baking a dozen kinds of cookies for her grandchildren. As always, Gay revels in the natural world—sweet potatoes being harvested, a hummingbird carousing in the beebalm, a sunflower growing out of a wall around the cemetery, the shared bounty from a neighbor’s fig tree—and the trillion mysterious ways this glorious earth delights us. The Book of (More) Delights is a volume to savor and share.
“I used to be a lesbian.” In Gay Girl, Good God, author Jackie Hill Perry shares her own story, offering practical tools that helped her in the process of finding wholeness. Jackie grew up fatherless and experienced gender confusion. She embraced masculinity and homosexuality with every fiber of her being. She knew that Christians had a lot to say about all of the above. But was she supposed to change herself? How was she supposed to stop loving women, when homosexuality felt more natural to her than heterosexuality ever could? At age nineteen, Jackie came face-to-face with what it meant to be made new. And not in a church, or through contact with Christians. God broke in and turned her heart toward Him right in her own bedroom in light of His gospel. Read in order to understand. Read in order to hope. Or read in order, like Jackie, to be made new.
In an age where neither society nor the church knows what to do with gay Christians, Greg Coles shares his story—a story about a boy in love with Jesus who, at the fateful onset of puberty, realized his sexual attractions were persistently and exclusively for other guys. This honest, hopeful account shows life through one man's eyes and assures all people: "You are not a mistake."
No one raises an eyebrow if you suggest that a guy who arranges his furniture just so, rolls his eyes in exaggerated disbelief, likes techno music or show tunes, and knows all of Bette Davis's best lines by heart might, just possibly, be gay. But if you assert that male homosexuality is a cultural practice, expressive of a unique subjectivity and a distinctive relation to mainstream society, people will immediately protest. Such an idea, they will say, is just a stereotype-ridiculously simplistic, politically irresponsible, and morally suspect. The world acknowledges gay male culture as a fact but denies it as a truth. David Halperin, a pioneer of LGBTQ studies, dares to suggest that gayness is a specific way of being that gay men must learn from one another in order to become who they are. Inspired by the notorious undergraduate course of the same title that Halperin taught at the University of Michigan, provoking cries of outrage from both the right-wing media and the gay press, How To Be Gay traces gay men's cultural difference to the social meaning of style. Far from being deterred by stereotypes, Halperin concludes that the genius of gay culture resides in some of its most despised features: its aestheticism, snobbery, melodrama, adoration of glamour, caricatures of women, and obsession with mothers. The insights, impertinence, and unfazed critical intelligence displayed by gay culture, Halperin argues, have much to offer the heterosexual mainstream.
Chosen by Town & Country as one of the most anticipated books of the year | Named "An LGBTQ Book That'll Change the Literary Landscape in 2020" by O: The Oprah Magazine In this poignant and urgent love letter to his son, award-winning Broadway, TV and film producer Richie Jackson reflects on his experiences as a gay man in America and the progress and setbacks of the LGBTQ community over the last 50 years. “My son is kind, responsible, and hardworking. He is ready for college. He is not ready to be a gay man living in America." When Jackson's son born through surrogacy came out to him at age 15, the successful producer, now in his 50s, was compelled to reflect on his experiences and share his wisdom on life for LGBTQ Americans over the past half-century. Gay Like Me is a celebration of gay identity and parenting, and a powerful warning for his son, other gay men and the world. Jackson looks back at his own journey as a gay man coming of age through decades of political and cultural turmoil. Jackson's son lives in a seemingly more liberated America, and Jackson beautifully lays out how far we’ve come since Stonewall -- the increased visibility of gay people in society, the legal right to marry, and the existence of a drug to prevent HIV. But bigotry is on the rise, ignited by a president who has declared war on the gay community and fanned the flames of homophobia. A newly constituted Supreme Court with a conservative tilt is poised to overturn equality laws and set the clock back decades. Being gay is a gift, Jackson writes, but with their gains in jeopardy, the gay community must not be complacent. As Ta-Nehisi Coates awakened us to the continued pervasiveness of racism in America in Between the World and Me, Jackson’s rallying cry in Gay Like Me is an eye-opening indictment to straight-lash in America. This book is an intimate, personal exploration of our uncertain times and most troubling questions and profound concerns about issues as fundamental as dignity, equality, and justice. Gay Like Me is a blueprint for our time that bridges the knowledge gap of what it’s like to be gay in America. This is a cultural manifesto that will stand the test of time. Angry, proud, fierce, tender, it is a powerful letter of love from a father to a son that holds lasting insight for us all.
With keen insight into teenage life, Ellen Wittlinger delivers a story of adolescence that is fierce and funny -- and ultimately transforming -- even as it explores the pain of growing up. Since his parents' divorce, John's mother hasn't touched him, her new fiancé wants them to move away, and his father would rather be anywhere than at Friday night dinner with his son. It's no wonder John writes articles like "Interview with the Stepfather" and "Memoirs from Hell." The only release he finds is in homemade zines like the amazing Escape Velocity by Marisol, a self-proclaimed "Puerto Rican Cuban Yankee Lesbian." Haning around the Boston Tower Records for the new issue of Escape Velocity, John meets Marisol and a hard love is born. While at first their friendship is based on zines, dysfuntional families, and dreams of escape, soon both John and Marisol begin to shed their protective shells. Unfortunately, John mistakes this growing intimacy for love, and a disastrous date to his junior prom leaves that friendship in ruins. Desperately hoping to fix things, John convinces Marisol to come with him to a zine conference on Cape Cod. On the sandy beaches by the Bluefish Wharf Inn, John realizes just how hard love can be.
A moving exploration of how gay men construct their identities, fight to be themselves, and live authentically It goes without saying that even today, it’s not easy to be gay in America. While young gay men often come out more readily, even those from the most progressive of backgrounds still struggle with the legacy of early-life stigma and a deficit of self-acceptance, which can fuel doubt, regret, and, at worst, self-loathing. And this is to say nothing of the ongoing trauma wrought by AIDS, which is all too often relegated to history. Drawing on his work as a clinical psychologist during and in the aftermath of the epidemic, Walt Odets reflects on what it means to survive and figure out a way to live in a new, uncompromising future, both for the men who endured the upheaval of those years and for the younger men who have come of age since then, at a time when an HIV epidemic is still ravaging the gay community, especially among the most marginalized. Through moving stories—of friends and patients, and his own—Odets considers how experiences early in life launch men on trajectories aimed at futures that are not authentically theirs. He writes to help reconstruct how we think about gay life by considering everything from the misleading idea of “the homosexual,” to the diversity and richness of gay relationships, to the historical role of stigma and shame and the significance of youth and of aging. Crawling out from under the trauma of destructive early-life experience and the two epidemics, and into a century of shifting social values, provides an opportunity to explore possibilities rather than live with limitations imposed by others. Though it is drawn from decades of private practice, activism, and life in the gay community, Odets’s work achieves remarkable universality. At its core, Out of the Shadows is driven by his belief that it is time that we act based on who we are and not who others are or who they would want us to be. We—particularly the young—must construct our own paths through life. Out of the Shadows is a necessary, impassioned argument for how and why we must all take hold of our futures.
More than an anthology of coming out stories, From Boys to Men is a stunning collection of essays about what it is like to be gay and young, to be different and be aware of that difference from the earliest of ages. In these memoirs, coming out is less important than coming of age and coming to the realization that young gay people experience the world in ways quite unlike straight boys. Whether it is a fascination with soap opera, an intense sensitivity to their own difference, or an obsession with a certain part of the male anatomy, gay kids — or kids who would eventually identify as gay — have an indefinable but unmistakable gay sensibility. Sometimes the result is funny, sometimes it is harrowing, and often it is deeply moving. Essays by lauded young writers like Alex Chee (Edinburgh), Aaron Hamburger (Faith for Beginners), Karl Soehnlein (The World of Normal Boys), Trebor Healy (Through It Came Bright Colors), Tom Dolby (The Trouble Boy), David Bahr, and Austin Bunn, are collected along with those by brilliant, newcomers such as Michael McAllister, Jason Tougaw, Viet Dinh, and the wildly popular blogger, Joe.My.God.