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Not Since Carrie is Ken Mandelbaum's brilliant survey of Broadway's biggest flops. This highly readable and entertaining book highlights almost 200 musicals created between 1950 and 1990, framed around the notorious musical adaptation of Carrie, and examines the reasons for their failure. "Essential and hilarious," raves The New Yorker, and The New York Times calls the book "A must-read."
(Vocal Selections). "This show has guts!" proclaimed Richard Zoglin of Time magazine about this 2012 revival, which won the Off-Broadway Alliance Award for Best Musical Revival. It features music by Michael Gore, lyrics by Dean Pitchford, and book by Lawrence D. Cohen (based on the novel by Stephen King). Our folio features vocal selections for 18 songs from that revival, including: Alma Mater * And Eve Was Weak * Carrie * Carrie (Reprise) * Do Me a Favor * Dreamer in Disguise * Epilogue * Evening Prayers * I Remember How Those Boys Could Dance * In * A Night We'll Never Forget * Once You See * Open Your Heart * Unsuspecting Hearts * When There's No One * Why Not Me? * The World According to Chris * You Shine.
"These cautionary tales are provocative, highly instructive, occasionally brutal, and, from a safe distance, downright hilarious, making Second Act Trouble the perfect Broadway bedtime reader - unless you are prone to nightmares."--BOOK JACKET.
“One of the best literary works of this year” (Miami Herald-Tribune): The true story of a theatrical dream—or nightmare—come true…the making of the Spider-Man musical. As you might imagine, writing a Broadway musical has its challenges. But it turns out there are challenges one can’t begin to imagine when collaborating with two rock legends and a superstar director to stage the biggest, most expensive production in theater history. Renowned director Julie Taymor picked playwright Glen Berger to cowrite the book for a $25 million Spider-Man musical. Together—along with U2’s Bono and Edge—they would shape a work that was technically daring and emotionally profound, with a story fueled by the hero’s quest for love…and the villains’ quest for revenge. Or at least, that’s what they’d hoped for. But when charismatic producer Tony Adams died suddenly, the show began to lose its footing. Soon the budget was ballooning, financing was evaporating, and producers were jumping ship or getting demoted. And then came the injuries. And then came word-of-mouth about the show itself. What followed was a pageant of foul-ups, falling-outs, ever-more harrowing mishaps, and a whole lot of malfunctioning spider legs. This “circus-rock-and-roll-drama,” with its $65 million price tag, had become more of a spectacle than its creators ever wished for. During the show’s unprecedented seven months of previews, the company’s struggles to reach opening night inspired breathless tabloid coverage and garnered international notoriety. Through it all, Berger observed the chaos with his signature mix of big ambition and self-deprecating humor.
The extraordinary story of a transformative decade on Broadway, featuring gripping behind-the-scenes accounts of shows such as Rent, Angels in America, Chicago, The Lion King, and The Producers—shows that changed the history of the American theater. The 1990s was a decade of profound change on Broadway. At the dawn of the nineties, the British invasion of Broadway was in full swing, as musical spectacles like Les Miserables, Cats, and The Phantom of the Opera dominated the box office. But Andrew Lloyd Webber’s Sunset Boulevard soon spelled the end of this era and ushered in a new wave of American musicals, beginning with the ascendance of an unlikely show by a struggling writer who reimagined Puccini’s opera La Bohème as the smash Broadway show Rent. American musical comedy made its grand return, culminating in The Producers, while plays, always an endangered species on Broadway, staged a powerful comeback with Tony Kushner’s Angels in America. A different breed of producers rose up to challenge the grip theater owners had long held on Broadway, and corporations began to see how much money could be made from live theater. And just as Broadway had clawed its way back into the mainstream of American popular culture, the September 11 attacks struck fear into the heart of Americans who thought Times Square might be the next target. But Broadway was back in business just two days later, buoyed by talented theater people intent on bringing New Yorkers together and supporting the economics of an injured city. Michael Riedel presents the drama behind every mega-hit or shocking flop, bringing readers into high-stakes premieres, fraught rehearsals, tough contract negotiations, intense Tony Award battles, and more. From the bitter feuds to the surprising collaborations, all the intrigue of a revolutionary era in the Theater District is packed into Singular Sensation. Broadway has triumphs and disasters, but the show always goes on.
Into the Wild meets The Serpent King in this story about Annie and Pete, two best friends on a dangerous and emotional trek through the woods. Annie and Pete have been best friends since they were little. They know each other better than anyone, and they've been on more adventures than they can count--they even have a notebook filled with all the times they've almost died. But they always survive, because together, they're invincible. And they've always been just friends. But lately, Annie has been thinking that maybe friendship is just the beginning, and she's been mentally replaying all the times they were almost something more. Now they're heading out on their next great quest: a ten-day backpacking trip through the mountains of Washington State, ending at Fire Camp, where they'll learn to fight the area's growing wildfire problem. The woods spark with the promise of adventure, but a freak climbing accident interrupts their progress, and as the wildfires close in and smoke envelops them, Annie and Pete wander farther from the trail. Carrie Mac's gripping story of the power of unrequited love and the danger of the elements is harrowing, beautiful, and unforgettable. A Globe and Mail Best Book of the Year "Mac is as comfortable writing about the wilderness as she is exploring the internal world of a teenage girl, and the combination of the two is enthralling and devastating."--Quill and Quire, Starred review "At turns heartbreaking, joyful, and frightening. An affecting combination of wilderness adventure and poignant teen angst."--Kirkus "For a novel so introspective, the pace is remarkably quick...Recommend to fans of John Green, Adam Silvera, or Sarah Dessen. Advise readers to have tissues on hand for this riveting tale of friendship, grief, and survival."--SLJ
A detailed show-by-show history of the last quarter century in American musical theater that attempts to explain how the storied Broadway tradition went so very wrong in many cases.
This book surveys Broadway's biggest flops, highlighting almost 200 musicals created between 1950 and 1990. Framed around the notorious musical adaptation of Carrie, this book examines the reasons for their failure.
Flop Musicals of the Twenty-First Century offers a provocative and revealing historical narrative of a group of musicals that cost millions and that had spectacular potential...but bombed anyway. Unlike similar books on the topic which have taken a more truncated approach to telling the fascinating stories of these shows, Stephen Purdy chooses instead to examine at length the production histories of these shows which are all bound together by a common thread. In this volume Purdy focuses the lens on several seemingly infallible theatre creatives that weren't destined to repeat their successes with the shows discussed in this volume. As such, Purdy grounds the discussion by examining what the legendary creators of Les Miserables, pop superstar Elton John, wunderkind Julie Taymor and many others have in common besides being inspired storytellers of iconic Broadway musicals. The answer is that that also all created shows that, for one reason or a dozen, didn't find an audience. This particular volume shares the story of what can happen when formidable creative teams of sell-out musicals attempt to re-create their success but miss the mark. This is an engaging book for students, practitioners and fans of musical theatre that contains thoughtful observations about luck and creative differences, botched adaptations and alienated audiences, all of which can determine the fate of a musical.
“Carrie Fountain’s YA novel is part-plot-twisty thriller, part-sweet romance, and perfect for summer reading!” —Bustle, Best YA Book of July, on I'm Not Missing It’s senior year, and Miranda Black’s best friend, Syd, has run away—suddenly and inexplicably, leaving behind nothing but a pink leopard print cell phone with a text message from the mysterious HIM. Everyone wants to know why Syd left, but the truth is, Miranda has no idea. When Miranda’s mother abandoned her as a child, Miranda had found shelter in her friendship with Syd, who wore her own motherlessness like a badge of honor. Now Miranda’s been left behind again, left to untangle the questions of why Syd left, where she is—and if she’s even a friend worth saving, all while stumbling into first love with the most unlikely boy in school. How do you take on the future when it feels like so much of your past wasn’t even real?