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The cute barista is a wannabe writer, and Gina Griffin doesn’t date wannabe writers. She’s a bestselling women’s fiction author and doesn’t need to take a clueless beginner under her wing, especially a handsome one who’s so awkward with words that she finds endearing. But Henry Archer is no ordinary barista. He’s a tech billionaire in disguise and the mastermind behind an AI chatbot designed to write like humans. Henry is captivated by Gina’s talent and determined to learn from her. What Gina doesn’t know is that he’s also using her word choices to fine-tune the very technology that she fears might render her craft obsolete. As they grow closer, Henry finds himself in a moral quandary, torn between his growing feelings for Gina and the innovative technology that could change the writing industry forever. Gina, in turn, is drawn to the charming barista with a passion for words, warning him against using AI and teaching him to write from the heart. Love is the last thing either one of them expects. As Gina grows curious about Henry’s identity and Henry frets over his newest breakthrough, a hidden enemy forces his hand. Will the exploding truth destroy Henry and Gina’s budding romance or inspire the greatest love story ever written?
A Starbucks executive reveals how to draw on the successful coffee-house chain's examples in order to promote business success, sharing inside stories about key turning points in Starbucks' history to illustrate how the company came to embrace its philosophy about putting people ahead of profits.
Not Here is a flight plan for escape and a map for navigating home; a queer Vietnamese American body in confrontation with whiteness, trauma, family, and nostalgia; and a big beating heart of a book. Nguyen’s poems ache with loneliness and desire and the giddy terrors of allowing yourself to hope for love, and revel in moments of connection achieved.
In a Boston suburb, several lives interweave in this large-hearted novel about what binds us, what we cling to, and what we leave behind.
Destined to be a classic, this "powerfully moving" (Chad Harbach, The Art of Fielding), multigenerational debut novel of an Irish-American family is nothing short of a "masterwork" (Joshua Ferris, Then We Came to the End). Born in 1941, Eileen Tumulty is raised by her Irish immigrant parents in Woodside, Queens, in an apartment where the mood swings between heartbreak and hilarity, depending on whether guests are over and how much alcohol has been consumed. When Eileen meets Ed Leary, a scientist whose bearing is nothing like those of the men she grew up with, she thinks she's found the perfect partner to deliver her to the cosmopolitan world she longs to inhabit. They marry, and Eileen quickly discovers Ed doesn't aspire to the same, ever bigger, stakes in the American Dream. Eileen encourages her husband to want more: a better job, better friends, a better house, but as years pass it becomes clear that his growing reluctance is part of a deeper psychological shift. An inescapable darkness enters their lives, and Eileen and Ed and their son Connell try desperately to hold together a semblance of the reality they have known, and to preserve, against long odds, an idea they have cherished of the future. Through the Learys, novelist Matthew Thomas charts the story of the American Century, particularly the promise of domestic bliss and economic prosperity that captured hearts and minds after WWII. The result is a riveting and affecting work of art; one that reminds us that life is more than a tally of victories and defeats, that we live to love and be loved, and that we should tell each other so before the moment slips away. Epic in scope, heroic in character, masterful in prose, We Are Not Ourselves heralds the arrival of a major new talent in contemporary fiction.
From the moment Mason became the manager of The Daily Grind, a solid friendship between him and his second-in-command Zoe was formed. However, when Zoe's boyfriend breaks up with her, the simmering sexual tension between her and Mason is brought to a boil. Meanwhile, the intrusive lens of a reality TV show creates drama in their little coffee shop, seemingly determined to bring Zoe down. ***This is a 14K word standalone novella set in Australia and features workplace drama and some language. Reader discretion is advised. ***
"Some people think I didn't have a childhood, as they think I was born on a cold and wet Saturday morning at the age of 23 in the front bar of The Lord Forrest Hotel. I did in fact have a childhood, but it was spent on a wheat farm, but I hated dirt and country music so as soon I was old enough I left the farm. I ended up in a country city doing a trade ( motor mechanic ) for four years. After I had my trade papers in my hand I was out of there and down to the big smoke, a city of millions of people. I owe that city a lot as it turned me from a country youth into a man. I discovered many things, including motorcycles, race cars, the ocean, sailing and diving and also bookshops. I hated school with a passion, but I am thankful to my teachers who taught me how to read. The bookshops in that big city were amazing, every Saturday morning would see me on a bus heading into the city and I would comb the bookshops. Those bookshops were a turning point in my life that put me on a very different road to the farm boy I was supposed to be. From there I wandered around the country and finally landed a job in South America working for an American company. South America, it's people and the crazy guys I worked with was another turning point in my life. In my travels I noticed people seemed to live by a script, a script for life. Some poor souls had been given a bad script but they still lived by it, I worked out who gave them these scripts, good or bad. I discovered one's life script is vital in how we live our lives. One can rewrite one's script, but your belief system will try to stop you from changing your script. Firstly you have to learn how to over come your belief system, and then rewrite your script."
If Lunchbox Letters is about returning to childlike faith, Coffee Cup Conversations is about growing up in our commitment to that faith. If Lunchbox Letters is about getting to know God as your Father, Coffee Cup Conversations is about getting to know him as your Friend. You know....that friend to whom you can tell anything, the one who always has your back, and will never betray your trust.... You've never had a friend like that? Well, don't worry, you're about to. Curl up on the couch with a good cup of coffee; and let me share with you, this collection of poetry, prayers, and teachings that the Lord has blessed me with me during this nighttime hour. Until it passes, I'm holding onto more than just my coffee cup - I'm holding onto every one of God's promises. I hope and pray you do the same, as you wait up for your miracle!
This delectable collection of stories is full of interesting facts and anecdotes about coffee's history and culture, how a bean goes from field to cup, and the many varieties available.