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Reprint of the original, first published in 1869.
Uses the Bible to offer comfort and support to the parent grieving the loss of a child, including the process of mourning, marital problems, questions, and acceptance, and contains information about additional reading and support groups.
A deliciously funny debut from a major new talent!
"Martin's fluid movement among various frames of reference- from astrophysics to musicology to botany to etymology-creates a structure of sheer imaginative play, which frames his utterly humane eye. His poetry explores the lyrical, intellectual, affective forces of language, while staying rooted in sensitive subjectivity. Martin is a joyous craftsman!" Matthew Kirshman, author of The Magic Flower & Other Sonnets "Stepping into Martin Elster's work, I'm taken by its rhythms and musicality. These are poems to read aloud, savor their sounds, and enjoy a meandering walk through the world around us." Frank Watson, editor of Poetry Nook and author of The Dollhouse Mirror, Seas to Mulberries, and One Hundred Leaves Through ballades and ballads, acrostics and ghazals, sonnets and Sapphics-both lighthearted and ruminative-the evocative poems in this collection portray the sights and sounds of our natural and manmade environments, the plants and animals everywhere around us and our relationship with them, sometimes pleasant and beautiful, often harmful and ominous. There are poems about terrestrial musicians and interstellar musicians, the songs of spring peepers and katydids, the plight of spiders and polar bears, humans in love and at war, songbirds vying with urban cacophony, lonely dogs and ghostly dogs, and very serious musings about the huge and mysterious cosmos that we are all a part of and how we click with it.
Reprint of the original, first published in 1869.
A Finalist for the Pulitzer Prize in Poetry A stunning new collection by the award-winning young poet and translator Like, that currency of social media, is a little word with infinite potential; it can be nearly any part of speech. Without it, there is no simile, that engine of the lyric poem, the lyre’s note in the epic. A poem can hardly exist otherwise. In this new collection, her most ambitious to date, A. E. Stallings continues her archeology of the domestic, her odyssey through myth and motherhood in received and invented forms, from sonnets to syllabics. Stallings also eschews the poetry volume’s conventional sections for the arbitrary order of the alphabet. Contemporary Athens itself, a place never dull during the economic and migration crises of recent years, shakes off the dust of history and emerges as a vibrant character. Known for her wry and musical lyric poems, Stallings here explores her themes in greater depth, including the bravura performance Lost and Found, a meditation in ottava rima on a parent’s sublunary dance with daily-ness and time, set in the moon’s Valley of Lost Things.
The most complete and current edition of Dylan Thomas' collected poetry in a beautiful gift edition celebrating the centenary of his birth The reputation of Dylan Thomas (1914-1953) as one of the greatest poets of the twentieth century has not waned in the fifty years since his death. A Welshman with a passion for the English language, Thomas’s singular poetic voice has been admired and imitated, but never matched. This exciting, newly edited annotated edition offers a more complete and representative collection of Dylan Thomas’s poetic works than any previous edition. Edited by leading Dylan Thomas scholar John Goodby from the University of Swansea, The Poems of Dylan Thomas contains all the poems that appeared in Collected Poems 1934-1952, edited by Dylan Thomas himself, as well as poems from the 1930-1934 notebooks and poems from letters, amatory verses, occasional poems, the verse film script for “Our Country,” and poems that appear in his “radio play for voices,” Under Milk Wood. Showing the broad range of Dylan Thomas’s oeuvre as never before, this new edition places Thomas in the twenty-first century, with an up-to-date introduction by Goodby whose notes and annotations take a pluralistic approach.