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One of Tennessee Williams's first plays, "Not About Nightingales" portrays the lives of inmates in a Pennsylvania prison who were steamed to death after leading their fellow prisoners on a hunger strike.
An award winning modern fairy tale about friendship and family, for fans of Bridge to Terabithia Twelve-year-old John Fischer Jr., “Little John” as he’s always been known, is spending the hot Texas summer helping his father to clear trees for Mr. King, the richest and most powerful man in town. Then one day he hears a song through the brush, one so beautiful that it stops him in his tracks. He follows the melody and finds, not a bird, but a young girl sitting in the branches of a tall sycamore tree. There’s something magical about this girl, Gayle, especially her soaring singing voice. Little John's home is full of sorrow over his sister’s death and endless stress over money troubles. But his friendship with Gayle quickly becomes the one bright spot in tough times . . . until Mr. King forces Little John into an impossible choice: risk his family’s wages and survival, or put Gayle's future in danger. Inspired by a Hans Christian Andersen story, Nightingale's Nest is an unforgettable novel about a boy with the weight of the world on his shoulders and a girl with the gift of healing in her voice. "Magical realism meets coming of age in this sensitive and haunting novel."—BCCB, starred review "Smart and beautiful . . . Once you’ve read it, you’ll have a hard time getting it out of your head.”—Elizabeth Bird, School Library Journal Blog
Volume III of the series includes Cat on a Hot Tin Roof (1955), Orpheus Descending (1957), and Suddenly Last Summer (1958). The first, which won both the Pulitzer Prize and Drama Critics Award, has proved every bit as successful as William's earlier A Streetcar Named Desire. The other two plays, though different in kind, both have something of the quality of Greek tragedy in 20th-century settings, bringing about catharsis through ritual death.
Nightingale, a gypsy Free Bard, is tasked with finding out why the High King of the human kingdoms is allowing the Church to become ever more overtly hostile to non-human sentients, as well as to anything that it does not at least indirectly control, such as gypsies and Free Bards.
*Winner of the Sophie Brody Medal* A moving and uplifting history set to music that reveals the rich life of one of the first internationally renowned female violinists. Spanning generations, from the shores of the Black Sea to the glittering concert halls of New York, The Nightingale's Sonata is a richly woven tapestry centered around violin virtuoso Lea Luboshutz. Like many poor Jews, music offered an escape from the predjudices that dominated society in the last years of the Russian Empire. But Lea’s dramatic rise as an artist was further accentuated by her scandalous relationship with the revolutionary Onissim Goldovsky. As the world around them descends in to chaos, between revolution and war, we follow Lea and her family from Russia to Europe and eventually, America. We cross paths with Pablo Casals, Isadora Duncan, Emile Zola and even Leo Tolstoy. The little girl from Odessa will eventually end up as one of the founding faculty of the prestigious Curtis Institute of Music, but along the way she will lose her true love, her father, and watch a son die young. The Iron Curtain would rise, but through it all, she plays on. Woven throughout this luminous odyssey is the story is Cesar Franck’s “Sonata for Violin and Piano.” As Lea was one of the first-ever internationally recognized female violinists, it is fitting that this pioneer was one of the strongest advocates for this young boundary-pushing composer and his masterwork.
"Collected here for the first time, these twelve plays embrace what Time magazine called "the four major concerns of Williams' dramatic imagination: loneliness, love, the violated heart and the valiancy of survival"--Back cover.
A crucible of so many elements that would later shape and characterize Williams's work.--World Literature Today
A celebrated figure in myth, song, and story, the nightingale has captivated the imagination for millennia, its complex song evoking a prism of human emotions,—from melancholy to joy, from the fear of death to the immortality of art. But have you ever listened closely to a nightingale’s song? It’s a strange and unsettling sort of composition—an eclectic assortment of chirps, whirs, trills, clicks, whistles, twitters, and gurgles. At times it is mellifluous, at others downright guttural. It is a rhythmic assault, always eluding capture. What happens if you decide to join in? As philosopher and musician David Rothenberg shows in this searching and personal new book, the nightingale’s song is so peculiar in part because it reflects our own cacophony back at us. As vocal learners, nightingales acquire their music through the world around them, singing amidst the sounds of humanity in all its contradictions of noise and beauty, hard machinery and soft melody. Rather than try to capture a sound not made for us to understand, Rothenberg seeks these musical creatures out, clarinet in tow, and makes a new sound with them. He takes us to the urban landscape of Berlin—longtime home to nightingale colonies where the birds sing ever louder in order to be heard—and invites us to listen in on their remarkable collaboration as birds and instruments riff off of each other’s sounds. Through dialogue, travel records, sonograms, tours of Berlin’s city parks, and musings on the place animal music occupies in our collective imagination, Rothenberg takes us on a quest for a new sonic alchemy, a music impossible for any one species to make alone. In the tradition of The Hidden Life of Trees and The Invention of Nature, Rothenberg has written a provocative and accessible book to attune us ever closer to the natural environment around us.
Two of Tennessee Williams's most revered dramas in a single paperback edition for the first time. Orpheus Descending is a love story, a plea for spiritual and artistic freedom, as well as a portrait of racism and intolerance. When charismatic drifter Valentine Xavier arrives in a Mississippi Delta town with his guitar and snakeskin jacket, he becomes a trigger for hatred and a magnet for three outcast souls: storekeeper Lady Torrance, “lewd vagrant” Carol Cutrere, and religious visionary Vee Talbot. Suddenly Last Summer, described by its author as a “short morality play,” has become one of his most notorious works due in no small part to the film version starring Elizabeth Taylor, Katharine Hepburn, and Montgomery Clift that shocked audiences in 1959. A menacing tale of madness, jealousy, and denial,the horrors in Suddenly Last Summer build to a heart-stopping conclusion. With perceptive new introductions by playwright Martin Sherman — he reframes Orpheus Descending in a political context and explores the psychology and sensationalism surrounding Suddenly Last Summer — this volume also offers Williams’s related essay, “The Past, the Present, and the Perhaps,” and a chronology of the playwright’s life and works.
NOW A MAJOR BBC TV DRAMA SERIES WITH AN INTRODUCTION BY COLM TOIBIN ‘Poetic and compelling, with a heart-stopping plot twist, Death and Nightingales seems to me a perfect novel’ Hilary Mantel 'A miracle of a novel which combines prose of bleak, unadorned beauty with a plot that keeps you up all night wondering how it will end... a masterpiece' Colm Tóibín It is 1883 and against the fearsome, unforgiving beauty of the Fermanagh landscape, the fate of Beth Winters unfolds. Beth is determined to decide her own destiny but charmed by the roguish Liam Ward she seems doomed to repeat the tragic mistakes of her family’s past. Through the events of her twenty-fifth birthday, decades of pain and betrayal build to a devastating, deadly climax.