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Bob Humphrys is one of the most famous names in sports journalism. As sports correspondent of BBC Wales's flagship news programme Wales Today, he was at the centre of every major story of the past twenty turbulent years. He was there right at the heart of Ruddockgate, there on the players' balcony when Glamorgan celebrated winning a county championship, there in the Mondeo driving Joe Calzaghe to his first world title fight. In short, he was where every sports fan would love to be - as close to the action as you can get without scoring a try, taking a corner or hitting a four. Despite a life-long love affair with sport, Bob wasn't always a sports journalist. Early in his career, his brother John - the Rottweiler of Radio 4's Today programme - took him aside and told him, 'The one thing you want to avoid is covering sport - that is not proper journalism.' But the man who always read his newspaper from back to front found it hard to resist sport's magnetic pull. After his successful stints as a feature writer and current affairs reporter - encountering everyone from Argentinian presidents to Danish drug dealers and Sir Anthony Hopkins - the BBC's Wales Today came calling, and Bob quickly discovered the politics in current affairs paled into insignificance compared to the politics in sport. In Bob's first week in the job, Welsh rugby imploded with a rebel tour to South Africa - and for the next twenty years Welsh sport would lurch from triumph to disaster and back again, with Bob right there in the middle, loving every moment. Tragically, Bob Humphrys died in August 2008. But he left a magnificent epitaph: this book. In Not a Proper Journalist, the former face of Welsh sport reveals for the first time the story behind the stories. The friendships, the feuds, the glory and the heartbreak, straight from the horse's mouth. It's revealing, exhilarating, provocative and very funny - and if that's not proper journalism, brother John can eat his hat...
Bob Humphrys is one of the most famous names in sports journalism. As sports correspondent of BBC Wales's flagship news programme Wales Today, he was at the centre of every major story of the past twenty turbulent years. He was there right at the heart of Ruddockgate, there on the players' balcony when Glamorgan celebrated winning a county championship, there in the Mondeo driving Joe Calzaghe to his first world title fight. In short, he was where every sports fan would love to be - as close to the action as you can get without scoring a try, taking a corner or hitting a four. Despite a life-long love affair with sport, Bob wasn't always a sports journalist. Early in his career, his brother John - the Rottweiler of Radio 4's Today programme - took him aside and told him, 'The one thing you want to avoid is covering sport - that is not proper journalism.' But the man who always read his newspaper from back to front found it hard to resist sport's magnetic pull. After his successful stints as a feature writer and current affairs reporter - encountering everyone from Argentinian presidents to Danish drug dealers and Sir Anthony Hopkins - the BBC's Wales Today came calling, and Bob quickly discovered the politics in current affairs paled into insignificance compared to the politics in sport. In Bob's first week in the job, Welsh rugby imploded with a rebel tour to South Africa - and for the next twenty years Welsh sport would lurch from triumph to disaster and back again, with Bob right there in the middle, loving every moment. Tragically, Bob Humphrys died in August 2008. But he left a magnificent epitaph: this book. In Not a Proper Journalist, the former face of Welsh sport reveals for the first time the story behind the stories. The friendships, the feuds, the glory and the heartbreak, straight from the horse's mouth. It's revealing, exhilarating, provocative and very funny - and if that's not proper journalism, brother John can eat his hat...
A seminal work and examination of the psychopathology of journalism. Using a strange and unprecedented lawsuit by a convicted murder againt the journalist who wrote a book about his crime, Malcolm delves into the always uneasy, sometimes tragic relationship that exists between journalist and subject. Featuring the real-life lawsuit of Jeffrey MacDonald, a convicted murderer, against Joe McGinniss, the author of Fatal Vision. In Malcolm's view, neither journalist nor subject can avoid the moral impasse that is built into the journalistic situation. When the text first appeared, as a two-part article in The New Yorker, its thesis seemed so radical and its irony so pitiless that journalists across the country reacted as if stung. Her book is a work of journalism as well as an essay on journalism: it at once exemplifies and dissects its subject. In her interviews with the leading and subsidiary characters in the MacDonald-McGinniss case -- the principals, their lawyers, the members of the jury, and the various persons who testified as expert witnesses at the trial -- Malcolm is always aware of herself as a player in a game that, as she points out, she cannot lose. The journalist-subject encounter has always troubled journalists, but never before has it been looked at so unflinchingly and so ruefully. Hovering over the narrative -- and always on the edge of the reader's consciousness -- is the MacDonald murder case itself, which imparts to the book an atmosphere of anxiety and uncanniness. The Journalist and the Murderer derives from and reflects many of the dominant intellectual concerns of our time, and it will have a particular appeal for those who cherish the odd, the off-center, and the unsolved.
On Television exposes the invisible mechanisms of manipulation and censorship that determine what appears on the small screen. Bourdieu shows how the ratings game has transformed journalism - and hence politics - and even such seemingly removed fields as law' science' art' and philosophy. Bourdieu had long been concerned with the role of television in cultural and political life when he bypassed the political and commercial control of the television networks and addressed his country's viewers from the television station of the College de France. On Television' which expands on that lecture' not only describes the limiting and distorting effect of television on journalism and the world of ideas' but offers the blueprint for a counterattack.
"This book is a message from autistic people to their parents, friends, teachers, coworkers and doctors showing what life is like on the spectrum. It's also my love letter to autistic people. For too long, we have been forced to navigate a world where all the road signs are written in another language." With a reporter's eye and an insider's perspective, Eric Garcia shows what it's like to be autistic across America. Garcia began writing about autism because he was frustrated by the media's coverage of it; the myths that the disorder is caused by vaccines, the narrow portrayals of autistic people as white men working in Silicon Valley. His own life as an autistic person didn't look anything like that. He is Latino, a graduate of the University of North Carolina, and works as a journalist covering politics in Washington D.C. Garcia realized he needed to put into writing what so many autistic people have been saying for years; autism is a part of their identity, they don't need to be fixed. In We're Not Broken, Garcia uses his own life as a springboard to discuss the social and policy gaps that exist in supporting those on the spectrum. From education to healthcare, he explores how autistic people wrestle with systems that were not built with them in mind. At the same time, he shares the experiences of all types of autistic people, from those with higher support needs, to autistic people of color, to those in the LGBTQ community. In doing so, Garcia gives his community a platform to articulate their own needs, rather than having others speak for them, which has been the standard for far too long.
"Reporter is just wonderful. Truly a great life, and what shines out of the book, amid the low cunning and tireless legwork, is Hersh's warmth and humanity. This book is essential reading for every journalist and aspiring journalist the world over." —John le Carré From the Pulitzer Prize-winning, best-selling author and preeminent investigative journalist of our time—a heartfelt, hugely revealing memoir of a decades-long career breaking some of the most impactful stories of the last half-century, from Washington to Vietnam to the Middle East. Seymour Hersh's fearless reporting has earned him fame, front-page bylines in virtually every major newspaper in the free world, honors galore, and no small amount of controversy. Now in this memoir he describes what drove him and how he worked as an independent outsider, even at the nation's most prestigious publications. He tells the stories behind the stories—riveting in their own right—as he chases leads, cultivates sources, and grapples with the weight of what he uncovers, daring to challenge official narratives handed down from the powers that be. In telling these stories, Hersh divulges previously unreported information about some of his biggest scoops, including the My Lai massacre and the horrors at Abu Ghraib. There are also illuminating recollections of some of the giants of American politics and journalism: Ben Bradlee, A. M. Rosenthal, David Remnick, and Henry Kissinger among them. This is essential reading on the power of the printed word at a time when good journalism is under fire as never before.
Includes an afterword by the author In the Freud Archives tells the story of an unlikely encounter among three men: K. R. Eissler, the venerable doyen of psychoanalysis; Jeffrey Moussaieff Masson, a flamboyant, restless forty-two-year-old Sanskrit scholar turned psychoanalyst turned virulent anti-Freudian; and Peter Swales, a mischievous thirty-five-year-old former assistant to the Rolling Stones and self-taught Freud scholar. At the center of their Oedipal drama are the Sigmund Freud Archives--founded, headed, and jealously guarded by Eissler--whose sealed treasure gleams and beckons to the community of Freud scholarship as if it were the Rhine gold. Janet Malcolm's fascinating book first appeared some twenty years ago, when it was immediately recognized as a rare and remarkable work of nonfiction. A story of infatuation and disappointment, betrayal and revenge, In the Freud Archives is essentially a comedy. But the powerful presence of Freud himself and the harsh bracing air of his ideas about unconscious life hover over the narrative and give it a tragic dimension.
This dictionary includes over 1,400 entries covering terminology related to the practice, business, and technology of journalism, as well as its concepts and theories, institutions, publications, and key events. An essential companion for all students taking courses in Journalism and Journalism Studies, as well as related subjects.