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The rapid urbanization of the Asian continent and transformation of its cityscapes have incited many professionals and scholars to pay urgent attention to the study of Asian streets and public spaces in the hope of recording them, learning from their complex nature, and even applying distilled principles in new environments before they disappear under the assault of rapid urban transformation. This volume presents articles focusing on four prevalent themes, namely transformation and modernity, the culture of streets, experiencing the street and finally, design and quality of streets. However, these themes inevitably overlap, pointing out again the complexity of what we call the "street" and the necessity for interdisciplinary research. Finally, adding "Asian" to "street" opens up the discussion about spaces in the Asian city, and even concepts of "Asian-ness", if indeed such a concept can be defined. Believing in the importance of understanding "Asian streets" and "streets" in general for future design and planning of our cities, this collection of essays encourages greater interest in this subject, and therefore more interdisciplinary research. Accordingly, this book should interest not only urban planners, architects and other design and building professionals, but also environmentalists, sociologists, anthropologists, geographers and historians as well as the general public.
José Rizal has a good claim to being the first Asian nationalist. An extremely talented Malay born a hundred years ago in a small town near Manila, educated partly in the Philippines and partly in Europe, Rizal inspired the Filipinos by his writing and example to make the first nationalist revolution in Asia in 1896. Today the Philippines revere Rizal as their national hero, and they regard his two books, The Lost Eden (Noli Me Tangere) and The Subversive (El Filibusterismo) as the gospel of their nationalism.The Subversive, first published in 1891, is strikingly timely today. New nations emerging in Africa and Asia are once again in conflict with their former colonial masters, as were the Filipinos with their Spanish rulers in Rizal's day. The Subversive poses questions about colonialism which are still being asked today: does a "civilizing mission" justify subjection of a people? Should a colony aim at assimilation or independence? If independence, should it be by peaceful evolution or force of arms?Despite the seriousness of its theme, however, The Subversive is more than a political novel. It is a romantic, witty, satirical portrait of Spanish colonial rule in the Philippines at the end of the nineteenth century, written in the tradition of the great adventure romances. The translation by Leon Ma. Guerrero, Philippine ambassador to the Court of St. James, conveys the immediacy of the original, and makes this important work available to a new generation of readers. His translation of The Lost Eden is also available in the Norton Library.
Deze bundel gaat over de vorming van identiteit door het samenspel van etniciteit, nationalisme en de effecten van globalisering. De essays in Crossroad Civilisations: Ethnicity, Nationalism and Globalism in Asia maken de gelaagdheid en de complexiteit hiervan duidelijk.
Advice for planning and presentation of magic shows. Includes worksheets and a sample performance contact. Aimed at the performer who also serves as their own business manager.
A harrowing account of Jewish refugees in the Philippines With the rise of Nazism in the 1930s more than a thousand European Jews sought refuge in the Philippines, joining the small Jewish population of Manila. When the Japanese invaded the islands in 1941, the peaceful existence of the barely settled Jews filled with the kinds of uncertainties and oppression they thought they had left behind. In this book Frank Ephraim, who fled to Manila with his parents, gathers the testimonies of thirty-six refugees, who describe the difficult journey to Manila, the lives they built there upon their arrival, and the events surrounding the Japanese invasion. Combining these accounts with historical and archival records, Manila newspapers, and U.S. government documents, Ephraim constructs a detailed account of this little-known chapter of world history.
Manila is not for the faint of heart. Population: over ten million and growing by the minute. Climate: hot, humid and prone to torrential monsoon rains of biblical proportions. The ultimate femme fatale, she's complicated and mysterious, with a tainted, painful past. The perfect, torrid setting for noir. Edited by Dogeaters (Penguin, 1991) author and National Book Award Nominee Jessica Hagedorn, and featuring original stories from a stunning group of multi-award-winning authors.
First released in 1969, during a time of great uncertainty for the Philippines, this unauthorized biography of one of the most intriguing women in the world was banned in her own country. For writing it, Carmen Pedrosa, with her family, was exiled to London for 20 years.Despite that, The Untold Story of Imelda Marcos became a local and international hit, selling out all of its print runs.Now, decades after the end of Martial Law, the book returns to tell the story of Imelda Romualdez-Marcos to a new generation.A modern Cinderella tale, The Untold Story of Imelda Marcos tells of how she rose from being a destitute child to becoming the most powerful woman of the country. Starry-eyed, penniless, and provincial, Imelda was in search of good fortune in Manila. Then came Ferdinand E. Marcos, a knight in shining armor, rescuing her from poverty and misery. "e;I will make you the First Lady of the land,"e; he promised her.Complete, detailed, and replete with facts and documents that have been painstakingly hidden from the public by the administration's image-makers, her life story unfolds, one truth at a time. It explains Imelda's much vaunted charisma that, in President Marcos' own words, garnered one million votes in the 1965 elections. She is a person who is difficult to be indifferent to. This book tells us why.