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Often dismissed as an image with which to attract tourists and to endow athletes with associations of power and endurance, the Vikings and Norse mythology seem to have lost their appeal as an element of identity construction in Norwegian society-apart from the phenomenon of metal music, where these elements are essential. This study analyses the functions of Norse themes as they are applied in Norwegian metal culture with regard to the construction and experience of cultural identity, shedding light on the musicians' diverse motivations and intentions. Imke von Helden's research focuses on the adaption of history in metal culture from a Scandinavianist's perspective. She currently works as a research assistant at the University of Koblenz-Landau. Dissertation (Series: Scandinavian. Language-Literature-Culture /Skandinavistik. Sprache-Literatur-Kultur, Vol. 12) [Subject: Sociology, Music Studies, Norwegian Studies, Cultural Studies, Scandinavian Studies]
Published on the occasion of an exhibition held at the National Gallery, London, June 22-Sept. 18, 2011.
"Nikolai Astrup: Visions of Norway will introduce this singular artist to new American and international audiences. The catalogue will follow the artist's life and career in roughly chronological order, situating his work within the history of his native Norway. It will showcase Astrup's early works depicting the landscape of Jølster and childhood home at Ålhus and culminate with his most dramatic paintings, which celebrate the midsummer eve bonfires that mark the festival night in June that merges pagan fertility rites with St. John the Baptist's Saint's Day. This catalogue tells the story of an extraordinary artistic life devoted to landscapes both sublime and personal. Astrup captured his environment as a means of expressing nature as a "dream reality" and created a distinctive national visual language. This beautiful book will bring the intensity of Astrup's palette, the magical realism of his landscapes, and the innovative nature of his prints to a wide audience throughout the world"--
A pioneering painter and printmaker, Nikolai Astrup (1880-1928) spent his life capturing the landscapes of his home in Western Norway, imbuing his work with mysticism and an enigmatic symbolic content. The first UK exhibition of his work will run at the Dulwich Picture Gallery from February to May 2016. Over 90 oil paintings and prints will explore the breadth and depth of Astrup's unique artistic practice, shining a spotlight on of one of Norway's most renowned artists of the twentieth century. AUTHOR: Frances Carey is an independent curator and consultant who was formerly Deputy Keeper of Prints and Drawings and Head of National Programmes at the British Museum. She has published on the history of art and culture from the eighteenth century to the present day. Ian A.C. Dejardin is the Sackler Director of Dulwich Picture Gallery, London. He graduated with a Master (Hons) in History of Art from Edinburgh University; appointed Curator at Dulwich in 1997, he became the gallery's Director in 2005 and since then has presided over a varied and international exhibition programme. MaryAnne Stevens is an independent art historian and curator who has previously worked at the Royal Academy of Arts, London, as Director of Academic Affairs, before serving as Acting Secretary for three years. She has been published extensively, and curated or co-curated many major international exhibitions, including Manet: Portraying Life and Jean-Etienne Liotard. SELLING POITS: * An elegant catalogue showcasing the illustrations and prints of Nikolai Astrup * Beautiful illustrations displayed without the distraction of scholarly comment * Astrup is a well-loved Norwegian painter, uniquely able to capture the spirit of his home 175 colour
The 50th anniversary edition of this classic work on the art of Northwest Coast Indians now offers color illustrations for a new generation of readers along with reflections from contemporary Northwest Coast artists about the impact of this book. The masterworks of Northwest Coast Native artists are admired today as among the great achievements of the world’s artists. The painted and carved wooden screens, chests and boxes, rattles, crest hats, and other artworks display the complex and sophisticated northern Northwest Coast style of art that is the visual language used to illustrate inherited crests and tell family stories. In the 1950s Bill Holm, a graduate student of Dr. Erna Gunther, former Director of the Burke Museum, began a systematic study of northern Northwest Coast art. In 1965, after studying hundreds of bentwood boxes and chests, he published Northwest Coast Indian Art: An Analysis of Form. This book is a foundational reference on northern Northwest Coast Native art. Through his careful studies, Bill Holm described this visual language using new terminology that has become part of the established vocabulary that allows us to talk about works like these and understand changes in style both through time and between individual artists’ styles. Holm examines how these pieces, although varied in origin, material, size, and purpose, are related to a surprising degree in the organization and form of their two-dimensional surface decoration. The author presents an incisive analysis of the use of color, line, and texture; the organization of space; and such typical forms as ovoids, eyelids, U forms, and hands and feet. The evidence upon which he bases his conclusions constitutes a repository of valuable information for all succeeding researchers in the field. Replaces ISBN 9780295951027
This book originates from the 2017 edition of the multidisciplinary Modern Heavy Metal Conference, organised in Helsinki, Finland. This collection of seven scholarly essays explores local scenes and identities within heavy metal music from multiple angles, covering a variety of different countries and metal sub-genres from Finland to Indonesia, and from black metal to metalcore. The essays here lay various theoretical perspectives and incorporate vivid examples with metal bands and scenes from all over the world. By exploring themes and discourses that are central to both research and practice, this book appeals to a versatile global readership. It serves the wide academic communities of metal music and popular music studies as well as of many other streams within cultural and social studies. This book also provides the large and active global community of heavy metal fans with a highly interesting package of genre information and country perspectives.
The first English language discussion of the life and music of this twentieth century Norwegian composer. The Norwegian composer Ludvig Irgens-Jensen (1894-1969) was one of the towering creative figures of his native land, although his dignified and powerful music does not receive the attention its quality deserves, either at home orabroad. The success of his dramatic symphony Heimferd (Homecoming) in 1930 brought him national fame, but the post-War triumph of modernism, coupled with his personal modesty, pushed Irgens-Jensen's tonal music into the shadows: its contrapuntally based textures and its modally tinged harmonies were seen as things of the past. But a growing number of recordings is revealing him as one of the most distinguished and distinctive voices in twentieth-century music, a figure of international importance who wrote music of striking nobility and strength of purpose - with some meltingly lovely melodic lines. Arvid O. Vollsnes' Ludvig Irgens-Jensen: The Life and Music of a Norwegian Composer is the first discussion in English of this profoundly decent man and his life-enhancing music. A review of the original Norwegian publication of this book in Aftenposten, the main Norwegian daily paper, described it as 'a gripping biographical portrait. As well as Irgens-Jensen's life we get a broad picture of Norwegian musical life from the 1920s to his death in 1969'. A CD of extracts from Irgens-Jensen's works has been prepared to accompany the English edition, providing readers with an introduction to his highly individual and immediately appealing sound-world.