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Mythologizing Norval Morrisseau examines the complex identities assigned to Anishinaabe artist Norval Morrisseau. Was he an uneducated artist plagued by alcoholism and homelessness? Was Morrisseau a shaman artist who tapped a deep spiritual force? Or was he simply one of Canada’s most significant artists? Carmen L. Robertson charts both the colonial attitudes and the stereotypes directed at Morrisseau and other Indigenous artists in Canada’s national press. Robertson also examines Morrisseau’s own shaping of his image. An internationally known and award-winning artist from a remote area of northwestern Ontario, Morrisseau founded an art movement known as Woodland Art developed largely from Indigenous and personal creative elements. Still, until his retrospective exhibition at the National Gallery of Canada in 2006, many Canadians knew almost nothing about Morrisseau’s work. Using discourse analysis methods, Robertson looks at news stories, magazine articles, and film footage, ranging from Morrisseau’s first solo exhibition at Toronto’s Pollock Gallery in 1962 until his death in 2007 to examine the cultural assumptions that have framed Morrisseau.
Examines the work of Norval Morrisseau and the influences of the Ojibway legends and tradition on his work.
Norval Morrisseau (1932–2007), Ojibway shaman-artist, drew his first sketches at age six in the sand on the shores of Lake Nipigon. By the end of his tumultuous life, the prolific self-taught artist was sought by collectors and imitated by forgers. Critics, art historians and curators alike consider him one of the most innovative artists of the twentieth century. Norval Morrisseau: Man Changing Into Thunderbird is an innovative and rich biography of this charismatic and troubled figure. Drawing upon years of extensive research, including interviews with Morrisseau himself, Armand Ruffo evokes the artist’s life from childhood to death, in all its vivid triumphs and tragedies. Ruffo draws upon his own Ojibway heritage and experiences to provide insight into Morrisseau’s life and iconography from an Ojibway perspective. Captivating and readable, this is a brilliantly creative evocation of the art and life of Norval Morrisseau, a life indelibly tied to art.
His unique vision first came to public attention more than forty years ago. The life's work of Norval Morrisseau, founder of the "Woodland" or "Legend" style of painting-now known as Anishnaabe painting-is showcased in some sixty works drawn from public and private collections across Canada.
Mythologizing Norval Morrisseau examines the complex identities assigned to Anishinaabe artist Norval Morrisseau. Was he an uneducated artist plagued by alcoholism and homelessness? Was Morrisseau a shaman artist who tapped a deep spiritual force? Or was he simply one of Canada’s most significant artists? Carmen L. Robertson charts both the colonial attitudes and the stereotypes directed at Morrisseau and other Indigenous artists in Canada’s national press. Robertson also examines Morrisseau’s own shaping of his image. An internationally known and award-winning artist from a remote area of northwestern Ontario, Morrisseau founded an art movement known as Woodland Art developed largely from Indigenous and personal creative elements. Still, until his retrospective exhibition at the National Gallery of Canada in 2006, many Canadians knew almost nothing about Morrisseau’s work. Using discourse analysis methods, Robertson looks at news stories, magazine articles, and film footage, ranging from Morrisseau’s first solo exhibition at Toronto’s Pollock Gallery in 1962 until his death in 2007 to examine the cultural assumptions that have framed Morrisseau.
The first book to examine the role of Canada’s newspapers in perpetuating the myth of Native inferiority. Seeing Red is a groundbreaking study of how Canadian English-language newspapers have portrayed Aboriginal peoples from 1869 to the present day. It assesses a wide range of publications on topics that include the sale of Rupert’s Land, the signing of Treaty 3, the North-West Rebellion and Louis Riel, the death of Pauline Johnson, the outing of Grey Owl, the discussions surrounding Bill C-31, the “Bended Elbow” standoff at Kenora, Ontario, and the Oka Crisis. The authors uncover overwhelming evidence that the colonial imaginary not only thrives, but dominates depictions of Aboriginal peoples in mainstream newspapers. The colonial constructs ingrained in the news media perpetuate an imagined Native inferiority that contributes significantly to the marginalization of Indigenous people in Canada. That such imagery persists to this day suggests strongly that our country lives in denial, failing to live up to its cultural mosaic boosterism.
This companion volume to an exhibition at the National Museum of the American Indian in New York reveals how Anishinaabe (also known in the United States as Ojibwe or Chippewa) artists have expressed the deeply rooted spiritual and social dimensions of their relations with the Great Lakes region. Featuring 70 color images of visually powerful historical and contemporary works, Before and After the Horizon is the only book to consider the work of Anishinaabe artists overall and to discuss 500 years of Anishinaabe art history.
Winner, 2017 Shaughnessy Cohen Writers' Trust Prize for Political Writing Winner, 2017 RBC Taylor Prize Winner, 2017 First Nation Communities Read: Young Adult/Adult Winner, 2024 Blue Metropolis First Peoples Prize, for the whole of her work Finalist, 2017 Hilary Weston Writers’ Trust Prize for Nonfiction The groundbreaking and multiple award-winning national bestseller work about systemic racism, education, the failure of the policing and justice systems, and Indigenous rights by Tanya Talaga. Over the span of eleven years, seven Indigenous high school students died in Thunder Bay, Ontario. They were hundreds of kilometres away from their families, forced to leave home because there was no adequate high school on their reserves. Five were found dead in the rivers surrounding Lake Superior, below a sacred Indigenous site. Using a sweeping narrative focusing on the lives of the students, award-winning author Tanya Talaga delves into the history of this northern city that has come to manifest Canada’s long struggle with human rights violations against Indigenous communities.
Norval Morrisseau is perhaps the greatest Native artist ever to have lived. He is Shaman, a storyteller and the inspiration for one of Canada's most vibrant and exciting national art movements, the Woodland School of Art. Through his magical paintings he has given new life to ancient Native legends and fables, and has helped to restore the dignity of his once-proud people. This book celebrates the art and life of this remarkable man.
A breathtaking retrospective of Canadas most important Native artist.Norval Morrisseau is perhaps the greatest Native artist ever to have lived. He is a shaman, a storyteller and the inspiration for one of Canadas most vibrant and exciting art movements, the Woodland School of Art. Through his magical paintings he has given new life to ancient Native legends and fables and has helped to restore the dignity of his once-proud people. This new edition introduces numerous previously unpublished works to the book, as well as commentaries by collectors who have followed Morrisseaus artistic development through the decades. It also includes Duke Redbirds The Ballad of Noval Morrisseau, a deeply spiritual poem that personifies the power the artists paintings have for his people. A true celebration of the art and life of this remarkable man, Norval Morrisseau: Return to the House of Invention, provides insights into the artists imagination and mastery of his medium. In three essays, and the quotations that accompany the paintings, we learn about Morrisseaus approach to his work and the important historical and cultural influences that shaped his art. He tells us, in his own words, about his travels to the dream-like House of Invention, his source of inspiration for both content and colour. In Norval Morrisseau: Return to the House of Invention, we learn of the myths and legends of his ancestors, which had a profound influence on his brush, and how they relate to his work. The book now contains paintings and other pieces created over Morrisseaus entire career . It is complemented by an essay by Donald C. Robinson, in which he describes the painters unique approach to the physical act of painting, and explains how Morrisseau has developed as a master technician and colorist despite having little formal training.Norval Morrisseau is truly one of the most original and significant artists Canada has ever produced. This exceptional volume stands as a testament to both his incredible talent as a painter and his inspiring depth as a man.