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A unique collection of traditional Northumbrian music arranged for fingerstyle guitar. Selections include Salmon Tails Up the Water; Johnny Armstrong; Jimmy Allen; Felton Lonnen; Sir John Fenwick; Bonny Gallowgate Lad; Buy Broom Besoms; Elsie Marley; Sweet Hesleyside; Chevy Chase; Lea Riggs; Noble Squire Dacre; Dolia; Are You My Hinny Burd; and more. Each piece is written in standard notation and tablature and includes brief technical and performance notes.
This new, thoroughly updated second edition of Bradt's best-selling, comprehensive guide to Northumberland including Newcastle, Hadrian's Wall & the Coast remains the reliable source of information for discovering the far northeast of England, an area which is home to Europe's largest area of protected night sky - and England's first Dark Sky Park, a 572-square-mile expanse in Northumberland National Park. Now including over 40 walks along beaches, over hills and through valleys, as well as dedicated chapters on Northumberland National Park, Hadrian's Wall, the coast and Newcastle, among others, Bradt's Northumberland including Newcastle, Hadrian's Wall & the Coast is the ideal companion for a successful visit. Northumberland is well-known for its beaches, castles, wildlife, islands and desolate upland scenery, but despite all the attention and accolades ('most tranquil county', 'darkest night skies in England', 'Best UK County/Region [Silver Award']), Northumberland remains for the most part wonderfully crowd-free. It is the ultimate place in England to get away from it all, where you can walk all afternoon over moorland and not meet anyone, skinny-dip in lakes, or picnic on pristine sands with no one else around. Northumberland is also home to Hadrian's Wall, 'the most important Roman monument in Britain' (English Heritage), while heritage enthusiasts will find a number of world firsts and unique museums such as Tanfield Railway, where you can marvel at 19th-century steam engines in the oldest engine shed in the world. Bradt's Northumberland encourages visitors to slow down and explore the green lanes, footpaths, rivers and cycle trails that link Northumberland's 'Castle Coast' with the heather-topped hills, Roman fortresses and villages of the interior. A guide to Newcastle is found in the chapter on Tyne & Wear. Local knowledge of historic towns, heritage sites, wildlife-watching spots and countryside walks, and words and tips from local heritage experts make this an authoritative guide - and as much an entertaining armchair read as a practical guide, perfect for walkers, birdwatchers, cyclists, families, and those interested in Roman archaeology, industrial heritage and medieval castles.
Originally published in 1969. Until the latter half of the nineteenth century, it was thought that England, alone among the European countries, and unlike Scotland and Ireland where collections of ballads and songs had already been published as early as the eighteenth century, had no important native tradition of music. The founding of the (English) Folk-Song Society in 1898, however, and the pioneering work of such collectors as Lucy Broadwood, the Reverend S. Baring-Gould and, later, Cecil Sharp uncovered a still flourishing folk culture. Since then interest in this subject has grown steadily, and the bibliography of publications of actual folk-songs and ballads is now huge. Frank Howes sets out a general and scholarly introduction, first examining in detail the history and origins of folk music and going on to show the nature and vast amount of the material, enforcing his arguments with a wealth of examples from around the world. His discussion of the differences of national idiom leads on to a comparison of British folk music with that of other European countries and America, in which he pays due attention to the Celtic and Norse traditions. Separate sections on balladry, carols, street cries, broadsides, sea shanties, nursery rhymes and instruments illustrate both the variety of folk music and the extent to which it permeates our national heritage.
Northumbria is home to the loneliest stretches of moorland and coast in the country. The region has much to offer the nature lover, walking enthusiast, history buff, gastronome and gardener: rare wildlife, Georgian architecture, the Pennine hills, Hadrian's Wall, Alnwick Gardens and Alnwick Castle, featured in the Harry Potter films. Gemma Hall shares her love of Northumberland, Durham and Tyneside, guiding visitors through historic towns, cities and villages; across the Cheviot Hills and along Northumberland's Heritage Coast; to outdoor swimming spots, high altitude flower meadows and the wooded gorges of the Durham coast.
Focus: Irish Traditional Music, Second Edition introduces the instrumental and vocal musics of Ireland, its diaspora in North America, and its Celtic neighbors while exploring the essential values underlying these rich musical cultures and placing them in broader historical and social context. With both the undergraduate and graduate student in mind, the text weaves together past and present, bringing together important ideas about Irish music from a variety of sources and presenting them, in three parts, within interdisciplinary lenses of history, film, politics, poetry, and art: I. Irish Music in Place and Time provides an overview of the island’s musical history and its relationship to current performance practice. II. Music Traditions Abroad and at Home contrasts the instrumental and vocal musics of the "Celtic Nations" (Scotland, Wales, Brittany, etc.) and the United States with those of Ireland. III. Focusing In: Vocal Music in Irish-Gaelic and English identifies the great songs of Ireland’s two main languages and explores the globalization of Irish music. New to this edition are discussions of those contemporary issues reflective of Ireland’s dramatic political and cultural shifts in the decade since first publication, issues concerning equity and inclusion, white nationalism, the Irish Traveller community, hip hop and punk, and more. Pedagogical features—such as discussion questions, a glossary, a timeline of key dates, and expanded references, as well as an online soundtrack—ensure that readers of Focus: Irish Traditional Music, Second Edition will be able to grasp Ireland's important social and cultural contexts and apply that understanding to traditional and contemporary vocal and instrumental music today.
A fully illustrated guidebook to Northumberland, including a gazetteer, maps and more than 240 photographs
The traditional music of Brittany has long been a passion for guitar and mandolin player David Surette, who has now edited and published a collection of Breton dance tunes. Fest Breizh contains 50 traditional dance tunes: gavottes, en dros, larides, and many others, collected and transcribed in standard notation, with chords provided as well. Unlike some previous collections, which have been principally keyed with a B-flat bombarde and bagpipe in mind, these are all in typical fiddle tunes keys. There is also an extensive discography, which provides the means to tracking down a recorded version of the tune, as well as some background notes and information about Breton music. the book contains most of the Breton material that Surette has recorded on his 4 solo CDs over the years.
In The Late Victorian Folksong Revival: The Persistence of English Melody, 1878-1903, E. David Gregory provides a reliable and comprehensive history of the birth and early development of the first English folksong revival. Continuing where Victorian Songhunters, his first book, left off, Gregory systematically explores what the Late Victorian folksong collectors discovered in the field and what they published for posterity, identifying differences between the songs noted from oral tradition and those published in print. In doing so, he determines the extent to which the collectors distorted what they found when publishing the results of their research in an era when some folksong texts were deemed unsuitable for "polite ears." The book provides a reliable overall survey of the birth of a movement, tracing the genesis and development of the first English folksong revival. It discusses the work of more than a dozen song-collectors, focusing in particular on three key figures: the pioneer folklorist in the English west country, Reverend Sabine Baring-Gould; Frank Kidson, who greatly increased the known corpus of Yorkshire song; and Lucy Broadwood, who collected mainly in the counties of Sussex and Surrey, and with Kidson and others, was instrumental in founding the Folk Song Society in the late 1890s. The book includes copious examples of the song tunes and texts collected, including transcriptions of nearly 300 traditional ballads, broadside ballads, folk lyrics, occupational songs, carols, shanties, and "national songs," demonstrating the abundance and high quality of the songs recovered by these early collectors.
The SAGE Encyclopedia of Music and Culture presents key concepts in the study of music in its cultural context and provides an introduction to the discipline of ethnomusicology, its methods, concerns, and its contributions to knowledge and understanding of the world's musical cultures, styles, and practices. The diverse voices of contributors to this encyclopedia confirm ethnomusicology's fundamental ethos of inclusion and respect for diversity. Combined, the multiplicity of topics and approaches are presented in an easy-to-search A-Z format and offer a fresh perspective on the field and the subject of music in culture. Key features include: Approximately 730 signed articles, authored by prominent scholars, are arranged A-to-Z and published in a choice of print or electronic editions Pedagogical elements include Further Readings and Cross References to conclude each article and a Reader’s Guide in the front matter organizing entries by broad topical or thematic areas Back matter includes an annotated Resource Guide to further research (journals, books, and associations), an appendix listing notable archives, libraries, and museums, and a detailed Index The Index, Reader’s Guide themes, and Cross References combine for thorough search-and-browse capabilities in the electronic edition