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From Northside Poetry: Growing up wasn’t easy, but it wasn’t hard. Mama just wanted me to be okay with my brothers, sisters and myself. All I wanted was to be okay with myself. I don’t need fame because fortune would be enough. . . . The people I’ve met in my life just heard me, but didn’t listen. If people just took the time to listen to our problems, there wouldn’t be problems with us today. It’s not about who is smarter or richer, it’s about who is ahead of the class and how long can you stay there, only the strong can survive. I still feel the same way as I did then, “Step on them or they will step on you!” But in my joyful times I’m the lion who sleeps, and the child in God’s eyes. My ladies and gentlemen, I don’t need you to gossip about me. Cause its still going on with my family. Or I don’t need a spotlight to determine who is the bad guy; I know who I am. Because we all have our own hell, and it’s killing me everyday thinking about mine. If only I could go back in time where I started it all I would, but I’m not God. And I’m living my life just as you, one day at a time. I wrote this letter and poetry to all those who I love and all that I hate. . . . Thank you for listening to my confessions and my cries at night.
It’s impossible to put this book down! It’ll make you cry, laugh, hate, and love towards everyone around you.
The fourth volume of The Griffin Poetry Prize Anthology includes selections from the books shortlisted for the 2004 Griffin Poetry Prizes, chosen by the jurors Billy Collins (U.S. Poet Laureate 2001-2003); Bill Manhire (New Zealand Poet Laureate); and Phyllis Webb (recipient of the Governor General's Award for poetry), who also provide an introduction to the book. Royalties generated from The Griffin Poetry Prize Anthologies are donated to UNESCO's World Poetry Day.
Contemporary poets offer behind-the-scenes perspectives on the poetic process.
Poetry 101 Whether in cities celestial To the reader of this book,Or in towns terrestrial, (Whether it be on shelf or in nook)HIS ideas are superb Of this book I must say,For home and suburb. "There are 101 poems in this way." That Man's title? Yes, it takes a thinking manThat Man's name? To understand the poet's plan:My Lord and My Savior: Words with a magnitudeOne in the same. To inspire awe and gratitude. He was sent to Galilee That poet's name?But I born in Kentucky. That poet's title?This book is in your sight: Some call me Snowflake;Discover its soul and might. Some call me Kendall. This book contains the following features: But I am not the Master Poet1.) Aesthetically pleasing 1.5 spacing Nor the Master Architect;between lines of poetry, HIS ideas (don't you know it?)2.) Chapter divisions between its 5 groups I merely reflect.of poetry, 3.) Preface to those chapters of poetry, In short, this book4.) Table-of-contents of styles of Is a mix of poetry,poetry used in this book, Written to edify and make merry5.) Index of poem titles, People like you and me,6.) Introductory information for each poem of this book [excluding Written to expound"Poetry 101", which is on this The merits of intimacy, page], and a And to glorify and praise7.) Glossary of the terms and obscure The God which be.poetic language used in this book.
Learn how to process your own grief--as well as family, community, and global grief--with this fierce and openhearted guide to healing in an unjust world. In unsettling and uncertain times, the individual and collective heartbreak that lives in our bodies and communities can feel insurmountable. Many of us have been conditioned by the dominant culture to not name, focus on, or wade through the difficulties of our lives. But in order to heal, we must make space for grief and prioritize our wholeness, our humanity, and our inherent divinity. In Finding Refuge, social justice activist, social worker, and yoga teacher Michelle Cassandra Johnson offers those who feel brokenhearted, helpless, confused, powerless, and desperate the tools they need to be present with their grief while also remaining openhearted. Through powerful personal narrative and meditation and journaling practices at the end of each chapter that explore being present with your heart, Michelle empowers us to see that each of us has a role to play in building enough momentum to take intentional action and shift what is unsettled and unjust in the world. Finding Refuge is an invitation to pick up the shattered parts of yourself and remember your strength, wholeness, and sacredness through this practice of presence and attending to your grief.
Bringing together scholars, public intellectuals, and activists from across the field of education, the Handbook of Public Pedagogy explores and maps the terrain of this burgeoning field. For the first time in one comprehensive volume, readers will be able to learn about the history and scope of the concept and practices of public pedagogy. What is 'public pedagogy'? What theories, research, aims, and values inform it? What does it look like in practice? Offering a wide range of differing, even diverging, perspectives on how the 'public' might operate as a pedagogical agent, this Handbook provides new ways of understanding educational practice, both within and without schools. It implores teachers, researchers, and theorists to reconsider their foundational understanding of what counts as pedagogy and of how and where the process of education occurs. The questions it raises and the critical analyses they require provide curriculum and educational workers and scholars at large with new ways of understanding educational practice, both within and without schools.
Black and white photos and a poem, both centering the margins of our communities. This board book aims to recall wisdom from our past to help guide our future, and inspire action. Words by Bobby LeFebre. Photos by Juan Fuentes. Produced by Evan Weissman and Warm Cookies of the Revolution