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Sven, an exiled Viking prince who's been living the decadent high life in Constantinople, returns to the desolate lands of his birth in the frigid islands of the North Sea to reclaim his vast inheritance. Intending only to take his money and run, he finds more than he bargained for as his former family and friends are enslaved at the hands of Gorm, his ruthless uncle.
"Originally published in single magazine form in NORTHLANDERS 20, 29, 35-36, 42-50."
"When blacksmith Erik liberates Ingrid from her corrupt, Christian missionary captors, they set out to live by the "old ways," hoping to find something they can feel is their own. The Church won't let them go so easily, though, and sets out to bring them back by any means ..."--Publisher comments.
Love, war, family and the best hummus recipe in New York City Scooter enthusiast and spoiled brat, Olive Yassin, delivers food for her parents' award-winning Middle Eastern restaurant, Couscous Express. She hates it. It's boring. She would much rather be hanging out with her courier-mercenary boyfriend, Moustafa. But when the local branch of the stylish and dangerous Turkish Scooter Mafia make a move against the restaurant, she knows she has to do something, anything, to protect her family. Couscous Express combines delicious food, automatic weapons fire, and scooter culture into a hectic, adrenaline-fueled story of love, family, war, and the best hummus recipe in New York City.
Poetry. Latino/Latina Studies. "PUBLIC DOMAIN is First Rate, worthy of Rerereading and Full-Tilt Gesamkunstwerke Treatment, and, rest assured, will never rest. Which is to say: the interplay of text/orality, theory/playfulness, concrete/lyric appearing in every form imaginable/heretofore unimagined, adds up to the most adventurous Conceptual Mystery Poem I have ever read/performed. I cannot imagine poetry without her" Bob Holman."
“Once the threshold of Helheim is crossed, not even gods can escape.” The age of Vikings. Savage wild men, dark creatures, and hideous undead are pawns in the war between witches. A hero named Rikard, pays the ultimate price in this conflict… but his fight is far from over. Raised as a draugr—an undead killing machine—Rikard is meant to be used as a weapon in the supernatural conflict. But Rikard will not be controlled. And where the draugr treads, death follows.
Brian Wood’s fast-paced, dangerous world of Supermarket is back in its second printing, with a new format! In the future world of Supermarket, it's the literal truth. Legitimate and black-market economies rule the City, overseen by the vying factions of the Yakuza and Porno Swede crime families. Convenience store clerkette and 16-year old suburban wise-ass Pella Suzuki suddenly finds herself in the middle of it all, heir to an empire she couldn't possibly inherit — but hitmen on both sides aren't taking any chances! This new, 6" x 9" printing features a special "Cash Money Edition" cover by Kristian Donaldson, as well as additional pinups and extras from Donaldson and friends.
With the U.S. poised to steamroll its way into the city, Matty lends his Liberty News secure phone line to DMZ citizens to reach out to loved ones outside the city, a direct violation of his contract.
If Venom's going to be the super hero Philly deserves, he's got to do it right! Venom wants it all - resources, allies, contacts, and an HQ - but he knows zip about setting that up! To make matters worse, he's already made an enemy of Philly's toughest crime boss - Lord Ogre! And Lord Ogre declares WAR ! Venom's evolution as Philadelphia's makeshift, seat-of-your-pants Avenger continues! But KATY KIERNAN dead set on learning all Venom's secrets! How does Flash protect his secret identity while trying to protect himself from a hit that's been called on him? COLLECTING: Venom 36-42
The comic book has become an essential icon of the American Century, an era defined by optimism in the face of change and by recognition of the intrinsic value of democracy and modernization. For many, the Middle Ages stand as an antithesis to these ideals, and yet medievalist comics have emerged and endured, even thrived alongside their superhero counterparts. Chris Bishop presents a reception history of medievalist comics, setting them against a greater backdrop of modern American history. From its genesis in the 1930s to the present, Bishop surveys the medievalist comic, its stories, characters, settings, and themes drawn from the European Middle Ages. Hal Foster's Prince Valiant emerged from an America at odds with monarchy, but still in love with King Arthur. Green Arrow remains the continuation of a long fascination with Robin Hood that has become as central to the American identity as it was to the British. The Mighty Thor reflects the legacy of Germanic migration into the United States. The rugged individualism of Conan the Barbarian owes more to the western cowboy than it does to the continental knight-errant. In the narrative of Red Sonja, we can trace a parallel history of feminism. Bishop regards these comics as not merely happenchance, but each success (Prince Valiant and The Mighty Thor) or failure (Beowulf: Dragon Slayer) as a result and an indicator of certain American preoccupations amid a larger cultural context. Intrinsically modernist paragons of pop-culture ephemera, American comics have ironically continued to engage with the European Middle Ages. Bishop illuminates some of the ways in which we use an imagined past to navigate the present and plots some possible futures as we valiantly shape a new century.