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Why is the North East the most distinctive region of England? Where do the stereotypes about North Easterners come from, and why are they so often misunderstood? In this wideranging new history of the people of North East England, Dan Jackson explores the deep roots of Northumbrian culture--hard work and heavy drinking, sociability and sentimentality, militarism and masculinity--in centuries of border warfare and dangerous and demanding work in industry, at sea and underground. He explains how the landscape and architecture of the North East explains so much about the people who have lived there, and how a 'Northumbrian Enlightenment' emerged from this most literate part of England, leading to a catalogue of inventions that changed the world, from the locomotive to the lightbulb. Jackson's Northumbrian journey reaches right to the present day, as this remarkable region finds itself caught between an indifferent south and a newly assertive Scotland. Covering everything from the Venerable Bede and the prince-bishops of Durham to Viz and Geordie Shore, this vital new history makes sense of a part of England facing an uncertain future, but whose people remain as distinctive as ever.
Historians of the long eighteenth century have recently recognised that this period is central both to the history of cultural production and consumption and to the history of national and regional identity. Yet no book has, as yet, directly engaged with these two areas of interest at the same time. By uniting interest in the history of culture with the history of regional identity, Creating and Consuming Culture in North-East England, 1660-1830 is of crucial importance to a wide range of historians and intervenes in a number of highly important historical and conceptual debates in a timely and provocative way. The book makes a substantial contribution to eighteenth-century studies. Not only do these essays demonstrate that in thinking about cultural production and consumption in the eighteenth century there are important continuities as well as changes that need to be considered, but also they complicate the commonplace assumption of metropolitan-led cultural change and cultural innovation. Rather than the usual model of centre-periphery diffusion, a number of contributions show that cultural change in the provinces was happening at the same time as in, or in some cases even before, London. The essays also indicate the complex relationship between cultural consumption and social status, with some cultural forms being more inclusive than others.
This collection situates the North-East within a developing nationwide account of British musical culture.
Is North East England really a coherent and self-conscious region? The essays collected here address this topical issue, from the middle ages to the present day.
Land of Three Rivers is a celebration of North-East England in poetry, featuring its places and people, culture, history, language and stories in poems and songs with both rural and urban settings. Taking its bearings from the Tyne, Wear and Tees of the title (from Vin Garbutt's song 'John North'), the book maps the region in poems relating to past and present, depicting life from Roman times through medieval Northumbria and the industrial era of mining and shipbuilding up to the present-day. The anthology has modern perspectives on historical subjects, such as W.H. Auden's 'Roman Wall Blues' and Alistair Elliot on the aftermath of the Battle of Heavenfield in the 7th century, as well as poets from past ages, starting with Caedmon, the first English poet, writing in the 8th century. There are classic North-East songs from the oral tradition of balladeers and pitmen poets alongside the work of literary chroniclers like Mark Akenside from the 18th century, followed by evocations of Northumberland by decadent gentry poet Algernon Charles Swinburne contrasting with grim tales of life down the pit by Tommy Armstrong, Joseph Skipsey and Thomas Wilson in the 19th century. The region's favourite tipple is championed by 18th-century poet John Cunningham in his eulogy 'Newcastle Beer', while 200 years later, Tony Harrison's defences are 'broken down / on nine or ten Newcastle Brown' in his 'Newcastle Is Peru' (1969). Durham is celebrated in a 12th-century priest's poem but is a trinity of 'University, Cathedral, Gaol' for Tony Harrison. The River Tyne flows through poems by Wilfrid Gibson, James Kirkup, Michael Roberts, Francis Scarfe from early to mid-20th century, while the region's dialects (from Northumbrian to Geordie and Pitmatic) are heard in poems by Basil Bunting, William Martin, Tom Pickard, Katrina Porteous and Fred Reed. Other modern and contemporary poets and songwriters featured include Gillian Allnutt, Peter Armstrong, Peter Bennet, Robyn Bolam, George Charlton, Julia Darling, Richard Dawson, the Elliotts of Birtley, W.N. Herbert, Alan Hull, James Kirkup, Mark Knopfler, Barry MacSweeney, Sean O'Brien, Rodney Pybus, Kathleen Raine, Jon Silkin and Anne Stevenson, as well as poets who've spent time in the North-East, such as Fleur Adcock, David Constantine, Fred D'Aguiar, Frances Horovitz, Philip Larkin, Michael Longley and Carol Rumens, writing highly memorable poems in response to the place, its people and their stories. The book's introduction is in two parts, with Rodney Pybus covering the historical background and Neil Astley the last 50 years. This emphasises the importance of the oral tradition during the centuries when little written poetry of note was produced in the region. There are also fascinating commentaries on key historical figures by the late Alan Myers.
The most detailed description of why the countryside of England now looks the way it does, covering the geology, archaeology and history of each area and what effects each has had on the landscape we see today.The Environmental Setting and Human Occupation: Prof Fred AalenLandscapes of the Prehistoric and Roman Period: Dr Christopher Tolan-SmithThe Middle Ages: Dr Dick Lomas/Dr Richard MuirComponents of the Landscape: Prof Fred Aalen/Dr Richard MuirModern Period from c1600: Prof Don Macraild and Mr A W PurdueLandscape Components: Prof Fred Aalen/Dr Richard MuirTownscapes and Cityscapes: Dr Thomas Faulkner & Ms Linda PolleyCommunications and Routeways: Dr Richard MuirA Mosaic of Landscapes: Dr Richard Muir/Prof Fred AalenArt and the North East Landscape: Andrew GregLandscape change, conservation and management: Prof Fred Aalen
Investigates how dialect variation in the North of England is represented in writing.
Documents some 450 public monuments and sculptures of the northeast of England. Entries on each piece contain bandw photos and details on materials, physical conditions, ownership and commissioning, and use and interpretation at various times in history. From this emerges a picture both of the development of public sculpture and monuments in the region and of the contribution these objects make to ideas of local identity. Material is arranged geographically. Includes bandw maps, a glossary, introductory essays, and brief biographies of sculptors and architects. Distributed by ISBS. Annotation copyrighted by Book News Inc., Portland, OR
The North East of England was regarded as a major Catholic stronghold in the nineteenth century. This was, in no small part, due to the large numbers of Irish Catholic immigrants who contributed greatly towards the region’s unprecedented expansion, with the Catholic population in Newcastle and County Durham increasing from 23,250 in 1847 to 86,397 in 1874. How far were the Catholic Church and its incoming Irish adherents accepted by the Protestant population of North East England? This book will provide a timely reassessment of the hitherto accepted view that local cultural factors reduced the anti-Catholic and anti-Irish feeling in the North East that seemed deep-seated in other areas. This book demonstrates the way in which north-eastern anti-Catholicism was far from homogenous and monolithic, cutting across the political and religious divide. It highlights the proactive role of the Catholic communities in sectarian controversy, whose assertiveness contributed, ironically, towards the development of local anti-Catholic feeling. Finally, it will show how large-scale Irish immigration ensured that the North East experienced regular outbreaks of sectarian violence, whether English-Irish or intra-Irish, which were influenced by local conditions and circumstances. This book is the first comprehensive regional study of Victorian anti-Catholicism. By examining areas of enquiry not previously considered in broader studies, its findings have wider implications for understanding the prevalent and all-encompassing nature of anti-Catholicism generally. It also contributes towards the wider debate on North East regional identity by questioning the continued credibility of a paradigm which views the region as exceptionally tolerant.
A rich picture of the complexities of early industrial development in the north-east of England.