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America's first great civil war battle took place on a hill in South Carolina...more than a quarter-century before Robert E. Lee was born. A pair of Presidents and their First Ladies repose side by side for all eternity in the undercroft of a Massachusetts church. America's most dramatic case of treason played out along the banks of New York's Hudson River where barges and yachts now pass. One of Florida's fabled keys hosts an annual festival that draws throngs...yet no one lives on the island any other day of the year. These are but four examples of classic Americana tucked away in hidden nooks, secret pockets of historical, cultural, and human interest unknown to most Americans. If you know where to look, you can enter a colorful, extravagant, gaudily lighted Christmas village in Pennsylvania such as you've never seen before. And if you're in the right place in Washington, you can visit a cemetery containing the grave of one of America's most famous Native Americans and choke up at the affecting personal tributes to ordinary everyday Indians that surround it. In the middle of Minnesota you can tour an iron ore mine so real you almost forget it's fake. On the banks of the Ohio River in Illinois you can enter a huge cave whose dark, eerie recesses once enticed travelers, naturalists, and America's first serial killers. In Hawaii you can descend a hidden, unimproved trail to one of the Pacific's most enchanting bays and walk along the shore where the world's greatest explorer was killed. In Alaska you can walk up to a glacier whose enormity will overwhelm you and then hike across it and taste its icy wetness. These are not famous places. They are, rather, obscure, unheralded, little-visited corners of America waiting to tempt you. Welcome to "Arcane America: 101 of the Best Places You Never Heard Of," a compilation of some of the least-known, most-interesting sites in the United States: a Connecticut prison where inmates served their time chained to the bowels of a deserted copper mine; a rural Iowa county that spawned America's greatest western actor and a sextet of covered bridges; a New Jersey miniature kingdom whose beauty and artistry killed its creator; a New York county where you can ride the largest number of free carousels anywhere in the world; a temple of gold to one of the world's most misunderstood religions in the rolling hills of West Virginia; a medical museum in the nation's capital where you'll see pickled fetuses, radical human deformities, and bits of Abraham Lincoln's skull. There are no Statues of Liberty, Disneyworlds, or Grand Canyons in this collection of some of America's most unusual and anonymous delights. Many have never before been written of, except in regional publications of limited scope and circulation. Almost all are virtually unknown outside their immediate vicinities or states. You may find yourself recognizing a particular name, cultural relationship, or historical fact here or there, but you'll probably not know the whole story. Included in the 101 destinations covering all 50 states and the District of Columbia are battlefields, graves, miniature worlds, scenic drives and hikes, natural formations and curiosities, national and state parks, mansions, historic sites, nature and wildlife preserves, deserted islands, Indian reservations, gardens, inexplicable mysteries, religious shrines, museums honoring traditional accomplishments and one-of-a-kind eccentricities, reconstructed villages, manufacturing sites, underground worlds, hidden sites in the middle of nowhere, and corners of forgotten importance within America's largest city. Some are breathtakingly beautiful; others are frighteningly bizarre. All are memorably unique. Legendary figures stand shoulder to shoulder with those whom time has forgotten: Buffalo Bill Cody and his mountaintop resting place; William Gillette and his quirky castle; Franklin D.
Reflections on museums' role(s) in their communities.
Co-owner of a small Colorado newspaper, reporter Maxey Burnell is taking a well-deserved vacation - her first in years. While visiting her only relatives, Aunt Janet and Cousin Curtis, she makes a startling discovery. Not only is her father still alive, but Janet saw him leaving the scene of Maxey's mother's murder ten years ago. Determined to prove that no father of hers could be a killer, Maxey sets out to clear his name, even though it turns out that he'd rather she didn't. Aided and abetted by Janet's live-in codger, Scotty, Maxey gets to know the small town's residents, including Curtis's good buddy Lance and Lance's not-so-great parents; a soft-water salesman who's hard to like; and a neighbor who wants to help but can't remember the question, let alone the crime. By the time Maxey learns the truth, she may prove the Ben Franklin adage: Three may keep a secret, if two of them are dead.
Some people make photo albums, collect antiques, or visit historic battlefields. Others keep diaries, plan annual family gatherings, or stitch together patchwork quilts in a tradition learned from grandparents. Each of us has ways of communing with the past, and our reasons for doing so are as varied as our memories. In a sweeping survey, Roy Rosenzweig and David Thelen asked 1,500 Americans about their connection to the past and how it influences their daily lives and hopes for the future. The result is a surprisingly candid series of conversations and reflections on how the past infuses the present with meaning. Rosenzweig and Thelen found that people assemble their experiences into narratives that allow them to make sense of their personal histories, set priorities, project what might happen next, and try to shape the future. By using these narratives to mark change and create continuity, people chart the courses of their lives. A young woman from Ohio speaks of giving birth to her first child, which caused her to reflect upon her parents and the ways that their example would help her to become a good mother. An African American man from Georgia tells how he and his wife were drawn to each other by their shared experiences and lessons learned from growing up in the South in the 1950s. Others reveal how they personalize historical events, as in the case of a Massachusetts woman who traces much of her guarded attitude toward life to witnessing the assassination of John F. Kennedy on television when she was a child. While the past is omnipresent to Americans, "history" as it is usually defined in textbooks leaves many people cold. Rosenzweig and Thelen found that history as taught in school does not inspire a strong connection to the past. And they reveal how race and ethnicity affects how Americans perceive the past: while most white Americans tend to think of it as something personal, African Americans and American Indians are more likely to think in terms of broadly shared experiences--like slavery, the Civil Rights Movement, and the violation of Indian treaties." Rosenzweig and Thelen's conclusions about the ways people use their personal, family, and national stories have profound implications for anyone involved in researching or presenting history, as well as for all those who struggle to engage with the past in a meaningful way.