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In North Carolina’s Free People of Color, 1715–1885, Warren Eugene Milteer Jr. examines the lives of free persons categorized by their communities as “negroes,” “mulattoes,” “mustees,” “Indians,” “mixed-bloods,” or simply “free people of color.” From the colonial period through Reconstruction, lawmakers passed legislation that curbed the rights and privileges of these non-enslaved residents, from prohibiting their testimony against whites to barring them from the ballot box. While such laws suggest that most white North Carolinians desired to limit the freedoms and civil liberties enjoyed by free people of color, Milteer reveals that the two groups often interacted—praying together, working the same land, and occasionally sharing households and starting families. Some free people of color also rose to prominence in their communities, becoming successful businesspeople and winning the respect of their white neighbors. Milteer’s innovative study moves beyond depictions of the American South as a region controlled by a strict racial hierarchy. He contends that although North Carolinians frequently sorted themselves into races imbued with legal and social entitlements—with whites placing themselves above persons of color—those efforts regularly clashed with their concurrent recognition of class, gender, kinship, and occupational distinctions. Whites often determined the position of free nonwhites by designating them as either valuable or expendable members of society. In early North Carolina, free people of color of certain statuses enjoyed access to institutions unavailable even to some whites. Prior to 1835, for instance, some free men of color possessed the right to vote while the law disenfranchised all women, white and nonwhite included. North Carolina’s Free People of Color, 1715–1885 demonstrates that conceptions of race were complex and fluid, defying easy characterization. Despite the reductive labels often assigned to them by whites, free people of color in the state emerged from an array of backgrounds, lived widely varied lives, and created distinct cultures—all of which, Milteer suggests, allowed them to adjust to and counter ever-evolving forms of racial discrimination.
On the eve of the Civil War, most people of color in the United States toiled in bondage. Yet nearly half a million of these individuals, including over 250,000 in the South, were free. In Beyond Slavery's Shadow, Warren Eugene Milteer Jr. draws from a wide array of sources to demonstrate that from the colonial period through the Civil War, the growing influence of white supremacy and proslavery extremism created serious challenges for free persons categorized as "negroes," "mulattoes," "mustees," "Indians," or simply "free people of color" in the South. Segregation, exclusion, disfranchisement, and discriminatory punishment were ingrained in their collective experiences. Nevertheless, in the face of attempts to deny them the most basic privileges and rights, free people of color defended their families and established organizations and businesses. These people were both privileged and victimized, both celebrated and despised, in a region characterized by social inconsistency. Milteer's analysis of the way wealth, gender, and occupation intersected with ideas promoting white supremacy and discrimination reveals a wide range of social interactions and life outcomes for the South's free people of color and helps to explain societal contradictions that continue to appear in the modern United States.
Though the Civil War ended in April 1865, the conflict between Unionists and Confederates continued. The bitterness and rancor resulting from the collapse of the Confederacy spurred an ongoing cycle of hostility and bloodshed that made the Reconstruction period a violent era of transition. The violence was so pervasive that the federal government deployed units of the U.S. Army in North Carolina and other southern states to maintain law and order and protect blacks and Unionists. Bluecoats and Tar Heels: Soldiers and Civilians in Reconstruction North Carolina tells the story of the army's twelve-year occupation of North Carolina, a time of political instability and social unrest. Author Mark Bradley details the complex interaction between the federal soldiers and the North Carolina civilians during this tumultuous period. The federal troops attempted an impossible juggling act: protecting the social and political rights of the newly freed black North Carolinians while conciliating their former enemies, the ex-Confederates. The officers sought to minimize violence and unrest during the lengthy transition from war to peace, but they ultimately proved far more successful in promoting sectional reconciliation than in protecting the freedpeople. Bradley's exhaustive study examines the military efforts to stabilize the region in the face of opposition from both ordinary citizens and dangerous outlaws such as the Regulators and the Ku Klux Klan. By 1872, the widespread, organized violence that had plagued North Carolina since the close of the war had ceased, enabling the bluecoats and the ex-Confederates to participate in public rituals and social events that served as symbols of sectional reconciliation. This rapprochement has been largely forgotten, lost amidst the postbellum barrage of Lost Cause rhetoric, causing many historians to believe that the process of national reunion did not begin until after Reconstruction. Rectifying this misconception, Bluecoats and Tar Heels illuminates the U.S. Army's significant role in an understudied aspect of Civil War reconciliation.
On a Saturday night in 1948, Hank Williams stepped onto the stage of the Louisiana Hayride and sang "Lovesick Blues." Up to that point, Williams's yodeling style had been pigeon-holed as hillbilly music, cutting him off from the mainstream of popular music. Taking a chance on this untried artist, the Hayride--a radio "barn dance" or country music variety show like the Grand Ole Opry--not only launched Williams's career, but went on to launch the careers of well-known performers such as Jim Reeves, Webb Pierce, Kitty Wells, Johnny Cash, and Slim Whitman. Broadcast from Shreveport, Louisiana, the local station KWKH's 50,000-watt signal reached listeners in over 28 states and lured them to packed performances of the Hayride's road show. By tracing the dynamic history of the Hayride and its sponsoring station, ethnomusicologist Tracey Laird reveals the critical role that this part of northwestern Louisiana played in the development of both country music and rock and roll. Delving into the past of this Red River city, she probes the vibrant historical, cultural, and social backdrop for its dynamic musical scene. Sitting between the Old South and the West, this one-time frontier town provided an ideal setting for the cross-fertilization of musical styles. The scene was shaped by the region's easy mobility, the presence of a legal "red-light" district from 1903-17, and musical interchanges between blacks and whites, who lived in close proximity and in nearly equal numbers. The region nurtured such varied talents as Huddie Ledbetter, the "king of the twelve-string guitar," and Jimmie Davis, the two term "singing governor" of Louisiana who penned "You Are My Sunshine." Against the backdrop of the colorful history of Shreveport, the unique contribution of this radio barn dance is revealed. Radio shaped musical tastes, and the Hayride's frontier-spirit producers took risks with artists whose reputations may have been shaky or whose styles did not neatly fit musical categories (both Hank Williams and Elvis Presley were rejected by the Opry before they came to Shreveport). The Hayride also served as a training ground for a generation of studio sidemen and producers who steered popular music for decades after the Hayride's final broadcast. While only a few years separated the Hayride appearances of Hank Williams and Elvis Presley--who made his national radio debut on the show in 1954--those years encompassed seismic shifts in the tastes, perceptions, and self-consciousness of American youth. Though the Hayride is often overshadowed by the Grand Ole Opry in country music scholarship, Laird balances the record and reveals how this remarkable show both documented and contributed to a powerful transformation in American popular music.
When Hertford County was established in 1759, Eastern North Carolina had served as a home to African Americans for more than 170 years. Over time free blacks and the Meherrin people married, creating a unique free black community of farmers and artisans. Since that time, residents, enriched by diversity, have enjoyed the county's small-town feel and picturesque landscape.
Designed for both professional and amateur genealogists and other researchers, this index provides a detailed guide to materials available in the extensive Records of Ante-Bellum Southern Plantations microfilm set. By using this index to identify specific collections in which materials pertinent to a specific family name, plantation name, or location may be found, and then reviewing the details in the appropriate Guides (see Preface), the researcher may pinpoint the location of desired materials. The items indexed include deeds, wills, estate papers, genealogies, personal and business correspondence, account books, slave lists, and many other types of records. This new edition also includes a list of all of the manuscript collections included in the microfilm set.
Travel the roads and waterways of Delray Beach history through lovingly collected postcards. In the 1890s, a diverse group of settlers began gathering on the southeast coast of Florida to build a new community. These pioneers sought the freedom, adventure, and economic opportunity provided by the new Florida East Coast Railway. Delray's population was distinctive for its respect for education, early interest in the arts, love of sports, religious faith, and bonds of community. By the 1920s, the farming-fishing settlement had blossomed into a sparkling resort town with a thriving winter colony. This unfolding story of Delray Beach and the surrounding vicinity is presented from the Delray Beach Historical Society Archives and private collections.
Before the outbreak of the Civil War, Hertford County had one of the largest populations of free people of color in North Carolina. Although they lived in a rural community, Hertford County's free people of color and their descendants found success in business, education, community development, religious life, and politics. Warren Eugene Milteer, Jr.'s tireless efforts in numerous archives have produced the first full-length study of their lives and contributions from the colonial period into the twentieth century.
The Croatan Indians of Sampson County, NC, written by George Edwin Butler (1868-1941) and composed only a year after Special Indian Agent Orlando McPherson's Indians of North Carolina report, was an appeal to the state of North Carolina to create schools for the "Croatans" of Sampson County just as it had for those designated as Croatans in, for example, Robeson County, North Carolina. Butler's report would prove to be important in an evolving system of southern racial apartheid that remained uncertain of the place of Native Americans. It documents a troubled history of cultural exchange and conflict between North Carolina's native peoples and the European colonists who came to call it home. The report reaches many erroneous conclusions, in part because it was based in an anthropological framework of white supremacy, segregation-era politics, and assumptions about racial "purity." Indeed, Butler's colonial history connecting Sampson County Indians to early colonial settlers was used to legitimize them and to deflect their categorization as African-Americans. In statements about the fitness of certain populations to coexist with European-American neighbors and in sympathetic descriptions of nearly-white "Indians," it reveals the racial and cultural sensibilities of white North Carolinians, the persistent tensions between tolerance and self-interest, and the extent of their willingness to accept indigenous "Others" as neighbors. A DOCSOUTH BOOK. This collaboration between UNC Press and the University of North Carolina at Chapel Hill Library brings classic works from the digital library of Documenting the American South back into print. DocSouth Books uses the latest digital technologies to make these works available in paperback and e-book formats. Each book contains a short summary and is otherwise unaltered from the original publication. DocSouth Books provide affordable and easily accessible editions to a new generation of scholars, students, and general readers.