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A collection of plays written by North Carolina K-12 students for the 2023 North Carolina Young Playwrights Festival. Plays include: The Secret Task by Alijah Wright (Elementary School Winner) Perspective of a Liar by Brice Dale (Middle School Winner) Part Our Ways by Addy Henry (Middle School Honorable Mention) With This Ring by Cate Kelly and Liam Pearson (Middle School Honorable Mention) Aqua Star Boat No. 42 by Sam Davis (High School Winner) Calliope by Isabel (Izzy) Richman (High School Honorable Mention)
The one-act plays in this collection were first performed in the inaugural presentation of the New Plays Festival at Gardner-Webb University in 2003. The Festival is an initiative of the theater program at GWU dedicated to developing new plays and encouraging early-career playwrights. DUELality is an historical parody of the famous Hamilton-Burr duel. Milking Success details the eccentricities of two success-ridden filmmakers. The Cure is a riotous "battle of the sexes" where nirvana reigns over reason. Social Etiquette is an absurd farce about a dysfunctional family living in a closet. The End of the Road is an existential comedy about two travelers who have been everywhere and seen everything. Six Soldier Junction (the editor's own play) is a serious exploration of the experiences of six American soldiers in the first Gulf War. The mounting of this postmodern play corresponded with the American invasion of Iraq, proving its timeliness.
THE STORY: The place is a small American town. The time 1900. As the play begins the characters enter and seat themselves in a semi-circle of antique chairs. The last to enter is the Woman, who carries a ledger (her journal) from which she starts t
THE STORIES: The first play, JULIET, explores the debate between an intense and brilliant young director and his temperamental leading lady about their differing interpretations of Ibsen's Ghosts . He wants to do the play straight--exactly a
This book offers a cross-section of the work of the Carolina Playmakers from 1919 until 1945. It tells of the work of the founder of the Playmakers, Frederick Henry Koch, and of the accomplishments of the young playwrights who made up the group's membership. It is a record of past achievements and future plans of the organization. Originally published in 1945. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
“Mr. Linney continues to be one of our most perceptive chroniclers of the folkways of rural America, finding humanity and nobility in the most remote of places.” –Mel Gussow, New York Times “Linney’s words do it all, summoning up vistas of scary beauty and passions of elemental force.” –David Richards,Washington Post “His output was dazzling in its variety and exceptional for its depth as well as its breadth of scope. Goering at Nuremberg, Lord Byron’s daughter, the Washington novels of Henry Adams: Life, literature, and history were all his materials, not to be milled down into iconic emptiness, but to be explored for the values they might carry…One of America’s best playwrights.” –Michael Feingold, Village Voice Romulus Linney is one of American drama’s best-kept secrets. Uniquely adept at capturing the idiomatic poetry of his native South, he maneuvers with equal grace through the vernacular of New York’s contemporary intelligentsia and the voices of a wide range of historical figures. In Childe Byron, the dying daughter of the notorious Lord Byron conjures a confrontation with the father she never knew. In 2, Linney scrutinizes Hitler’s infamous second-in-command, Hermann Goering, behind the scenes at the Nuremberg trials. Tennessee celebrates the indomitability of early Appalachian mountain settlers, while Heathen Valley reveals the same region’s citizens’ subsequent search for faith. In FM, an authentic genius stumbles into the creative writing course of a small Alabama college. Set among SoHo literati, April Snow is a compassionate study of a world-weary screenwriter. Endowed with Linney’s lyric intensity, augmented by his rich sense of humor, the six plays in this volume illuminate a major talent of the American Theatre.
Acclaimed playwright Terrence McNally’s works are characterized by such diversity that critics have sometimes had difficulty identifying the pattern in his carpet. To redress this problem, in Muse of Fire, Raymond-Jean Frontain has collected McNally’s most illuminating meditations on the need of the playwright to first change hearts in order to change minds and thereby foster a more compassionate community. When read together, these various meditations demonstrate the profound ways in which McNally himself functioned as a member of the theater community—as a strikingly original dramatic voice, as a generous collaborator, and even as the author of eloquent memorials. These pieces were originally written to be delivered on both highly formal occasions (academic commencement exercises, award ceremonies, memorial services) and as off-the-cuff comments at highly informal gatherings, like a playwriting workshop at the New School. They reveal a man who saw theater not as the vehicle for abstract ideas or the platform for political statements, but as the exercise of our shared humanity. “Theatre is collaborative, but life is collaborative,” McNally says. “Art is important to remind us that we’re not alone, and this is a wonderful world and we can make it more wonderful by fully embracing each other. [. . .] I don’t know why it’s so hard to remind ourselves sometimes, but thank God we’ve had great artists who don’t let us forget. And thank the audiences who support them because I think that those artists’ true mission has been to bring the barriers down, break them down; not build walls, but tear them down.”
THE STORY: Set in the 1860s, the action of the play centers on the desire of the Episcopal Bishop of North Carolina to bring the word of God to a valley so remote and untamed that brothers marry sisters and the people live lives of brutal violence
THE STORY: Set in the mountains of North Carolina in 1870, the play deals with a frontier family; father, mother and son, who work long hours to wrest a living from the small farm they have bought from the county. Unexpectedly an old woman appears, perhaps deranged, and carrying a cowbell and a broken bit of mirror. They offer her food and drink, and she talks of her youth-which was apparently spent on the very farm which is now theirs. Years before, to ward off suitors, the woman had declared that she would only marry a man who could take her to Tennessee, but one man accepted her dare, selling off good bottom land to do so. Now in her later years, she realizes that the new farm which they carved from the wilderness was not in Tennessee at all, but only seven miles distant over the hills. Mingling scenes from past and present, the play is rich both in atmosphere and real emotion as it unfolds its tale of lives lived sometimes perilously but always to the full-and with the indomitable spirit which characterized those who laid the foundations of a great nation.