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Volume 2 of Interviews with former North Carolina Slaves
Autobiographical accounts of former slaves compiled in the 1930s by the Federal Writers Project of the Works Progress Administration.
In 1935, as part of the WPA, President Roosevelt created the Federal Writers Project. This was a very ambitious program designed to put unemployed writers, editors, teachers and others to work. They were paid between $20 and $25 dollars per week on average. Over 6000 people were employed by the Federal Writers Project. Some later on became quite famous in the literary world. Among those were Conrad Aiken, Nelson Algren, Saul Bellow, Anna Bontemps, John Cheever, Malcolm Cowley, Edward Dahlberg, Ralph Ellison, Zora Neale Hurston, Claude Mckay, Kenneth Patchen, Phillip Rahv, Kenneth Rexroth, Harold Rosenberg, John Steinbeck, Studs Terkel, Margaret Walker, Richard Wright, and Frank Yerby. One of the Writers Project best known projects was the Oral History Project. Interviewers went out all over the country talking to the “common” people to document their lives. Thousands of people in hundreds of groups were interviewed. One of these groups were former slaves. This book is a compilation of some of those interviews conducted in North Carolina. As you read them you will notice that the interviewers tried to write as the subjects spoke, in their own dialect. The former slaves used words and terms that are not considered politically correct in today's world. They may be offensive to some, but I hope not. It is how the subjects of the interviews actually spoke. In this book, the interviews are presented exactly as they were written during the years 1836-1938. They have not been edited. The writers at that time were instructed to stick to the exact words spoken by those interviewed. Editing it was feared would change the tone and meaning of the interview. So, here they are. If they give anyone offense, I sincerely apologize. I feel that these documents are far too important to be languishing in some collection, that most people will never see. It is my hope that you will find these stories compelling, fascinating, disturbing, interesting and an essential chronicle of an unpleasant and embarrassing period in our nation's history.
The autobiographies of former slaves contributed powerfully to the abolitionist movement in the United States, fanning national--even international--indignation against the evils of slavery. The four texts gathered here are all from North Carolina slaves and are among the most memorable and influential slave narratives published in the nineteenth century. The writings of Moses Roper (1838), Lunsford Lane (1842), Moses Grandy (1843), and the Reverend Thomas H. Jones (1854) provide a moving testament to the struggles of enslaved people to affirm their human dignity and ultimately seize their liberty. Introductions to each narrative provide biographical and historical information as well as explanatory notes. Andrews's general introduction to the collection reveals that these narratives not only helped energize the abolitionist movement but also laid the groundwork for an African American literary tradition that inspired such novelists as Toni Morrison and Charles Johnson.
After the Revolutionary War, millions of African descendent men and women remained slaves despite being freed by the English. Nearly 100 years later they were freed, but remained living in fear for their lives in the Southern States. This book details first hand accounts of what it was like to live under the hand of oppression and slavery. The language is harsh and direct, but shows what life truly was like by the stories and pictures of individuals who lived during this era. This book is for any history major or any individual who wants to find Americas dark past. It is filled with stories and language that may be disturbing to some, but shows the true life under slavery in America. This book has been left unedited as originally written in 1938-39.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
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