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The autobiographies of former slaves contributed powerfully to the abolitionist movement in the United States, fanning national--even international--indignation against the evils of slavery. The four texts gathered here are all from North Carolina slaves and are among the most memorable and influential slave narratives published in the nineteenth century. The writings of Moses Roper (1838), Lunsford Lane (1842), Moses Grandy (1843), and the Reverend Thomas H. Jones (1854) provide a moving testament to the struggles of enslaved people to affirm their human dignity and ultimately seize their liberty. Introductions to each narrative provide biographical and historical information as well as explanatory notes. Andrews's general introduction to the collection reveals that these narratives not only helped energize the abolitionist movement but also laid the groundwork for an African American literary tradition that inspired such novelists as Toni Morrison and Charles Johnson.
Autobiographical accounts of former slaves compiled in the 1930s by the Federal Writers Project of the Works Progress Administration.
Volume 2 of Interviews with former North Carolina Slaves
The ten works collected in this volume demonstrate how a diverse group of writers challenged the conscience of a nation and laid the foundations of the African American literary tradition by expressing their in anger, pain, sorrow, and courage. Included in the volume: Narrative of the Most Remarkable Particulars in the Life of James Albert Ukawsaw Gronniosaw; Interesting Narrative of the Life of Olaudah Equiano; The Confessions of Nat Turner; Narrative of the Life of Frederick Douglass; Narrative of William W. Brown; Narrative of the Life and Adventures of Henry Bibb; Narrative of Sojouner Truth; Ellen and William Craft's Running a Thousand Miles for Freedom; Harriet Jacobs' Incidents in the Life of a Slave Girl and Narrative of the Life of J. D.Green. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
2010 Choice Outstanding Academic Title Out of the hundreds of published slave narratives, only a handful exist specific to South Carolina, and most of these are not readily available to modern readers. This collection restores to print seven slave narratives documenting the lived realities of slavery as it existed across the Palmetto State's upcountry, midlands, and lowcountry, from plantation culture to urban servitude. First published between the late eighteenth century and the dawn of the twentieth, these richly detailed firsthand accounts present a representative cross section of slave experiences, from religious awakenings and artisan apprenticeships to sexual exploitations and harrowing escapes. In their distinctive individual voices, narrators celebrate and mourn the lives of fellow slaves, contemplate the meaning of freedom, and share insights into the social patterns and cultural controls exercised during a turbulent period in American history. Each narrative is preceded by an introduction to place its content and publication history in historical context. The volume also features an afterword surveying other significant slave narratives and related historical documents on South Carolina. I Belong to South Carolina reinserts a chorus of powerful voices of the dispossessed into South Carolina's public history, reminding us of the cruelties of the past and the need for vigilant guardianship of liberty in the present and future.I Belong to South Carolina is edited and introduced by Susanna Ashton with the assistance of Robyn E. Adams, Maximilien Blanton, Laura V. Bridges, E. Langston Culler, Cooper Leigh Hill, Deanna L. Panetta, and Kelly E. Riddle.
Autobiographical accounts of former slaves compiled in the 1930s by the Federal Writers Project of the Works Progress Administration.
In 1935, as part of the WPA, President Roosevelt created the Federal Writers Project. This was a very ambitious program designed to put unemployed writers, editors, teachers and others to work. They were paid between $20 and $25 dollars per week on average. Over 6000 people were employed by the Federal Writers Project. Some later on became quite famous in the literary world. Among those were Conrad Aiken, Nelson Algren, Saul Bellow, Anna Bontemps, John Cheever, Malcolm Cowley, Edward Dahlberg, Ralph Ellison, Zora Neale Hurston, Claude Mckay, Kenneth Patchen, Phillip Rahv, Kenneth Rexroth, Harold Rosenberg, John Steinbeck, Studs Terkel, Margaret Walker, Richard Wright, and Frank Yerby. One of the Writers Project best known projects was the Oral History Project. Interviewers went out all over the country talking to the “common” people to document their lives. Thousands of people in hundreds of groups were interviewed. One of these groups were former slaves. This book is a compilation of some of those interviews conducted in North Carolina. As you read them you will notice that the interviewers tried to write as the subjects spoke, in their own dialect. The former slaves used words and terms that are not considered politically correct in today's world. They may be offensive to some, but I hope not. It is how the subjects of the interviews actually spoke. In this book, the interviews are presented exactly as they were written during the years 1836-1938. They have not been edited. The writers at that time were instructed to stick to the exact words spoken by those interviewed. Editing it was feared would change the tone and meaning of the interview. So, here they are. If they give anyone offense, I sincerely apologize. I feel that these documents are far too important to be languishing in some collection, that most people will never see. It is my hope that you will find these stories compelling, fascinating, disturbing, interesting and an essential chronicle of an unpleasant and embarrassing period in our nation's history.
Slavery Remembered is the first major attempt to analyze the slave narratives gathered as part of the Federal Writers' Project. Paul Escott's sensitive examination of each of the nearly 2,400 narratives and his quantitative analysis of the narratives as a whole eloquently present the differing beliefs and experiences of masters and slaves. The book describes slave attitudes and actions; slave-master relationships; the conditions of slave life, including diet, physical treatment, working conditions, housing, forms of resistance, and black overseers; slave cultural institutions; status distinctions among slaves; experiences during the Civil War and Reconstruction; and the subsequent life histories of the former slaves. An important contribution to the study of American slavery, Slavery Remembered is an ideal classroom text for American history surveys as well as more specialized courses.
This book is a powerful autobiography penned by Lunsford Lane, an African-American entrepreneur tobacconist from North Carolina who bought freedom for himself and his family. His life and narrative shows the plight of slavery, even for the relatively privileged slaves.
After the Revolutionary War, millions of African descendent men and women remained slaves despite being freed by the English. Nearly 100 years later they were freed, but remained living in fear for their lives in the Southern States. This book details first hand accounts of what it was like to live under the hand of oppression and slavery. The language is harsh and direct, but shows what life truly was like by the stories and pictures of individuals who lived during this era. This book is for any history major or any individual who wants to find Americas dark past. It is filled with stories and language that may be disturbing to some, but shows the true life under slavery in America. This book has been left unedited as originally written in 1938-39.