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An unprecedented study of Norman Rockwell's creative process, pairing masterworks of American illustration with the photographs that inspired their execution
Reprint. Originally published: New York: H.N. Abrams 1975. Text and captioned illustrations present selections of the artist's work and a brief biographical sketch.
Designed to generate impulse sales, titles in this line are carefully balanced for gift giving, self-purchase, or collecting. Little Books may be small in size, but they're big in titles and sales.
Based on the Rockwell collections owned by George Lucas and Steven Spielberg, "Telling Stories" is the first book to chart the connections between Rockwell's iconic images of American life and the movies.
A selection of paintings including commentaries on each one from the 1920's through the 1960's.
Eight-part series published in the Saturday Evening Post, February 13 - April 2, 1960. Ties in with the publication of his autobiography under the same title, published by Doubleday in 1960.
Few artists have captured the essence of the American middle class with the warmth, gentle humor, and charm of illustrator Norman Rockwell (18941978). Remembered for the several generations of Saturday Evening Post covers he illustrated, Rockwell had a genius for creating stop-action scenesan art student racing to her next class, a small dog stubbornly blocking trafficmoments with which viewers could easily identify. This book of postcards offers thirty of Rockwells most treasured illustrations.
Brush up your knowledge on popular American painter and illustrator Norman Rockwell with this exciting Who Was? title. Norman Rockwell often painted what he saw around him in nostalgic and humorous ways. After hearing President Franklin Roosevelt's address to Congress in 1943, he was inspired to create paintings that described the principles for universal rights: four paintings that portray iconic images of the American experience. Over the course of his lifetime, he painted 322 covers for the Saturday Evening Post. Of his work, he has said: "Maybe as I grew up and found the world wasn't the perfect place I thought it to be, I consciously decided that if it wasn't an ideal world, it should be, and so painted only the ideal aspects of it."