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Sophie is starting a new school year. Shopping for it with her best friend should be fun, but nothing seems to fit, which is a major issue to a high school girl. But her biggest problem is the secret she's keeping. And she's about to find out that she won't be able to keep things under wraps for much longer. This page-turning novel explores the tangled web of choices, secrets, and love that all teen girls navigate. Melody Carlson enjoys a huge audience of teen readers. Now, Revell presents another new stunning story from an author who understands teen girls right where they are.
Before Shakespeare in Love, there was Anthony Burgess's Nothing Like the Sun: a magnificent, bawdy telling of Shakespeare's love life.
Jason, a twelve-year-old autistic boy who wants to become a writer, relates what his life is like as he tries to make sense of his world.
Once she had been beautiful. Now she was eight days dead, her body slashed with more than fifty cuts. Janis Parker - young, successful and glamorous - had shared her modern Notting Hill apartment with flatmate Stephanie James. But now Janis is dead - and Stephanie has disappeared. Heading up the investigation, Detective Stella Mooney soon has her first suspect, in the shape of Mark Ross - Stephanie's boyfriend and Janis's secret lover . . . But then another body is discovered - slashed fifty times. Clearly these are no domestic killings. It seems Stella and her team are looking for that most dangerous of creatures: a killer who hunts to feed a terrible appetite. But the truth is they are up against something even more terrifying. . .
** A New York Times Bestseller ** NAMED ONE OF THE BEST BOOKS OF THE YEAR BY: Time • The New Yorker • NPR • GQ • Elle • Vulture • Fortune • Boing Boing • The Irish Times • The New York Public Library • The Brooklyn Public Library "A complex, smart and ambitious book that at first reads like a self-help manual, then blossoms into a wide-ranging political manifesto."—Jonah Engel Bromwich, The New York Times Book Review One of President Barack Obama's "Favorite Books of 2019" Porchlight's Personal Development & Human Behavior Book of the Year In a world where addictive technology is designed to buy and sell our attention, and our value is determined by our 24/7 data productivity, it can seem impossible to escape. But in this inspiring field guide to dropping out of the attention economy, artist and critic Jenny Odell shows us how we can still win back our lives. Odell sees our attention as the most precious—and overdrawn—resource we have. And we must actively and continuously choose how we use it. We might not spend it on things that capitalism has deemed important … but once we can start paying a new kind of attention, she writes, we can undertake bolder forms of political action, reimagine humankind’s role in the environment, and arrive at more meaningful understandings of happiness and progress. Far from the simple anti-technology screed, or the back-to-nature meditation we read so often, How to do Nothing is an action plan for thinking outside of capitalist narratives of efficiency and techno-determinism. Provocative, timely, and utterly persuasive, this book will change how you see your place in our world.
When Peter tries to slip a roofie into a target’s drink, he triggers events that lead to blackmail and harsh street justice. To defend himself, he sends his unsuspecting fiancée, Lizzie, into the scariest neighborhood in Chicago to buy the protection he needs from, of all places, a taco truck. Ever subservient because she knows a Plain Jane like her doesn’t deserve him, Lizzie fights back her terror and resolves to help Peter however she can, even in ways hidden from him. “David H. Hendrickson is one of my favorite writers.” —Edgar-nominated author Kris Nelscott “One of the most diverse writers I have had the pleasure to meet.” —USA Today bestselling author Dean Wesley Smith
An intensely personal, and philosophical, account of why white America’s racial unconscious is not so unconscious An Essay for Ezra is a critique of terror that begins but by no means ends with the presidency of Donald J. Trump. A father addresses his son and a boy shares his observations in a dynamic dialogistic exchange that is a commentary of and for its time, taking the measure of racial terror and of white supremacy both in our moment and as a historical phenomenon. Framed through the experiences of the author’s biracial son, An Essay for Ezra is intensely personal while also powerfully universal. Drawing on the social and political thought of James Baldwin and Martin Luther King, Grant Farred examines the temptation and the perils of essentialism and the need to discriminate—to engage the black mind as much as the black body. With that dialectic as his starting point, Farred engages the ideas of Jameson, Barthes, Derrida, Adorno, Kant, and other thinkers to derive an ethics of being in our time of social peril. His antiessentialist racial analysis is salient, especially when he deploys Dave Chappelle as a counterpoint to Baldwin—and Chappelle’s brilliant comic philosophic voice jabs at both racial and gender identity. Standing apart for its willingness to explore terror in all its ambivalence, this theoretical reflection on racism, knowledge, ethics, and being in our neofascist present brings to bear the full weight of philosophical inquiry and popular cultural critique on black life in the United States.
Features a Harvard professor, an engineer, a high school student, among others, telling their stories of struggle & triumph over this common, yet often unrecognized & untreated brain disorder that affects one out of every ten Americans. Mental health experts, from the National Institute of Mental Health & elsewhere, highlight groundbreaking new medications & talk therapies helping people with clinical depression return to healthy lives. Academy Award-winner Rod Steiger adds his own voice, sharing his personal battle with clinical depression. Has won top awards from the American Psychiatric Association, The National Easter Seals Society & the National Mental Health Association among others. Includes transcript & educational material written in conjunction with the National Institute of Mental Health
For decades we’ve had vampires, werewolves, Jason, Freddy, and Michael. And now zombies have gone all Hollywood. Out of a need to figure out what is the next classic monster, publisher and lifelong horror enthusiast Gerald Dean Rice has assembled this fresh and downright disturbing collection of short stories featuring some of the most clever and imaginative horror writers of the day including Tim Curran, Jeff Strand, Armand Rosamilia, Rebecca Besser, MontiLee Stormer, Lee Moan, Tonia Brown, Jake Bible, Faye McCray, and Jimmy Pudge. Inside, the diverse cast of contributors introduces new breeds of monsters such as sentient sex dolls, anti-zombie terrorists, suicidal cultists, the woman who can smell sin, and more. These monsters come alive within the pages, and they are blow-your-mind frightening. They are just what the horror world needs. They are Anything but Zombies!
A mysterious symmetry between a series of apparent murders and suicides committed simultaneously in different types of properties around Manchester presents a most perplexing puzzle for recently-promoted DI Shelly King. “The Fellowship” purports to be The New Testament Learning Fellowship, but we ultimately learn that NTLF actually stands for something completely different. Whilst the founder of NTLF aims for ‘societal improvement’, the solution is much more sinister. The author is a master of interweaving multiple plots and taunting the reader with snippets of clues which only become relevant much later in the book. In between fascinating descriptions of how the CID operate, we are treated to superbly written and graphic descriptions of such things as the agony of poisoning, lesbian lovemaking and bondage, the latter not all consensual. Although an overworked cliché, this book unquestionably is one which most readers will not be able to put down. The gripping and compulsive challenges the officers face never cease to surprise and excite. Most readers will probably develop at least some affection for the characters who toil under the relentless pressure faced by the police, and many may even shed a tear when one pays the ultimate price.