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Based on the true story of Alice Mitchell, this book recounts a crime of passion by a lesbian who cannot marry her lover.
Adds historical and philosophical perspectives to current debates over whether lesbian identity is socially constructed or genetically based.
La Grange, voted the capital of the Republic of Texas in 1838, is as colorful and audacious as the state itself. Its citizens were instrumental in winning the republic's freedom and have always been willing to fight for their beliefs. Many defend La Grange as the true capital of Texas, unfairly stripped of its title. The town flourished during the 19th century and witnessed the birth of a rough-and-tumble society, where arguments were commonly settled with fists, knives, and guns. In later years, immigrants flocked to the area and built a strong agricultural economy. The 20th century might have passed quietly into history if not for a Houston television reporter who publicized the demise of one of Texas's best-known brothels, the Chicken Ranch, located just outside of La Grange. The extensive publicity surrounding the closing of the "Best Little Whorehouse in Texas" resulted in a musical and movie of the same name, as well as a song by ZZ Top.
Shortlisted for the Modernist Studies Assocation Book Prize Statue-fondlers, wanderlusters, sex magicians, and nymphomaniacs: the story of these forgotten sexualities—what Michel Foucault deemed “minor perverts”—has never before been told. In The Book of Minor Perverts, Benjamin Kahan sets out to chart the proliferation of sexual classification that arose with the advent of nineteenth-century sexology. The book narrates the shift from Foucault’s “thousand aberrant sexualities” to one: homosexuality. The focus here is less on the effects of queer identity and more on the lines of causation behind a surprising array of minor perverts who refuse to fit neatly into our familiar sexual frameworks. The result stands at the intersection of history, queer studies, and the medical humanities to offer us a new way of feeling our way into the past.
From a writer of astonishing versatility and erudition, the much-admired literary critic, novelist, short-story writer, and scholar (“Dazzling”—The Washington Post; “One of those rare writers who seems to be able to work on any register, any time, any atmosphere, and make it her own” —The Observer), a book that explores the little-known literary tradition of love between women in Western literature, from Chaucer and Shakespeare to Charlotte Brontë, Dickens, Agatha Christie, and many more. Emma Donoghue brings to bear all her knowledge and grasp to examine how desire between women in English literature has been portrayed, from schoolgirls and vampires to runaway wives, from cross-dressing knights to contemporary murder stories. Donoghue looks at the work of those writers who have addressed the “unspeakable subject,” examining whether such desire between women is freakish or omnipresent, holy or evil, heartwarming or ridiculous as she excavates a long-obscured tradition of (inseparable) friendship between women, one that is surprisingly central to our cultural history. Donoghue writes about the half-dozen contrasting girl-girl plots that have been told and retold over the centuries, metamorphosing from generation to generation. What interests the author are the twists and turns of the plots themselves and how these stories have changed—or haven’t—over the centuries, rather than how they reflect their time and society. Donoghue explores the writing of Sade, Diderot, Balzac, Thomas Hardy, H. Rider Haggard, Elizabeth Bowen, and others and the ways in which the woman who desires women has been cast as not quite human, as ghost or vampire. She writes about the ever-present triangle, found in novels and plays from the last three centuries, in which a woman and man compete for the heroine’s love . . . about how—and why—same-sex attraction is surprisingly ubiquitous in crime fiction, from the work of Wilkie Collins and Dorothy L. Sayers to P. D. James. Finally, Donoghue looks at the plotline that has dominated writings about desire between women since the late nineteenth century: how a woman’s life is turned upside down by the realization that she desires another woman, whether she comes to terms with this discovery privately, “comes out of the closet,” or is publicly “outed.” She shows how this narrative pattern has remained popular and how it has taken many forms, in the works of George Moore, Radclyffe Hall, Patricia Highsmith, and Rita Mae Brown, from case-history-style stories and dramas, in and out of the courtroom, to schoolgirl love stories and rebellious picaresques. A revelation of a centuries-old literary tradition—brilliant, amusing, and until now, deliberately overlooked.
A governor who saw ghosts, an incorrigible horse thief, a husband and wife who each stood over seven feet tall, an American Indian chief who defied forced removal, and the first woman to practice law before the Supreme Court: these are just some of the remarkable characters whose lives influenced and defined the state of Wisconsin. Authors Michael Edmonds and Samantha Snyder plumbed the depths of the Wisconsin Historical Society’s collections to research and compose lively portraits of eighty of these notable individuals: mayors, ministers, mystics, murderers, and everything in between. Each story is followed by recommended sources for readers’ continued exploration. Whether read on the fly or all in one sitting, these short, colorful narratives will intrigue and inform as you delve into Wisconsin’s diverse and diverting history.
As in his highly acclaimed Growing Up Gay in the South, James Sears masterfully blends a symphony of Southern voices to chronicle the era from the baby boom to the dawn of gay rights and the Stonewall riot. Sears weaves a rich historical tapestry through the use of personal reminiscences, private letters, subpoenaed testimony and previously