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Norbert Cooke may have been the high school geek, but he was light years ahead of everyone else in and out of university academe and among the science community. So when he exhausted all the knowledge Earth had to offer, he was forced to turn back to the forgotten sciences of the ancient past. And what he uncovered could help mankind reach the stars or destroy us utterly.
In the aftermath of the winery war in Reveille In Red, Bill Travis has to track down the remnants of a biker gang that tried to kill Julie and the passengers of the winery tour bus, “Lone Star Wino Express.” But while confronting one of the bikers, Dale Fluckinger, a hothead with more testosterone than common sense, Bill has to shoot the man. The following day, a sniper very nearly shoots Bill’s daughter, Jennifer, while apparently aiming at Bill while in his own driveway. Bill has to get the family to safety at Nat Bierstone’s ranch retreat before shotgunning for who is behind the failed hit. To do so, he has to take Jessica along with him and head for the outskirts of San Antonio to find Corey Pleasant, yet another loser criminal biker. With Hank Sterling running interference and an untimely and very dead body popping up, Bill has to think outside the box to outwit the mastermind of the plot to kill him. Add in a persistent Perry Reilly who only wants to help, stir for a day or two in the hot summer Texas sun, and you have a smorgasborg of brutal action and adventure as only Bill Travis can serve it. Bexar County Line is the seventeenth book in the Bill Travis Mystery series.
Martin Luther was the subject of a religious controversy that never really came to an end. The Reformation was a controversy about him.
Responding to recent historical analyses of Post-Reformation English Catholicism, the essays in this collection by both literary scholars and historians focus on polemical, devotional, political, and literary texts that dramatize the conflicts between context-sensitive Catholic and anti-Catholic discourses in early modern England. They foreground some major literary authors and canonical texts, but also examine non-canonical literature as well as other writings that embody ideological fantasies connecting the political and religious discourses of the time with their literary manifestations.
Adrift in an unknown sector of space, Slater and the crew of the Franklin are cut off from friendly support and surrounded by enemies on all sides. The mysterious council means to destroy him, but a derelict core is a deadly opponent, and Captain Slater will stop at nothing to get his crew home safely. It's time for Slater to go on the offensive.It's time to take the fight to the enemy. It's time to counterattack!
Literary depictions of the sacred and the secular from the Middle Ages are representative of the era's widely held cultural understandings related to religion and the nature of lived experience. Using late Medieval English literature, including some of Chaucer's writings, these essays do not try to define a secular realm distinct and separate from the divine or religious, but instead analyze intersections of the sacred and the profane, suggesting that these two categories are mutually constitutive rather than antithetical. With essays by former students of John V. Fleming, the collection pays tribute to the Princeton University professor emeritus through wide-ranging scholarship and literary criticism. Including reflections on depictions of Bathsheba, Troilus and Criseyde, the Legend of Good Women, Chaucer's Pardoner, and Margery Kempe, these essays focus on literature while ranging into history, philosophy, and the visual arts. Taken together, the work suggests that the domain of the sacred, as perceived in the Middle Ages, can variously be seen as having a hierarchical or a complementary relationship to the things of this world.