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Readers continue to be charmed by bestselling author Georgette Heyer, the Queen of Regency Romance, and her flashes of wit, wonderful dialogue, and delightful intrigue. An impetuous flight... Tiffany Wield's bad behavior is a serious trial to her chaperone. "On the shelf" at twenty-eight, Ancilla Trent strives to be a calming influence on her tempestuous charge, but then Tiffany runs off to London alone and Ancilla is faced with a devastating scandal. A gallant rescue... Sir Waldo Hawkridge, confirmed bachelor and one of the wealthiest men in London, comes instantly to the aid of the intrepid Ancilla to stop Tiffany's flight, and in the process discovers that it's never too late for the first bloom of love. Praise for Georgette Heyer: "A writer of great wit and style... I've read her books to ragged shreds."—Kate Fenton, Daily Telegraph "Triumphantly good...Georgette Heyer is unbeatable."—India Knight, Sunday Telegraph
Intentionally built on the fall line where the Piedmont uplands meet the Tidewater region, Richmond has always been a city defined by the land. From the time settlers built a city on rugged terrain overlooking the James River, the people have changed the land and been changed by it. Few know this better than T. Tyler Potterfield, a planner with the City of Richmond Department of Community Development. Whether considering the many roles of the "romantic, wild and beautiful" James River through the centuries, describing the rationale for the location of the Virginia State Capitol on Shockoe Hill or relating the struggle to reclaim green space as industrialization and urban growth threatened to remove nature from the city, Potterfield weaves a tale as ordered as the gridded streets of Richmond and just as rich in history.
A surprising, enlightening series of conversations that shed new light on the music and career of “our greatest living composer” (New York Times) Steve Reich is a living legend in the world of contemporary classical music. As a leader of the minimalist movement in the 1960s, his works have become central to the musical landscape worldwide, influencing generations of younger musicians, choreographers and visual artists. He has explored non-Western music and American vernacular music from jazz to rock, as well as groundbreaking music and video pieces. He toured the world with his own ensemble and his compositions are performed internationally by major orchestras and ensembles. Now Reich speaks with collaborators, fellow composers and musicians as well as visual artists influenced by his work to reflect on his prolific career as a composer as well as the music that inspired him and that has been inspired by him, including: David Lang Brian Eno Richard Serra Michael Gordon Michael Tilson Thomas Russell Hartenberger Robert Hurwitz Stephen Sondheim Jonny Greenwood David Harrington Elizabeth Lim-Dutton David Robertson Micaela Haslam Anne Teresa de Keersmaeker Julia Wolfe Nico Muhly Beryl Korot Colin Currie Brad Lubman Through this series of insightful, wide-ranging conversations starting from his student days to the present pandemic, we gain a compelling glimpse into the mind of “the most original musical thinker of our time” (The New Yorker).
The standard editions of the 1611 King James Bible (or Authorised Version) currently available give, with little variation, the text as established by the Oxford edition of 1769. They give the reader, therefore, a seventeenth-century text in mid-eighteenth century clothes - clothes which are neither original nor modern. In this new edition of the King James Version the text has been collated with the translators' original work in order to give the reader as closely as possible the exact text on which the translators decided. It has also been given consistent modern spelling and presentation in order to make it easier to read and study than standard editions. The text is presented is paragraph form, with marginal notes. The type is 10/12.5 Swift.
General Series Editors Gay Wilson Allen and Sculley Bradley Originally published between 1961 and 1984, and now available in paperback for the first time, the critically acclaimed Collected Writings of Walt Whitman captures every facet of one of America's most important poets. In discussing letter-writing, Whitman made his own views clear. Simplicity and naturalness were his guidelines. “I like my letters to be personal—very personal—and then stop.“ The six volumes in The Correspondence comprise nearly 3,000 letters written over a half century, revealing Whitman the person as no other documents can. Volume II presents the poet during the years he was developing an international reputation. As they came to understand one of the most important American voices of the century, European writers such as Edward Dowden and John Addington Symonds began to correspond with Whitman. English author Anne Gilchrist wrote her first impassioned love letter to the American poet in 1871. Whitman characteristically waited six weeks before he replied, and his subsequent handling of the unwanted ardor proves a fascinating study of a lover who feared to be loved.