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The American World War II film depicted a united America, a mythic America in which the average guy, the girl next door, the 4-F patriot, and the grieving mother were suddenly transformed into heroes and heroines, warriors and goddesses. The Star-Spangled Screen examines the historical accuracy—or lack thereof—of films about the Third Reich, the Resistance, and major military campaigns. Concerned primarily with the films of the war years, it also includes discussions of such postwar movies as Battleground (1949), Attack! (1956), The Bridge on the River Kwai (1957), and Patton (1970). This revised edition includes a new afterword that covers more recent films, such as Sophie's Choice (1982), Biloxi Blues (1986), and Schindler's List (1993). The Star-Spangled Screen makes a major contribution to popular culture by recreating an era that, for all its tragedy, was one of the most creative in the history of American film.
Explores the Church of England's understanding of the Third Reich and its impact on the reactions to and memory of the Holocaust in Britain. Argues that the Anglican Church did not engage with the Third Reich through the prism of the persecution of the Jews. English Christians commonly perceived Nazism as significant through its anti-Christianity, as an attack on Christian culture, and not through its antisemitism. In the 1930s the Church was opposed to war, but when Nazi antisemitism became much more pronounced after 1938, the Church incorporated this persecution into its image of Nazism as anti-Christian. While there was some concern for Jewish victims (especially on the part of George Bell and William Temple), particular concern was expressed for the German Christian victims of totalitarianism. This led the Anglican Church, after the war, to favor reconstruction of West Germany as a buffer against communism and anti-Christianity. The Church objected to war crimes trials as being opposed to "Christian forgiveness" vs. the "Jewish" value of vengeance, a view which sought to reduce the significance of Nazi antisemitism and the Holocaust.
During World War II, Hollywood studios supported the war effort by making patriotic movies designed to raise the nation's morale. They often portrayed the combatants in very simple terms: Americans and their allies were heroes, and everyone else was a villain. Norway, France, Czechoslovakia, and England were all good because they had been invaded or victimized by Nazi Germany. Poland, however, was represented in a negative light in numerous movies. In Hollywood's War with Poland, 1939-1945, M. B. B. Biskupski draws on a close study of prewar and wartime films such as To Be or Not to Be (1942), In Our Time (1944), and None Shall Escape (1944). He researched memoirs, letters, diaries, and memoranda written by screenwriters, directors, studio heads, and actors to explore the negative portrayal of Poland during World War II. Biskupski also examines the political climate that influenced Hollywood films.
The United States and the Nazi Holocaust is an invaluable synthesis of United States policies and attitudes towards the Nazi persecution of European Jewry from 1933 to the modern day. The book weaves together a vast body of scholarship to bring students of the Holocaust a balanced overview of this complex and often controversial topic. It demonstrates that the United States' response to Nazism, the refugee crisis it provoked, the Holocaust, and its aftermath were-and remain to this day-intricately linked to the shifting racial, economic, and social status of American Jewry. Using a broad chronological framework, Barry Trachtenberg guides us through the major themes and events of this period. He discusses the complicated history of the Roosevelt administration's response to the worsening situation of European Jewry in the context of the ambiguous racial status of Jews in Depression and World War II-era America. He examines the post-war decades in America, and discusses how the Holocaust, like American Jewry itself, moved from the margins to the center of American awareness. This book considers the reception of Holocaust survivors, post-war trials, film, memoirs, memorials, and the growing field of Holocaust Studies. The reactions of the United States government, the general public, and the Jewish communities of America are all accounted for in this detailed survey.
Carl Friedrich Keil (1807 – 1888) and Franz Delitzsch (1813 – 1890) were conservative German Lutheran Old Testament scholars whose commentary on the Old Testament has remained a classic for well over a century.
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