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An important figure during the golden age of Broadway, John C. Wilson staged such famous productions as Kiss Me, Kate and Gentlemen Prefer Blondes. He also worked with many of the greatest actors, playwrights, producers, and other artists from the 1920s through the 1950s, including Alfred Lunt, Lynn Fontanne, Laurence Olivier, Vivien Leigh, Carol Channing, and Tennessee Williams. In his twenties, Wilson met Noel Coward and became both his lover and manager. Following Wilson’s marriage to Russian princess Natalie Paley in 1937, he remained close friends with Coward until John’s death in 1961. In Noel, Tallulah, Cole, and Me: A Memoir of Broadway’s Golden Age, producer-director Wilson provides an eye witness account of a never-to-be-seen-again period in American theatre and culture. The narrative covers Wilson’s youth, his education at Yale, his experience working in silent films, and details of his professional and personal relationship with Coward. Wilson also recounts his theatrical career on Broadway and in London, his marriage to Paley, and life within international high society. The people Wilson befriended—Tallulah Bankhead, Cecil Beaton, Claudette Colbert, Cole Porter, and Richard Rodgers, among others—are described with affection, candor, and colorful panache. Wilson also shares behind-the-scenes stories about such landmark theatre productions as Private Lives, Blithe Spirit, Gentlemen Prefer Blondes, and Kiss Me, Kate. Completed in 1958, just three years before his death, Wilson’s autobiography sat idle for decades. Wilson’s great nephew Jack Macauley and theatre historian Thomas Hischak have edited the original manuscript and added commentary to help guide the reader through the myriad names and productions that are mentioned. From his long-term relationship with Coward to his enduring marriage to Paley, Wilson’s life was as charmed as it was celebrated. Featuring nearly forty photos, Noel, Tallulah, Cole, and Me is an engaging account of one of the most important periods in Broadway’s history, as well as a fascinating look into the lives of the glamorous men and women of the era.
Winner of the Society for Theatre Research Book Prize 2020 Vivien Leigh was perhaps the most iconic actress of the twentieth century. As Scarlett O'Hara and Blanche Du Bois she took on some of the most pivotal roles in cinema history. Yet she was also a talented theatre actress with West End and Broadway plaudits to her name. In this ground-breaking new biography, Alan Strachan provides a completely new full-life portrait of Leigh, covering both her professional and personal life. Using previously unseen sources from her archive, recently acquired by the V&A, he sheds new light on her fractious relationship with Laurence Olivier, based on their letters and diaries, as well as on the bipolar disorder which so affected her later life and work. Revealing new aspects of her early life as well as providing glimpses behind-the-scenes of the filming of Gone with the Wind and A Streetcar Named Desire, this book provides the essential and comprehensive life-story of one of the twentieth century's greatest actresses.
The Hollywood "sex comedy"--a feature-length film in which sex motivates the storyline and the laughs are triggered by sexual situations--came into its own with the 1953 release of the once-controversial The Moon Is Blue. That film received very positive critical and audience response despite being denied a seal of approval from the Production Code Administration and receiving a "Condemned" rating from the Legion of Decency. (These two formidable watchdog agencies would continue to be challenged--and audiences would continue to be convulsed--by the abundance of sex comedies still to come.) The present informal survey focuses on 25 selected examples of the genre, released between 1953 and 1964. Along with such familiar works as The Seven Year Itch, The Tender Trap, Pillow Talk and Kiss Me, Stupid, several lesser-known sex comedies like I Married a Woman, The Tunnel of Love, Happy Anniversary and Period of Adjustment are documented, analyzed and placed in context with their times. Some are masterpieces, others mildly amusing and a few downright awful, but all are fascinating artifacts of a bygone era in popular entertainment.
Animation has been a staple of the filmmaking process since the early days of cinema. Animated shorts had been produced for decades, but not until 1937 did a major studio venture into animated features when Walt Disney produced Snow White and the Seven Dwarfs. Of the hundreds of animated feature films made since, many have proven their importance over the years while also entertaining generations of audiences. There are also many recent animated movies that promise to become classics in the field. In 100 Greatest American British Animated Films, Thomas S, Hischak looks at the most innovative, influential, and entertaining features that have been produced since the late 1930s—from traditional hand-drawn works and stop-motion films to computer-generated wonders. These movies have been selected not simply because of their popularity or critical acceptance but for their importance. Entries in this volume contain plot information production history critical reaction commentary on the film’s cinematic quality a discussion of the film’s influence voice casts production credits songs sequels, spin-offs, Broadway versions, and television adaptations awards and nominations Each movie is also discussed in the context of its original release as well as the ways in which the film has lived on in the years since. Familiar favorites and lesser-known gems are included, making the book a fascinating journey for both the avid animation fan and the everyday moviegoer. With a sweeping look at more than eight decades of movies, 100 Greatest American and British Animated Films highlights some of the most treasured features of all time.
In The Mikado to Matilda: British Musicals on the New York Stage, Thomas Hischak provides an overview of British musicals that made their way to Broadway, covering their entire history up to the present day. This is the first book to look at the British musical theatre with reference to those London musicals that were also produced in New York City. The book covers 110 British musicals, ranging from 1750 to the present day, including the popular Gilbert and Sullivan comic operettas during the Victorian era, the Andrew Lloyd Webber mega-musicals of the late twentieth century, and today's biggest hits such as Matilda. Each London musical is discussed first as a success in England and then how it fared in America. The plots, songs, songwriters, performers, and producers for both the West End and the Broadway (or Off Broadway) production are identified and described. The discussion is sometimes critical, evaluating the musicals and why they were or were not a success in New York.
For more than five decades, Woody Allen has been one of the most critically acclaimed talents in American cinema. Allen has been nominated for best director seven times by the Academy of Motion Picture Arts and Sciences—winning for his 1977 film Annie Hall—and he has received more Oscar nominations for best screenplay than any other individual. But Allen’s accomplishments are not limited to the big screen. In addition to writing and directing nearly fifty films—many of which he starred in—Allen has been a television writer, a stand-up comedian, a playwright, and the author of several short stories. TheWoody Allen Encyclopedia is a compendium of information and commentary about every aspect of Allen as an artist. In this volume, Thomas S. Hischak details all of Allen’s works for the cinema, television, and the stage, as well as all of his fiction; his comedy albums; his performances in other directors’ movies; and even documentaries about him. In addition to such critically acclaimed films as Sleeper, Manhattan, Hannah and Her Sisters, Zelig, Crimes and Misdemeanors, Match Point, and Midnight in Paris, entries in this volume feature many of his collaborators, including actors, actresses, cinematographers, editors, designers, producers, and cowriters. This resource also highlights themes in Allen’s work, the music he utilizes in his films, and his working methods, as well as box-office figures and awards. An extensive and comprehensive overview of this artist’s remarkable career, The Woody Allen Encyclopedia is a must-have for film aficionados and will be of great interest to all readers, from professors and students to Allen’s most devoted fans.
Sitcoms of the 1950s and 1960s are widely considered conformist in their depictions of gender roles and sexual attitudes. In Camp TV Quinlan Miller offers a new account of the history of American television that explains what campy meant in practical sitcom terms in shows as iconic as The Dick Van Dyke Show as well as in more obscure fare, such as The Ugliest Girl in Town. Situating his analysis within the era's shifts in the television industry and the coalescence of straightness and whiteness that came with the decline of vaudevillian camp, Miller shows how the sitcoms of this era overflowed with important queer representation and gender nonconformity. Whether through regular supporting performances (Ann B. Davis's Schultzy in The Bob Cummings Show), guest appearances by Paul Lynde and Charles Nelson Reilly, or scripted dialogue and situations, industry processes of casting and production routinely esteemed a camp aesthetic that renders all gender expression queer. By charting this unexpected history, Miller offers new ways of exploring how supposedly repressive popular media incubated queer, genderqueer, and transgender representations.
Thornton Wilder is one of America’s greatest writers, and the only author to win Pulitzer Prizes in both fiction and drama. Equally well known for his plays and novels, his unique and diverse body of work also includes essays, journals, lectures, and film and television scripts. In The Thornton Wilder Encyclopedia, Thomas S. Hischak exhaustively covers Wilder’s life and extensive career. Entries not only contain every one of his novels, plays, and scripts, but also his letters, journals, and all other existing works by Wilder, published or unpublished. In addition, this valuable reference features entries on the individuals who worked with Wilder and friends and family members who were a great influence on him. With a biography of Wilder to introduce the work and a chronology and selected bibliography to augment the entries, The Thornton Wilder Encyclopedia is the most comprehensive reference available on one of America’s greatest playwrights and finest novelists.
The first solo transatlantic flight. The release of the first talking picture. The invention of the jukebox. These are just a handful of milestones that occurred in one momentous year. In a decade of historic firsts, 1927 stands out as the peak year of the Roaring Twenties, a span of time in which dozens of significant events took place—in America and around the world. The economy was booming, the Jazz Age was in full swing, social mores were looser than ever, and the nation was celebrating new dances, gadgets, and heroes. In sports, records were broken, and several champions in different fields thrilled fans with outstanding feats. In 1927: A Day-by-Day Chronicle of the Jazz Age’s Greatest Year, Thomas S. Hischak provides a daily account of this pivotal period in history. Every major news story—on the national and international stage—is accounted for, from popular culture phenomena to minor news items that would prove to be more important later. In addition to Charles Lindbergh’s historic flight, the book recounts such events as the discovery of the Peking Man, the execution of Sacco and Vanzetti, the Shanghai Massacre, the Great Mississippi River Flood, and the advent of talking pictures with the arrival of The Jazz Singer. From the world of entertainment—the debut of the classic musical Show Boat and the formation of the Academy of Motion Picture Arts and Sciences—to headlines that gripped the country, this book focuses on a diverse and complicated year. Scattered throughout the book are interesting statistics and pieces of information regarding life during this era. Highlighting the people, inventions, discoveries, and milestones that made these twelve months so special, 1927 will appeal to armchair historians everywhere.
First time in Paperback! Noel Coward and Cole Porter's fascinating lives celebrated. Fresh on the heels of the popular motion picture based on Cole Porter's life called De-Lovely, Noel and Cole presents a fresh and often surprising portrait of these two geniuses. The author provides insight into both men's private lives - including a frank discussion of their homosexuality - while illuminating their musical achievements. Born an ocean apart - one in Indiana, the other in England - Cole Porter and Noel Coward have come to represent the ultimate in sophistication and urbanity. Noel and Cole will be an essential reference as well as a fascinating dual biography of two men who brought style and dazzle to the art of popular entertainment. * Based on access to previously unpublished manuscripts, lyrics, scores, and letters, plus dozens of interviews * Includes a chronology and a fifty-page section devoted to the analysis of select works