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In this new offering from “the king of Christmas fiction” (The New York Times), #1 bestselling author Richard Paul Evans shares a story of heart, loyalty, and hope as he explores the deeper meaning of the holiday season and asks what it truly means to love and forgive. The year is 1975. Elle Sheen—a single mother who is supporting herself and her six-year-old, African-American son, Dylan, as a waitress at the Noel Street Diner—isn’t sure what to make of William Smith when his appearance creates a stir in the small town of Mistletoe, Utah. As their lives unexpectedly entwine, Elle learns that William, a recently returned Vietnam POW, is not only fighting demons from his past, but may also have the answer to her own secret pain—a revelation that culminates in a remarkable act of love and forgiveness.
#1 New York Times bestselling author Richard Paul Evans returns this holiday season with a tale of love, belonging, and family, following a trail of letters that leads to a Christmas revelation about the healing miracle of hope and forgiveness. After nearly two decades, Noel Post, an editor for a major New York publishing house, returns to her childhood home in Salt Lake City to see her estranged, dying father. What she believed would be a brief visit turns into something more as she inherits the bookstore her father fought to keep alive. Reeling from loneliness, a recent divorce, and unanticipated upheavals in her world, Noel begins receiving letters from an anonymous source, each one containing thoughts and lessons about her life and her future. She begins to reacquaint herself with the bookstore and the people she left behind, and in doing so, starts to unravel the reality of her painful childhood and the truth about her family. As the holidays draw near, she receives a Christmastime revelation that changes not only how she sees the past but also how she views her future.
From “The King of Christmas,” Richard Paul Evans, comes the next exciting holiday novel perfect for “fans of Debbie Macomber” (Booklist) in his New York Times bestselling Noel Collection. Maggie Walther feels like her world is imploding. Publicly humiliated after her husband, a local councilman, is arrested for bigamy, and her subsequent divorce, she has isolated herself from the world. When her only friend insists that Maggie climb out of her hole, and embrace the season to get her out of her funk, Maggie decides to put up a Christmas tree and heads off to buy one—albeit reluctantly. She is immediately taken by Andrew, the kind, handsome man who owns the Christmas tree lot and delivers her tree. She soon learns that Andrew is single and new to her city and, like her, is also starting his life anew. As their friendship develops, Maggie slowly begins to trust again—something she never thought possible. Then, just when she thinks she has finally found happiness, she discovers a dark secret from Andrew’s past. Is there more to this stranger’s truth than meets the eye? This powerful new holiday novel from Richard Paul Evans, the “King of Christmas fiction” (The New York Times), explores the true power of the season, redemption, and the freedom that comes from forgiveness.
Noel McKenna?s ?End Street? is published on the occasion of an eponymous exhibition at Niagara Galleries in Melbourne. The artist works in a variety of media, including oil, enamel and watercolour, lithography and etching, ceramic and metal. He is known for offbeat depictions of everyday scenes, often including displaced objects, people, and animals. The book features paintings, prints, drawings, ceramics, and wooden tables inset with ceramic tiles ? all of which explore the domestic space we inhabit. Especially dogs and cats feature prominently in many of McKenna?s works, and act as poignant symbols of companionship and the bond between humans and animals. 00Exhibition: Niagara Galleries, Melbourne, Australia (22.10.-16.11.2019).
The beauty and spirit of Christmas resounds in the melodic chimes of a church bell in this lyrical picture book by well-known author Tony Johnston with breathtaking illustrations by watercolor artist Cheng-Khee Chee. On Christmas Eve, people bundle up in the cold and follow the sounds of the bell to gather in celebration. Creatures great—children, dogs, cats, and birds—and small stop to listen as a brass band marches through town. The poetry and imagery of these verses and the classic feel of this lush artwork make for a memorable Christmas read-aloud.
Follows the experiences of a man who, in the wake of estrangements and losses, is given a chance to rewrite and rediscover his true past.
Just a Kid from Park Street provides an informative, firsthand glimpse into the personal challenges following experiences of trauma and loss, shining a spotlight on the psychological, neurological, emotional, and sociological aftereffects only now coming to light in scientific and medical research.
This richly illustrated volume documents in detail the exhibition "New Orleans Music Observed: The Art of Noel Rockmore and Emilie Rhys" at the New Orleans Jazz Museum from January 30, 2020 to September 1, 2021, curated by the museum's own David Kunian and expanded upon in this book by Emilie Rhys (wearing several hats as contributing artist, contributing writer, co-editor, photo editor, layout designer, and publisher). Noel Rockmore, well-known in New Orleans for his mid-1960s oil portraits of Preservation Hall musicians, and his daughter Emilie Rhys, whose artwork of contemporary musicians all around town has gained her recent public notice, are brought together for their first joint exhibition in which a selection of their drawings and paintings is paired with a wide variety of artifacts and historic instruments, culled mostly from the Jazz Museum's incomparable archives. As the curator of this profusely illustrated book, Emilie Rhys not only provides a visual record of the exhibition, she expands upon it through the presentation of significant new material by several Louisiana natives who are close observers of the vibrant cultural life that makes New Orleans a veritable global magnet. They are novelist, journalist, and art collector John Ed Bradley; print and public radio journalist Gwen Thompkins; and scientist and art collector Myles Robichaux. For the lead chapter in this book, Bradley has written the first ever literary exploration of the intertwined lives of Rockmore and Rhys, "Picture in a Picture: Noel Rockmore and Emilie Rhys in New Orleans." In Chapter 3, Robichaux's original essay speaks to the profound impact on him of discovering Rockmore's art in 2002 and meeting Rhys in 2011. For Chapter 4, "Depiction/Being Depicted," Thompkins conducted interviews in 2020 with 14 musicians exploring their interest in visual art, their thoughts about the development of their own image, and how they feel about their image appearing in drawings, paintings, and photographs by visual artists. The book has 368 illustrations including 302 in full color, a large number of which have never been seen in public previously and have been selected by Rhys, many from her extensive personal archives.
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