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Literary Nonfiction. Poetry. Latinx Studies. LGBTQIA Studies. Edited by Ricardo F. Vivancos-Pèrez and Norma Cantú. Rooted in Gloria Anzaldúa's experiences growing up near the U.S./Mexico border, BORDERLANDS/LA FRONTERA remaps our understanding of borders as psychic, social, and cultural terrains that we inhabit and that inhabit us all. Drawing heavily on archival research and a comprehensive literature review while contextualizing the book within her theories and writings before and after its 1987 publication, this critical edition elucidates Anzaldúa's complex composition process and its centrality in the development of her philosophy. It opens with two introductory studies; offers a corrected text, explanatory footnotes, translations, and four archival appendices; and closes with an updated bibliography of Anzaldúa's works, an extensive scholarly bibliography on Borderlands, a brief biography, and a short discussion of the Gloria E. Anzaldúa Papers. "Ricardo F. Vivancos-Pèrez's meticulous archival work and Norma Elia Cantú's life experience and expertise converge to offer a stunning resource for Anzaldúa scholars; for writers, artists, and activists inspired by her work; and for everyone. Hereafter, no study of Borderlands will be complete without this beautiful, essential reference."--Paola Bacchetta
A sweeping historical epic by an author whose novels have sold over 6 million copies worldwide. 1861. A ruined silver-mine owner sets sail from Mexico City to seek his fortune in the New World. Mauro Larrera has just four months to pay his creditors, or his bankruptcy will be revealed and his family’s honour will be in tatters. In magnificent Havana — home to beautiful women and dangerous men who deal in mysterious trades — he gambles what little he has left on what will become the greatest adventure of his life … A Vineyard in Andalusia is a novel of glories and defeats; of silver mines, family secrets, vineyards, cellars, and splendid cities of faded grandeur; of unexpected passion, and love in the strangest of circumstances. Once again, María Dueñas’ powerful storytelling and rich historical detail transport us to a faraway time and place, and on an unforgettable adventure of a lifetime.
Exceptional Crime in Early Modern Spain accounts for the representation of violent and complex murders, analysing the role of the criminal, its portrayal through rhetorical devices, and its cultural and aesthetic impact. Proteic traits allow for an understanding of how crime is constructed within the parameters of exception, borrowing from pre-existent forms while devising new patterns and categories such as criminography, the “star killer”, the staging of crimes as suicides, serial murders, and the faking of madness. These accounts aim at bewildering and shocking demanding readers through a carefully displayed cult to excessive behaviour. The arranged “economy of death” displayed in murder accounts will set them apart from other exceptional instances, as proven by their long-standing presence in subsequent centuries.
NUESTRO OBJETIVO Esta historia es un homenaje a todos aquellos que han superado desventajas: físicas, económicas y sociales; es también un homenaje a quienes apoyan a los que tienen menos, para que puedan seguir adelante. De allí el nombre "DE TRIPAS, UN CORAZON" (de algo que NO vale se puede HACER algo de valor). Esta novela tiene sus principios en una terrible tragedia, cuando en el año 1970, el Personaje Adán Rodríguez, un joven latino que perdió a su madre, quien era su único sostén y por esas circunstancias de la vida, se encontró con un muchacho de la calle, personificado por Roco Santer. Estos dos muchachos destinados a perder llegaron al pequeño apartamento del "Pastor Elías" y "Ela Cosme", quienes a pesar de sus limitados recursos económicos no los rechazaron, inculcándoles que la FE es: Confiar y trabajar fuerte con los talentos que tenemos, creer que si se puede y que las desventajas son bendiciones envueltas en papeles toscos. Todos tenemos la alternativa de dejar lo que encontramos: Como está... Peor... o Mejor. "EL PUEBLO SIN VISION PERECE"- dice El LIBRO de los LIBROS. José Antonio Velásquez Ochoa
DIVAn anthology of original essays from Chicana feminists which explores the complexities of life experiences of the Chicanas, such as class, generation, sexual orientation, age, language use, etc./div
Spanish for Veterinarians, Second Edition, is designed to help you rapidly learn working Spanish for clinical conversations. Packed with the practical vocabulary information and conversational tools found in the first edition, the new edition now includes a new chapter on exotics and expanded information on the Spanish required for pre-consultation discussion. The pronunciation exercises, available online as audio files to help veterinary team members effectively and confidently use Spanish in their client communications, have also been revised and expanded. This new edition is a lively presentation of the Spanish that working vets increasingly need to know.
Quevedo and the grotesque / J. Iffland.-v.2
Cecilia Valdés is arguably the most important novel of 19th century Cuba. Originally published in New York City in 1882, Cirilo Villaverde's novel has fascinated readers inside and outside Cuba since the late 19th century. In this new English translation, a vast landscape emerges of the moral, political, and sexual depravity caused by slavery and colonialism. Set in the Havana of the 1830s, the novel introduces us to Cecilia, a beautiful light-skinned mulatta, who is being pursued by the son of a Spanish slave trader, named Leonardo. Unbeknownst to the two, they are the children of the same father. Eventually Cecilia gives in to Leonardo's advances; she becomes pregnant and gives birth to a baby girl. When Leonardo, who gets bored with Cecilia after a while, agrees to marry a white upper class woman, Cecilia vows revenge. A mulatto friend and suitor of hers kills Leonardo, and Cecilia is thrown into prison as an accessory to the crime. For the contemporary reader Helen Lane's masterful translation of Cecilia Valdés opens a new window into the intricate problems of race relations in Cuba and the Caribbean. There are the elite social circles of European and New World Whites, the rich culture of the free people of color, the class to which Cecilia herself belonged, and then the slaves, divided among themselves between those who were born in Africa and those who were born in the New World, and those who worked on the sugar plantation and those who worked in the households of the rich people in Havana. Cecilia Valdés thus presents a vast portrait of sexual, social, and racial oppression, and the lived experience of Spanish colonialism in Cuba.