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“A clever, charming mystery that perfectly captures 1920s society . . . sure to appeal to fans of Ashley Weaver or Rhys Bowen.” —Shelf Awareness August 1924. Lady Adelaide Compton has recently (and satisfactorily) interred her husband, Major Rupert Charles Cressleigh Compton, hero of the Somme, in the family vault in the village churchyard. Rupert died by smashing his Hispano-Suiza on a Cotswold country road while carrying a French mademoiselle in the passenger seat. With the house now Addie's and a weekend house party underway, how inconvenient of Rupert to turn up! Not in the flesh, but in—actually, as a—spirit. Rupert has to perform a few good deeds before becoming welcomed to heaven—or, more likely, thinks Addie, to hell. Before Addie can convince herself she's not completely lost her mind, a murder disrupts her careful seating arrangement. Which of her twelve houseguests is a killer? Her mother, the formidable Dowager Marchioness of Broughton? Her sister Cecilia, the born-again vegetarian? Her childhood friend and potential lover, Lord Lucas Waring? Rupert has a solid alibi as a ghost and an urge to do some sleuthing. Addie knows she can't leave Rupert to solve the murders of her sweet old gardener and a naked neighbor by himself. Enter Inspector Devenand Hunter, an Anglo-Indian who is not going to let some society beauty who seems to talk to herself derail his investigation. Something very peculiar is afoot at Compton Court and he's going to get to the bottom of it. . . . “A lively debut filled with local color, red herrings, both sprightly and spritely characters, a smidgen of social commentary, and a climactic surprise.” —Kirkus Reviews
The 1940s saw a brief audacious experiment in mass entertainment: a jukebox with a screen. Patrons could insert a dime, then listen to and watch such popular entertainers as Nat "King" Cole, Gene Krupa, Cab Calloway or Les Paul. A number of companies offered these tuneful delights, but the most successful was the Mills Novelty Company and its three-minute musical shorts called Soundies. This book is a complete filmography of 1,880 Soundies: the musicians heard and seen on screen, recording and filming dates, arrangers, soloists, dancers, entertainment trade reviews and more. Additional filmographies cover more than 80 subjects produced by other companies. There are 125 photos taken on film sets, along with advertising images and production documents. More than 75 interviews narrate the firsthand experiences and recollections of Soundies directors and participants. Forty years before MTV, the Soundies were there for those who loved the popular music of the 1940s. This was truly "music for the eyes."
A Chicago cad blackmails a torch singer in this thriller: “Why can’t all murders be as funny as those concocted by Craig Rice?” (The New York Times) Radio star Nelle Brown is known coast-to-coast for her sweet and sultry voice. But her press agent and manager, Jake Justus, is familiar with another side of the darling of the airwaves: her crackpot marriage to a penniless tycoon, disastrous string of lovers, and propensity for flying into spectacular fits of rage. Now, it appears she’s being burned by an ex-flame who’s holding her scandalous love letters for ransom. The missives could ruin Nelle’s career, but so could the scoundrel’s murder. For Nelle and Jake, reporting the crime is out of the question—not to mention pointless, as the corpse has vanished along with the incriminating evidence. John J. Malone, Chicago’s rumpled yet resourceful legal beagle is tasked with finding both. But as every new unscrupulous lead turns up dead, Malone isn’t sure whether Nelle is orchestrating a killer cover-up to save her pretty neck or if she’s about to belt out her own swan song. The first writer of detective fiction to appear on the cover of Time magazine, former crime reporter “Craig Rice was a funny lady, [and] a good writer undeservedly forgotten . . . She’s worth remembering” (Jon L. Breen, Edgar Award–winning author). The Corpse Steps Out is the 1st book in the John J. Malone Mysteries, but you may enjoy reading the series in any order.
Amid the turmoil of the 1960s and 1970s—an era that included the Black Civil Rights movement, the war in Vietnam, and the Troubles in Northern Ireland—young Irish Americans in New York began to question what it meant to be Irish in America. Led by Irish revolutionary socialist Brian Heron, these young people discarded outdated stereotypes and created an inclusive space to explore, celebrate, and share their culture. Thus was born An Claidheamh Soluis, the Irish Arts Center, an organization that is still going strong fifty years later. As an early organizer and director of the Irish Arts Center, James F. Olwell recounts how this premier cultural institution came to be. Beginning with his own experiences growing up Irish American in the Bronx, Olwell describes how Irish Americans grew to reclaim their cultural identity and share their art, traditions, and language through the Irish Arts Center. Olwell combines his personal experiences with extensive interviews and broader historical context to bring the story of the 1970s Irish Arts Center to life. Well researched and replete with funny, moving, and thoughtful anecdotes, The Art of Being Irish in Hell’s Kitchen is an essential cultural history of the Irish American community in New York. Pull up a chair and enjoy the tale. All are welcome here.
This book features by-decade rankings of music singles and albums, in six different genres, covering the first half of the 20th century. The decade of the 1890s is also included. The rankings pertain to U.S. music charts, wherein a typical week's chart would be based on sales, radio airplays, jukebox plays, and-or a combination of one or more of these. The genres include children's, classical, country, instrumental, popular, and rhythm & blues music. Short biographies on a selection of artists are located throughout the book. The artists index includes some vital statistics.
More than twenty years in the making, Country Music Records documents all country music recording sessions from 1921 through 1942. With primary research based on files and session logs from record companies, interviews with surviving musicians, as well as the 200,000 recordings archived at the Country Music Hall of Fame and Museum's Frist Library and Archives, this notable work is the first compendium to accurately report the key details behind all the recording sessions of country music during the pre-World War II era. This discography documents--in alphabetical order by artist--every commercial country music recording, including unreleased sides, and indicates, as completely as possible, the musicians playing at every session, as well as instrumentation. This massive undertaking encompasses 2,500 artists, 5,000 session musicians, and 10,000 songs. Summary histories of each key record company are also provided, along with a bibliography. The discography includes indexes to all song titles and musicians listed.
DIVVoices invade a young woman’s head, compelling her to kill/divDIV/divDIVWhen Nancy Kincaid comes into work, an unfamiliar woman tells her to leave. This is Nancy Kincaid’s office, the woman says, but you are not Nancy Kincaid. As Nancy protests, her memory grows fuzzy and her reason seems to slip away. None of her workmates recognize her, and she is distracted by a voice in her head that suggests she shoot them all./divDIV /divDIVEjected from her office, she collects herself in the park. A homeless man pesters her, mumbling that at eight o’clock—the animal hour—there is someone she has to kill. Over and over she tells him to leave, until she finds the pistol in her purse. She kills the bum and sets off a whirlwind of insane violence that will not stop until the animal hour comes to pass./div
Set in the 1950's, this epic, Warholian novel presents a brilliant and wholly original take on the years leading up to the Kennedy assassination. Where were you when you first heard President Kennedy had been shot? This is a question most people can answer, even if the answer is "I wasn't born yet." In this epic novel, David Bowman makes the strong case that the shooting on November 22nd, 1963 was the major, defining turning point that catapulted the world into an entirely new stratosphere. It was the second big bang. In this hilarious, lightning-fast historical novel, Bowman follows the most famous couples of the decade as their lives are torn apart by post-war's new normal. We see Lucille Ball's bizarre interrogation by the House UnAmerican Activities Committee and Jackie Onassis' moonlight cruise with Frank Sinatra . We follow Norman Mailer and Arthur Miller as they attempt to get quickie divorces together at a loophole resort in Nevada and watch a young Howard Hunt snoop around South America with the newly founded CIA. A young Jimi Hendrix, now the epitome of counterculture cool, tries his luck as a clean cut army recruit. Written with an almost documentary film like intensity, BIG BANG is a posthumous work from the award-winning author of Let the Dog Drive. A riotous account of a country, perhaps, at the beginning of the end.