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The Roman, Byzantine and Ottoman Empires, foreign invasion, communism and tribal conflict: these have been the realities of life in Northern Albania for centuries. In this rich and comprehensive history, Tom Winnifrith examines the many different elements that have shaped this independent and little-known region of the Balkans. He explores the fundamental division between the South of Albania and its mysterious, romantic North - more feudal, more tribal, more Catholic and more prone to Austrian and Italian influence. It is also a region less affected by Greece, both ancient and modern, and by medieval Byzantium or the Orthodox faith. Northern Albania, with a terrain and climate much harsher than the south of the country, has traditionally had little respect for law and authority while its inhabitants remain in thrall to an ancient honour code -- the kanun -- demanding blood feuds and terrible revenge. Nobody's Kingdom traces the history of this ruggedly beautiful region, frequently disturbed by both invaders and internal strife yet retaining a distinct national identity and character. From its origins in the ancient kingdom of Illyria and the Roman province of Illyricum, through Byzantine and Ottoman rule, the granting of Albanian independence in 1912, the rise and fall of communism to its current fragile democracy, Northern Albania can be seen as a cultural crossroads - especially remarkable given its mountainous and difficult landscape. This book, both scholarly and readable, is the first modern comprehensive history of Northern Albania and is a timely and accessible introduction to a remote and inaccessible region.
The Roman, Byzantine and Ottoman Empires, foreign invasion, communism and tribal conflict: these have been the realities of life in Northern Albania for centuries. In this rich and comprehensive history, Tom Winnifrith examines the many different elements that have shaped this independent and little-known region of the Balkans. He explores the fundamental division between the South of Albania and its mysterious, romantic North - more feudal, more tribal, more Catholic and more prone to Austrian and Italian influence. It is also a region less affected by Greece, both ancient and modern, and by medieval Byzantium or the Orthodox faith. Northern Albania, with a terrain and climate much harsher than the south of the country, has traditionally had little respect for law and authority while its inhabitants remain in thrall to an ancient honour code -- the kanun -- demanding blood feuds and terrible revenge. Nobody's Kingdom traces the history of this ruggedly beautiful region, frequently disturbed by both invaders and internal strife yet retaining a distinct national identity and character. From its origins in the ancient kingdom of Illyria and the Roman province of Illyricum, through Byzantine and Ottoman rule, the granting of Albanian independence in 1912, the rise and fall of communism to its current fragile democracy, Northern Albania can be seen as a cultural crossroads - especially remarkable given its mountainous and difficult landscape. This book, both scholarly and readable, is the first modern comprehensive history of Northern Albania and is a timely and accessible introduction to a remote and inaccessible region.
Nobody's Home is a bold view of the American novel from its beginnings to the contemporary scene. Focusing on some of the deepest instincts of American life and culture--individual liberty, freedom of speech, constructing a life--Arnold Weinstein brilliantly sketches the remarkable career of the American self in some of the major works of the past one hundred fifty years. Weinstein contends that American writers are haunted by the twin specters of the self as a mirage, as Nobody, and by the brutal forces of culture and ideology that deny selfhood to people on the basis of money, sex, and color of skin. His central thesis is that language makes possible freedoms and accomplishments that are achievable in no other realm, and that American fiction is a fascinating record of the human fight against coercion, of the kinds of maneuvering room that we may find in life and in art. This study is unique in several respects: it offers some of the keenest readings of major American texts that have ever been written, including some of the most significant works of the past decades, and it fashions a rich and supple view of the American novel as a writerly form of freedom, in sharp contrast to today's critical emphasis on blindness and co-option.
A collect of poetry coming from a tainted and dubious mind, that of my own. Enjoy.
Twenty years after the first boy vanished along the Brisbane River, psychologist Madeleine Jeffries is called home to help untangle a chain of similar disappearances. To do so she must confront secrets and guilt from her own past."The Kingdom Where Nobody Dies" is an exploration of grief, responsibility and repercussions, and the way childhood actions can echo throughout our lives.
Nobody's Nation offers an illuminating look at the St. Lucian, Nobel-Prize-winning writer, Derek Walcott, and grounds his work firmly in the context of West Indian history. Paul Breslin argues that Walcott's poems and plays are bound up with an effort to re-imagine West Indian society since its emergence from colonial rule, its ill-fated attempt at political unity, and its subsequent dispersal into tiny nation-states. According to Breslin, Walcott's work is centrally concerned with the West Indies' imputed absence from history and lack of cohesive national identity or cultural tradition. Walcott sees this lack not as impoverishment but as an open space for creation. In his poems and plays, West Indian history becomes a realm of necessity, something to be confronted, contested, and remade through literature. What is most vexed and inspired in Walcott's work can be traced to this quixotic struggle. Linking extensive archival research and new interviews with Walcott himself to detailed critical readings of major works, Nobody's Nation will take its place as the definitive study of the poet.
In her long career, Ugresic has published several novels (e.g., The Ministry of Pain), but she made her name with her essay collections, which have caused controversy and earned her the admiration of writers and critics abroad. In these latest musings, written over the course of several years, Ugresic leaves no stone unturned and no thought contained, doing what she does best: writing about the human condition through her own experience. Refusing to establish a central theme, she touches upon a wide range of topics: the paradox of multiculturalism, metaphors as our "defense against nightmares," the eerie similarities between capitalism and communism, and ways in which we try to rise hopelessly above our less-than-perfect existence. Along the way, she pays homage to the works of literature that have influenced her own creative process, in an effort to pay "a symbolic literary tax on narcissim" because "writing is not the humblest of vocations." Perhaps not, but Ugresic certainly knows how to balance being a critic with being criticized. Recommended for all libraries collecting cultural criticism.--Mirela Roncevic, Library Journal Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
"New York in the 1990s is rich, unmolested, full of hubris and joy. Zara Hussain - young, successful Wall Street trader - lives in the East Village with her twin Kabir, a free spirit and musician, and their older sister Salma, a scientist who is looking for an acceptable husband. Their best friend Sam helps them chase their extraordinary dreams when he's not indulging his own passion for tigers. The story begins with a crisis in Immigration at JFK Airport, which results in Zara vowing to stay in the US and Kabir deciding to return to India. As the year draws to a close, the siblings' lives have turned upside down. Zara is involved in a snowballing financial scandal on Wall Street; Kabir is faced with the unfamiliar joys of responsibility; and Salma has found a possible and dangerous love. Along the way we meet a motley bunch - Benny, a mentally ill man desperately searching for beauty; Mildred, one of Kabir's many lovers; Rick, the Hussains' neighbour who wants to sail the seven seas; and the moon as it makes sudden appearances. In elegant prose and vivid imagery, Sohaila Abdulali brings to life the rich, vibrant landscape of New York before 9/11"--Publisher's description
Nobody Wants to Hear "I Never Knew You" reveals to you, its readers, the wisdom that you might be spared this warning. "Not everyone who says to Me, 'Lord, Lord,' shall enter the kingdom of heaven, but he who does the will of My Father in heaven. Many will say to Me in that day, 'Lord, Lord, have we not prophesied in Your name, cast out demons in Your name, and done many wonders in Your name?' And then I will declare to them, 'I never knew you; depart from Me, you who practice lawlessness!'" (Matthew 7:21-23, NKJV)
Helen of Sparta wants to be more than a princess and a pretty face—she wants to be a hero. The traditions of ancient Sparta would have Helen know her place: a beautiful princess, a loyal daughter, a perfect bride. But Helen wants adventure, and she's not looking back. Not one to count on the gods to take care of her, she sets out to see the world and seek her own fate with steely determination. Her rebellious will makes Helen dangerous enemies—such as the self-proclaimed "son of Zeus" Theseus—but it also gains her true friends, from the famed huntress Atalanta to the young priestess who is the Oracle of Delphi. If she is strong enough, if she is cunning enough, if she is brave enough, Helen will find her destiny . . . but what does destiny have in store for her? In Nobody's Princess, author Esther Friesner deftly weaves together history and myth as she takes a new look at the girl who will become Helen of Troy. The back of the book includes further facts about Helen of Troy and Ancient Greece. Hand to readers who love Tamora Pierce and Leigh Bardugo, particularly if they just finished Wonder Woman: Warbringer and want to know more about Helen of Troy. "A must-read for fans of fantasy and mythology."—VOYA "Along the way, Friesner skillfully exposes larger issues of women's rights, human bondage, and individual destiny. It's a rollicking good story."—Booklist