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An abducted child is at the center of a web of lies in this crime thriller featuring a dynamic male female police detective team. Baywood police department detective A.L. McKittridge is no stranger to tough cases, but when five-year-old Emma Whitman disappears from her day care, there isn’t a single shred of evidence to go on. Neither the grandmother who dropped her off, nor the teacher whose care she was supposed to be in, can account for the missing child. There are no witnesses. No trace of where she might have gone. There’s only one thing A.L. and his partner, Rena Morgan, are sure of—somebody is lying. With the clock ticking, A.L. and Rena are under extreme pressure as they discover their instincts are correct: all is not as it seems. The Whitmans are a family with many secrets, and A.L. and Rena will have to race to untangle a growing web of lies if they’re going to find the thread that leads them to Emma . . . before it’s too late.
There's a mantra that real writers know but wannabe writers don’t. And the secret phrase is this: NOBODY WANTS TO READ YOUR SH*T. Recognizing this painful truth is the first step in the writer's transformation from amateur to professional. From Chapter Four: “When you understand that nobody wants to read your shit, you develop empathy. You acquire the skill that is indispensable to all artists and entrepreneurs—the ability to switch back and forth in your imagination from your own point of view as writer/painter/seller to the point of view of your reader/gallery-goer/customer. You learn to ask yourself with ev­ery sentence and every phrase: Is this interesting? Is it fun or challenging or inventive? Am I giving the reader enough? Is she bored? Is she following where I want to lead her?
A dynamic male female police detective team must catch a serial killer before he kills again in this crime thriller. They know exactly when he’ll strike . . . They just have to find him first. In all their years working for the Baywood police department, detectives A.L. McKittridge and Rena Morgan have never seen anything like it. Four women dead in forty days, each killed ten days apart. With nothing connecting the victims and very little evidence, the clock is already counting down to when the next body drops. A.L. and Rena will have to act fast if they’re going to find the killer’s next victim before he does. But identifying the killer’s next likely target is only half the battle. With pressure pushing in from all sides, a promising breakthrough leads the detectives to Tess Lyons, a woman whose past trauma has left her too damaged to appreciate the danger she’s in. Unwilling to let another woman die, A.L. and Rena will put everything on the line to keep Tess safe and end the killer’s deadly spree once and for all—before time runs out again.
My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?
The subject of this modern classic is not a man. "It is an event," says Jules Romains, who is considered "the French Dos Passos." The event starts with the death of Jacques Godard, a man of no importance. It unfolds through his brief survival in the minds of others - the porter of his tenement in Paris, his fellow lodgers, a few acquaintances, his old father, who comes up from the country for the funeral, a young stranger who feels that the dead pass into "a great soul that cannot die." The event expresses Romains's belief in "collective beings," the famous theory of "Unanimism." In dramatizing his theory, Romains developed an advanced motion-picture technique when films were in their infancy, a technique of group portraits and sudden shifts from scene to scene that keeps this work far ahead of conventional novels. Here, Romains explores the ideas and the devices used in his twenty-seven-volume masterpiece, Men of Good Will, which André Maurois calls "the boldest attempt to describe completely his own time that any French novelist has made since Balzac."
An instant NEW YORK TIMES and USA TODAY BESTSELLER! "I was knocked over by the momentum of an intense psychological thriller that doesn’t let go until the final page. This is a terrific read." – Alafair Burke, New York Times bestselling author *Marie Claire's September Book Club Pick* Rear Window meets Get Out in this gripping thriller from a critically acclaimed and New York Times Notable author, in which the gentrification of a Brooklyn neighborhood takes on a sinister new meaning… Sydney Green is Brooklyn born and raised, but her beloved neighborhood seems to change every time she blinks. Condos are sprouting like weeds, FOR SALE signs are popping up overnight, and the neighbors she’s known all her life are disappearing. To hold onto her community’s past and present, Sydney channels her frustration into a walking tour and finds an unlikely and unwanted assistant in one of the new arrivals to the block—her neighbor Theo. But Sydney and Theo’s deep dive into history quickly becomes a dizzying descent into paranoia and fear. Their neighbors may not have moved to the suburbs after all, and the push to revitalize the community may be more deadly than advertised. When does coincidence become conspiracy? Where do people go when gentrification pushes them out? Can Sydney and Theo trust each other—or themselves—long enough to find out before they too disappear? Featured in Parade, Essence, Bustle, Popsugar, Elle, Shondaland, Marie Claire, Buzzfeed, Entertainment Weekly, Good Housekeeping, Brit + Co, Real Simple, Lit Hub, Crime Reads, Blavity, Ms. Magazine, Hello Giggles, The New York Times, Town & Country, Newsweek, New York Post, Refinery29, Woman's World, Washington Post, the Skimm, Book Riot, Bookish, Huffington Post, and more!
For fans of Benjamin Zephaniah, Kevin Brooks and Melvin Burgess: "Like being blasted in the face with a water cannon - absolutely vivid"-Guardian Children's Books Site.Oliver Twist revisited for fans of Benjamin Zephaniah, Kevin Brooks and Melvin Burgess: "A pacey thriller with an underlying social commentary." -The Bookbag, 5∗ review Contemporary London - a gang of shoplifters up Seven Sisters Rd, snatching smartphones and stealing identities. Angel-faced Alfi Spar has fled the Tenderness Residential Unit and finds himself on the streets, until his old mate from the home, Citizen Digit, offers him a roof. But their past at Tenderness House is not ready to release them; the boys saw something nobody should see, and the badness is coming after them. 'Performance poet Steve Tasane brings style and originality to this modern-day take on Oliver Twist ... highly recommended' Sunday Express 'Amazing stuff' Big Issue
NATIONAL BESTSELLER ONE OF THE BEST BOOKS OF THE YEAR: VOGUE • FORBES • BOOKPAGE • NEW YORK POST • WIRED “I have not been as profoundly moved by a book in years.” —Jodi Picoult Even after she left home for Hollywood, Emmy-nominated TV writer Bess Kalb saved every voicemail her grandmother Bobby Bell ever left her. Bobby was a force—irrepressible, glamorous, unapologetically opinionated. Bobby doted on Bess; Bess adored Bobby. Then, at ninety, Bobby died. But in this debut memoir, Bobby is speaking to Bess once more, in a voice as passionate as it ever was in life. Recounting both family lore and family secrets, Bobby brings us four generations of indomitable women and the men who loved them. There’s Bobby’s mother, who traveled solo from Belarus to America in the 1880s to escape the pogroms, and Bess’s mother, a 1970s rebel who always fought against convention. But it was Bobby and Bess who always had the most powerful bond: Bobby her granddaughter’s fiercest supporter, giving Bess unequivocal love, even if sometimes of the toughest kind. Nobody Will Tell You This But Me marks the creation of a totally new, virtuosic form of memoir: a reconstruction of a beloved grandmother’s words and wisdom to tell her family’s story with equal parts poignancy and hilarity.
2021 Reprint of the 1925 Edition. The Man Nobody Knows is the second book by the American author and advertising executive Bruce Fairchild Barton. In it, Barton presents Jesus as "The Founder of Modern Business," in an effort to make the Christian story accessible to businessmen of the time. When published in 1925, the book topped the nonfiction bestseller list, and was one of the best-selling non-fiction books of the 20th century. Since its publication, The Man Nobody Knows has divided readers. Some welcome the portrayal of Jesus as a strong character, whom no one dared oppose, and praise the use of familiar stereotypes to stimulate interest in religion, whilst others ridicule the suggestion that Jesus was a salesman. Critics have suggested that The Man Nobody Knows is a prime example of the materialism and "glorified Rotarianism" of the Protestant churches in the 1920s.