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Introduces a contemporary take on a traditional genre with private investigator Michael Drayton, an every man for today, whose grit and diversity explodes from the page much like the reverberation from his trusty Sig Sauer. Drayton is reluctantly drawn into a grisly double homicide, one in which the loss of a world-renowned, Oscar-winning star overshadows that of the "nobody" who died alongside him.
Like so many millions of other misguided people, I am a conditioned result of a celebrity-worshipping culture, systematically taught that fame and fortune are admirable goals and that celebrities are somehow superior beings, like gods, if you will. It has taken many years to expunge oneself from this false frivolity. Although many Halloweens have come and gone, I am finally cured of what today is labeled Celebrity Worship Syndrome. I believe that I'm not alone and I feel better. The following is not just another Hollywood Who's Who or Kiss and Tell book (with a couple of exceptions.) It is, however, peppered in part with an ample supply of sometimes meaningless and petty gossip; Now, my grandchildren and I can commiserate over whom Hillary Duff and Lindsay Lohan are dating. As is the propensity for certain current and former star-struck fools, like myself, to spew forth tales of meetings with famous people, just so, I have chosen to believe that these writings simply screamed out for ubiquitously shameless namedropping, thus, I giggled and gave in, while fully realizing than no one under forty will recognize half of the names mentioned (other than the two aforementioned). Anyway, Viva Hollywood! This memoir might be viewed as a personal record of one man's almost (in the Buddhist sense of not fully awakened) human encounter with the banal and the divine.
Through new friendships, Scotty learns that this prayer thing might work after all. But will prayer be enough when the situation is life and death?
Fifteen-year-old Scotty, tired of traveling from place to place with her single mother, a successful movie food designer, begins writing a blog in which she records her thoughts and keeps track of her efforts to find answers about her absent father, her future, and the strange man dogging their path.
A young man arrives in Hollywood from Scotland looking to scale the heights as a screenwriter. He embarks on a series of adventures and misadventures as he encounters a succession of the weird, wonderful and downright wacky. To get by he works as an extra on sitcoms like Friends and Frasier, dramas such as ER and CSI, and some big budget movies. He then finds himself being selected to work as Ben Affleck’s double. In between times he attends celebrity parties, functions and works in some of Hollywood’s most exclusive bars and nightclubs. Our narrator joins the antiwar movement after 9/11 and commits himself with his new found comrades to halting Bush’s drive to war in Iraq. He throws himself into organising demos, meetings and campaigning to stop the war. Soon he’s leading a double life - by day working on a big budget movie as a double for one of Hollywood’s biggest stars; by night engrossed in radical politics.
The veteran producer and author of the bestseller Hello, He Lied takes a witty and critical look at the new Hollywood. Over the past decade, producer Lynda Obst gradually realized she was working in a Hollywood that was undergoing a drastic transformation. The industry where everything had once been familiar to her was suddenly disturbingly strange. Combining her own industry experience and interviews with the brightest minds in the business, Obst explains what has stalled the vast moviemaking machine. The calamitous DVD collapse helped usher in what she calls the New Abnormal (because Hollywood was never normal to begin with), where studios are now heavily dependent on foreign markets for profit, a situation which directly impacts the kind of entertainment we get to see. Can comedy survive if they don’t get our jokes in Seoul or allow them in China? Why are studios making fewer movies than ever—and why are they bigger, more expensive and nearly always sequels or recycled ideas? Obst writes with affection, regret, humor and hope, and her behind-the-scenes vantage point allows her to explore what has changed in Hollywood like no one else has. This candid, insightful account explains what has happened to the movie business and explores whether it’ll ever return to making the movies we love—the classics that make us laugh or cry, or that we just can’t stop talking about.
This book on the history of Hollywood's high-flying career women during the studio era covers the impact of the executives, producers, editors, writers, agents, designers, directors, and actresses who shaped Hollywood film production and style, led their unions, climbed to the top during the war, and fought the blacklist.
Kees Madden, a young writer steeped in film history, suddenly finds himself living in the Hollywood he always imagined existed just beyond the shadows, an alternate Hollywood of malicious ghosts and the famous phantoms of filmland's past. The city has the power to shift time and space and is capable of ironic response when confronted by Madden's overactive imagination. It is also the city's perverse pleasure to confront him with a diverse cadre of Hollywood ghosts. Although enthralled by this bizarre new world, Madden finds himself eager to escape, while the unseen forces behind Dead Hollywood have other plans. In pursuit of the city's boundaries and arcane secrets, Madden encounters three enigmatic humans: a clever, sinister man and two intriguing, beautiful women. As they lead him through a fantastic dream/maze of Hollywood past and present, Madden is severely tempted by the two ladies. Although they seem to be polar opposites, could Madden be capable of falling in love with them both? Or are they only malevolent ghosts, eager to imprison Madden in their depraved Hollywood hells? Peter Beckman grew up in the northern California town of Carmichael where, at age 11, he became an actor in local theatre and college productions. In his early twenties, he attended the California Institute of the Arts, where he studied screenwriting with legendary director Alexander Mackendrick ("The Man In The White Suit," "The Sweet Smell Of Success"). Beckman has also appeared in films as varied as "Echo Park," "C.H.U.D. II" and Orson Welles' still-unreleased masterwork, "The Other Side Of The Wind." Beckman lives in Los Angeles where, under the pseudonym Anthony Landor, he currently provides voices for many of the world's most popular videogames, including "Street Fighter IV" (Zangief) and "Dissidia: Final Fantasy" (Golbez). He can also be heard as the voice of General Wolf in the Sci-Fi Channel's hit anime series "Monster." Dead Hollywood is his first novel."
INSTANT NEW YORK TIMES BESTSELLER “Thank you to Sheila Nevins for putting all this down for posterity. Women need this kind of honest excavation of the process of living.” —Meryl Streep An astonishingly frank, funny, poignant book for any woman who wishes they had someone who would say to them, “This happened to me, learn from my mistakes and my successes. Because you don’t get smarter as you get older, you get braver.” Sheila Nevins is the best friend you never knew you had. She is your discreet confidante you can tell any secret to, your sage mentor at work who helps you navigate the often uneven playing field, your wise sister who has “been there, done that,” your hysterical girlfriend whose stories about men will make laugh until you cry. Sheila Nevins is the one person who always tells it like it is. In You Don’t Look Your Age, the famed documentary producer (as President of HBO Documentary Films for over 30 years, Nevins has rightfully been credited with creating the documentary rebirth) finally steps out from behind the camera and takes her place front and center. In these pages you will read about the real life challenges of being a woman in a man's world, what it means to be a working mother, what it’s like to be an older woman in a youth-obsessed culture, the sometimes changing, often sweet truth about marriages, what being a feminist really means, and that you are in good company if your adult children don’t return your phone calls. So come, sit down, make yourself comfortable, (and for some of you, don’t forget the damn reading glasses). You’re in for a treat.
(Applause Books). William Goldman, who holds two Academy Awards for his screenwriting ( Butch Cassidy and the Sundance Kid and All the President's Men ), and is author of the perennial best seller Adventures in the Screen Trade , scrutinizes the Hollywood movie scene of the past decade in this engaging collection. With the film-world-savvy and razor-sharp commentary for which he is known, he provides an insider's take on today's movie world as he takes a look at "the big picture" on Hollywood, screenwriting, and the future of American cinema. Paperback.