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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from Noble Dames and Notable Men of the Georgian Era The reader will be in little danger of supposing me to imply that the Georgian era did not produce nobler dames and more notable men than any I have included in the present volume. Nevertheless, it may perhaps be advisable for me to point out that the subjects of the six character sketches here brought together have been selected because, in addition to the interest of their several life histories, they all exhibit some peculiarity, or quaintness, or eccentricity, of mind and behaviour, such as would have caused our forebears to dub them emphatically "characters." So far as was possible, I have let Horace Walpole tell the story of Lady Mary Coke, supplementing him, where necessary, from other sources, and especially from Lady Louisa Stuart's brief but brilliant sketch of the family of John, Duke of Argyll and Greenwich, which was prefixed to the portion of Lady Mary's "Journal" privately printed for Lord Home in 1889. It was not permissible for me to quote (as I should have been very glad to do pretty extensively) from Lady Louisa's delightful little memoir; but I am especially fortunate in being able to enrich and enliven my narrative by the inclusion of eighteen scarcely known letters of Horace Walpole. When Cunningham issued his great edition of Walpole's "Letters," and for a good many years afterwards, it was thought that only one letter of his to Lady Mary Coke had survived; but some eighteen or twenty years ago a packet was found amongst the papers of the late Mr. Drummond-Moray which contained no less than twenty-six hitherto unknown letters from Walpole to the lady, of various dates ranging from 1759 to 1772. These letters were included in the third volume of Lady Mary's "Journal," which was privately printed in 1892. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Excerpt from Wits Beaux and Beauties of the Georgian Era Before proceeding to give an account of some of the wits, beaux, and beauties of the Georgian Era it may be well to remind the reader of certain conspicuous differences between the "Town" and people of that day and the London and Londoners with which we are familiar. Some of these points of difference are only incidentally alluded to in the following pages; and the characters dealt with will perhaps be better understood if we provide ourselves at the outset with a clearer idea of their surroundings. It is well to remember that at the beginning of the Georgian Era a person might reach the open country from any part of the "Town" in a quarter of an hour. A wealthy suburb, indeed, had already sprung up in the West, as far as Hyde Park; but Chelsea, Paddington, and Marylebone, were fields, dotted here and there with farms and hamlets. North of Gray's Inn, all was open fields; and the residents of Bloomsbury enjoyed an uninterrupted view of the Highgate and Hampstead hills. Hackney, a favourite suburban retreat, was then growing into a small town. Hoxton and Islington were large villages. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Excerpt from Comedy Queens of the Georgian Era This book does not profess to be a theatrical history. It is simply a series Of biographical sketches of some of the most prominent English comedy actresses Of the Georgian period. As Leigh Hunt remarked, most people are more eager to hear of actors and actresses than of the members of other professions, and in reading accounts Of them most Of us incline more to the comic than the tragic, and more to the women than the men. But a record Of the strictly professional career of an actor or actress is apt to become a mere dry chronicle of successive representations. I have therefore dealt with these ladies, so far as was possible, more from the private than the professional point of view; and I hope that, in addition to the interest Of the separate personalities, these brief biographies may be found to have a further interest as a series of character sketches Of a dozen representative women who, in the course Of the eighteenth century, attained to eminence in the only profession then open to their sex. There is also another reason for dealing with them from the personal rather than from the professional standpoint. Colley Cibber lamented that the animated graces Of the player. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.