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Grecken Slade’s devious plan has thrown the galaxy into war. With the three major spacefaring civilizations at each other’s throats, the Justice Keepers are hard pressed to maintain order. The recent election of an authoritarian to the office of Prime Council only makes matters worse. When the government begins rounding up immigrants and throwing them into detention centres, Jack Hunter must choose between his career and his conscience. R.S. Penney's action-packed science fiction adventure continues in No Shelter Here, the 11th book in the Justice Keepers Saga.
Discusses the lives of dogs and how we can improve them.
5* Absolutely brilliant, as always. 5* So well written, so entertaining and amusing. 5* A great read from start to finish There is no murder here. And even if there was, under no circumstances is Brother Hermitage, King William’s investigator, to be allowed anywhere near it. This is a very sensitive matter for the Duke of Normandy, now King of England, and he wants it dealt with properly. He doesn’t want a band of Saxon idiots trampling all over the place, offending everyone. But, in a far-off outpost of the duchy, an ancient ritual has been enacted, which immediately went horribly wrong. Someone must be sent to find out what happened and who is behind it. Negotiating the way through scheming and feuding locals will demand sensitivity. Untangling superstition from fact will require careful analysis. Appreciating custom and practice will need a sympathetic ear. And you’ll need to speak the right language, obviously. So, this is really not a job for Brother Hermitage. It’s probably even more inappropriate for the weavers, Wat and Cwen - the woman who stares at people and the man who made those disgusting pictures. Keep them away. However, the more explicit the instruction, the greater the chance of mistake… In any case, there is no murder here. Oh, really?
One man believes Linda Bascomb was murdered. A second believes she took her own life. The first is her husband, Warren, an aging surgeon who has lost his medical license because of his morphine addiction. The second is her son, Ben, a husband and father who struggles every day to remain sober and avoid bankruptcy. Warren has entered into an arrangement with his son that has since kept Ben financially afloat and Warren supplied with morphine. Ben's wife, Emma, desperately seeks to distance her husband from Warren before their relationship destroys her family. Opposing her efforts is Victor Javier, the mastermind of the arrangement, an immigrant whose cruelty masks a hope for his mother's deliverance. Though Linda Bascomb was once the true connection between Warren and Ben, her memory becomes the specter that polarizes them. As the pain of unresolved history accumulates, their embittered agreement collapses, and in the process destroys one life, changes another forever, and drives both from the emotional and chemical shelters in which they hide. In the inevitable reckoning, Ben and Warren are forced to acknowledge the power the dead exert on the living, the elusive nature of redemption, and the ways the things we lose define us. Sometimes shocking, always incisive, Keith Dixon's brilliant debut novel is a harsh but compassionate portrayal of love and need. Set on the emotionally bleak outskirts of New York City, Ghostfires, with stylistic power and psychological precision, lays bare a corrupt American dream - and a family with scores to settle.
This book compares the performances of four key non-state actors in the Arab-Israeli conflict ecosystem: the PLO, Hamas, Hizbullah, and Amal. It argues that it is not the assets a militant group has, but rather how it acquired them that matters in explaining the variation in these actors' abilities to militarily resist and politically recover from confrontations with far more powerful adversaries. Groups that rely on marketing campaigns to secure local support and regional patronage do far better than those that rely on coercion or even barter. The book develops a typology of organizations based on their foreign and domestic policies, which has interesting implications for other non-state actors, such as ISIS. It is based on field research in Jordan, Lebanon, Israel, the West Bank, Egypt, and Syria, including interviews with members of a range of Lebanese and Palestinian militant groups, as well as politicians, UN staff, journalists, and members of the Jordanian and Israeli armies.
The living folklore of Louisiana returns in this new edition of the classic Gumbo Ya-Ya. Long considered the finest collection of Louisiana folk tales and customs, Gumbo Ya-Ya chronicles the stories and legends that have emerged from the bayou country. Meet the Krewe of Zulu, New Orleans' most colorful all-black Carnival club, and the many tribes of Indians who help celebrate Mardi Gras with their fierce pageantry. Listen to the street criers entice customers to buy their goods. Produce peddlers hawk watermelon, cantaloupe, snap and butter beans, and strawberries. The charcoal man sells fuel to stoke the wash-day fires, while the kindling man offers to saw two cords for a dollar and dinner. Zabette and Rose Gla dispense the choicest coffee available in the French Quarter of New Orleans. The bottle man collects old bottles, rags, and bones, driving a hard bargain with the children who expect handfuls of peppermints, whistles, horns, and rattles for their hoards of treasure. All aspects of society are detailed in this wonderful album of Louisiana tradition: the Vieux Carr Creoles, with their strict codes of family honor; the burly Irish Channel immigrants; the lively Italians who still honor St. Joseph and St. Rosalia with all the pomp of the Old Country; and the fun-loving Cajuns, with their curious family names and spirited fais do do. There's no escaping superstition and voodoo in Louisiana. Several sections explain the customs and beliefs that have sprung up over the centuries. Always burn onion peels to ensure a steady supply of money. Sprinkle nutmeg in a woman's left shoe every night at midnight to drive her crazy. Kiss your elbow to change your sex. Gumbo Ya-Ya ( Everybody Talks at Once ) is a charming look at the legends and practices of Louisiana, particularly New Orleans. Originally written as part of the WPA's Louisiana Writers' Program, it has endured as a classic of its genre and is again available in a beautiful Pelican edition.