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The author of No Comfort for the Lost returns with a new mystery of Old San Francisco... British-born nurse Celia Davies runs a free medical clinic to assist the poor women of San Francisco. Aided in her endeavors by her half-Chinese cousin Barbara and feisty housekeeper Addie, Celia has earned the trust and friendship of many of the city’s downtrodden, including a young orphan named Owen—who’s just confided to her that he’s stumbled upon a corpse. Owen recently started working for the ruthless real estate and development group, Martin and Company, and discovered a dead body in the office’s basement. Celia turns to Detective Nick Greaves for help, only to learn that one of the main suspects—the husband of Celia’s dearest friend—is an old enemy of Nick’s. Now, Celia and Nick must put aside their personal feelings about the case—and each other—if they’re going to bring a killer to justice...
This acclaimed graphic memoir that Kirkus calls “cathartic and uplifting” is the tale of losing a parent and what it feels like to grieve and to move forward. “I can’t recommend this kind, funny, and poignant memoir enough. It’s an intimate, life-affirming story of resilience that feels like a good friend.” —Mari Andrew, author of Am I There Yet? Tyler Feder had just white-knuckled her way through her first year of college when her super cool mom was diagnosed with late-stage cancer. Now, with a decade of grief and nervous laughter under her belt, Tyler shares the story of that gut-wrenching, heart-pounding, extremely awkward time in her life—from her mom’s first oncology appointment to her funeral through the beginning of facing reality as a motherless daughter. She shares the sting of loss that never goes away, the uncomfortable post-death firsts, and the deep-down, hard-to-talk-about feelings of the grieving process. Dancing at the Pity Party is a frank and refreshingly funny look at what it’s like to grieve—for anyone struggling with loss who just wants someone to get it.
This book punctures once and for all common excuses for Western inaction in the face of incontrovertible evidence of the most egregious crimes against humanity to occur in Europe since World War II.
Coming up in the trenches of a notorious community dubbed KILLA KOUNTY, BABY G and MUNDO are forced to get it how they live, as the saying goes. The two brothers are about that gunplay and they quickly make names for themselves in the streets. But will that come at a costly price? When Baby G is shot and left for dead, things begin to spiral out of control. And when the shooter is identified, it turns out that he's much closer to Baby G than anyone expected. Will this mark the man for death? Or will the shooter regroup and come after Baby G a second and final time? In the City Of No Pity, where the young die young, and the old and meek are preyed upon, nobody is really safe. Love is just a four letter word, and treachery runs rampant. Will Baby G and Mundo conquer the streets or will they become the latest victims to the violence they help perpetrate?
Inspired by the website that the New York Times hailed as "redefining mourning," this book is a fresh and irreverent examination into navigating grief and resilience in the age of social media, offering comfort and community for coping with the mess of loss through candid original essays from a variety of voices, accompanied by gorgeous two-color illustrations and wry infographics. At a time when we mourn public figures and national tragedies with hashtags, where intimate posts about loss go viral and we receive automated birthday reminders for dead friends, it’s clear we are navigating new terrain without a road map. Let’s face it: most of us have always had a difficult time talking about death and sharing our grief. We’re awkward and uncertain; we avoid, ignore, or even deny feelings of sadness; we offer platitudes; we send sympathy bouquets whittled out of fruit. Enter Rebecca Soffer and Gabrielle Birkner, who can help us do better. Each having lost parents as young adults, they co-founded Modern Loss, responding to a need to change the dialogue around the messy experience of grief. Now, in this wise and often funny book, they offer the insights of the Modern Loss community to help us cry, laugh, grieve, identify, and—above all—empathize. Soffer and Birkner, along with forty guest contributors including Lucy Kalanithi, singer Amanda Palmer, and CNN’s Brian Stelter, reveal their own stories on a wide range of topics including triggers, sex, secrets, and inheritance. Accompanied by beautiful hand-drawn illustrations and witty "how to" cartoons, each contribution provides a unique perspective on loss as well as a remarkable life-affirming message. Brutally honest and inspiring, Modern Loss invites us to talk intimately and humorously about grief, helping us confront the humanity (and mortality) we all share. Beginners welcome.
Relocating to Charleston after a particularly grueling case, Dr. Kay Scarpetta opens a private forensic pathology practice but is quickly targeted by local politics and a covert saboteur before a series of violent deaths bring her skills into high view. 1,500,000 first printing. BOMC, Lit Guild, Doubleday, & Mystery Guild Main.
A groundbreaking account of ancient Greek funerary sculpture and its emotional effects In this lyrically written and beautifully illustrated study, Seth Estrin probes the emotional effects of one of the largest and most important categories of Greek sculpture: the funerary monuments of Classical Athens. Instead of simply documenting experiences of bereavement, he demonstrates that funerary monuments played a vital role in giving grief visual and material presence, employing the subtle effects of relief sculpture to make private experiences of loss socially meaningful to others. By identifying the deaths they marked as worthy of grief, funerary monuments mobilized fundamental questions about sculptural form and pictorial recognition to political ends, instrumentalizing the emotional dimensions of sculpture as a means to construct and uphold social hierarchies. Grounded in careful study of numerous monuments, new readings of their accompanying epigrams and ancient literary sources, and close consideration of both ancient and modern theories of emotion, Grief Made Marble makes a landmark contribution not only to the study of Greek sculpture, but to our broader understanding of the relationship between art and emotion in antiquity.
In an update to one of the most astonishing crimes of the Case Files volumes, Ann Rule profiles the criminals that kill without conscience and shatters their crimes without pity. In eight stunning Case Files volumes, from A Rose for Her Grave to the #1 blockbuster Last Dance, Last Chance, Ann Rule reigns as "America's best true-crime writer" (Kirkus Reviews). Now, she updates the most astonishing cases from that acclaimed series—and presents shocking, all-new true-crime accounts—in one riveting anthology. In every explosive chapter of Without Pity, Ann Rule deepens her unrelenting exploration of the evil that lies behind the perfect facades of heartless killers...and the deadly compulsions of greed and power that shatter their outward trappings of material success. They are the admired, trusted neighbor; the affable family man; the sexy, charismatic lover; the high-achieving professional. Perhaps most frightening of all is that they are heroes in their own minds. But when someone gets in the way of their deluded dreams, they are capable of deadly acts of violence with no remorse. Analyzing the true nature of the sociopathic mind in chilling detail, Ann Rule traces the murderous crimes of seemingly ordinary men—killers who drew their unsuspecting victims into their twisted worlds with devastating consequences.