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The leftist forces are retreating north as Franco's army advances with the help of German and Italian aviation. Max Friedman approaches the front, posing as a photographer in a small group of foreign journalists. He flashes back to battles fought with his old comrade Guido Treves, who has gone missing and is the object of his mission. Amidst the ruin of war, Claire, the pretty Belgian reporter who got Max his press credentials, is developing a strong attraction to him, arousing the jealousy of her fellow reporter and would-be-boyfriend, Phil Lester. Caught in the middle of a retreat, Max and Claire get separated from the rest of their group. They have to cross a mountain pass and take shelter in a hut -- the romantic tension builds, but gets snuffed by the urgent need to press onward.
A graphic novel in which former soldier and spy Max Friedman enters a world of danger and intrigue when he answers a call from the frantic wife of his old friend, Maj. Guido Treves, who has disappeared while fighting with the anti-Franco Loyalists in the Spanish Civil War.
THE LINCOLN BRIGADE The day after Christmas in 1936, a group of ninety-six Americans sailed from New York to help Spain defend its democratic government against fascism. Ultimately, twenty-eight hundred United States volunteers reached Spain to become the Abraham Lincoln Brigade. Few Lincolns had any military training. More than half were seriously wounded or died in battle. Most Lincolns were activists and idealists who had worked with and demonstrated for the homeless and unemployed during the Great Depression. They were poets and blue-collar workers, professors and students, seamen and journalists, lawyers and painters, Christians and Jews, blacks and whites. The Brigade was the first fully integrated United States army, and Oliver Law, an African American from Texas, was an early Lincoln commander. William Loren Katz and the late Marc Crawford twice traveled with the Brigade to Spain in the 1980s, interviewed surviving Lincolns on old battlefields, and obtained never-before-published documents and photographs for this book.
Summer 1938. Europe is teetering on the brink. In the far corners of the world, the intelligence agencies of the major powers fall into a frenzy of relentless warring. One Mr Stern, an engineer, becomes the stakes in this shadowy conflict. In Istanbul, Max Friedman and the intoxicating Magda Witnitz will do everything to save him.
The gripping, autobiographical story of the Spanish Civil War by the legendary Communist leader.
Collects Mighty Avengers (2013) #1-3, 4.INH-5.INH.
When a new student from Japan shows up at Bibi Blocksberg’s school, she fits in immediately. But Bibi’s suspicious; she knows Miyu’s hiding something, and she’s determined to find out what! Bibi’s journey takes her all the way to Japan, and while learning about all the new rules and magic in this foreign land, she realizes that maybe she and Miyu can be friends after all!
Being a sister is super! Being a super sister is even better! From the pages of THE SISTERS and spinning out of Maureen and Wendy’s imagination, these two siblings are donning flight packs and space suits to keep the galaxy safe! They battle intergalactic thieves and multi-limbed troublemakers but can all their sisterly-fights prepare them for their greatest foes…their clones?
Not quite pastiche, certainly not parody, LITTLE EGO appropriates the look and feel of Winsor McCay’s transcendent masterpiece, LITTLE NEMO IN SLUMBERLAND. Like McCay, Giardino uses the dream formula to free the narrative from the logi- cal strictures a cruelly earth bound reader might seek to impose. But that’s not all; in a single, deft stroke, Giardino also shakes off any moral stric- tures as well. Who could object to Ego’s erotic frolics- with men, women, the occasional reptile or household implement, or whatever is handiest – when it’s all just a dream?
The six essays collected in this volume are a selection from a number of papers which were given at a one-day colloquium on 'Art, Literature and the Spanish Civil War' which was held in Westfield College on 18 July 1986, precisely fifty years to the day after Franco's military coup in the Canary Islands, which was destined to have such a decisive effect on the course of Spanish history. Though this date subsequently became a Francoist celebration - the so-called 'Dia del Alzamiento' (Day of the Uprising) - the papers collected here do not demonstrate a Francoist bias. The overall approach is intertextual and interdisciplinary, thereby stressing the international nature of the artistic response to the war. For the benefit of the English reader, all foreign quotations are followed by an English translation.