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No Ordinary Hero by Rachel Lee Del Carmody can't explain the strange happenings in her house that are unsettling her and her teenage daughter. But when Mike Windwalker shows up on the widow's doorstep offering help, she soon discovers that he's no ordinary man. Mike is a gorgeous Native American caught between two worlds that of science and of his ancestor's spiritual ways. Together they must unravel the mystery surrounding the house only to discover a passion that's hard to deny... The Prodigal Bride by Beth Cornelison Zoey Bancroft is in a dilemma. After hearing she's carrying his child her ex–boyfriend has left her stranded in Vegas with no money. Desperate, Zoey calls her best friend, firefighter Gage Powell. Tired of saving Zoey from yet another bind, but unable to forget the sparks they once shared, Gage impulsively proposes for the sake of the baby, of course! It'll be a marriage in name only. But trouble that started in Vegas doesn't always end there, and this time Gage's life and love is on the line
No Ordinary Hero by Rachel Lee Del Carmody can't explain the strange happenings in her house that are unsettling her and her teenage daughter. But when Mike Windwalker shows up on the widow's doorstep offering help, she soon discovers that he's no ordinary man. Mike is a gorgeous Native American caught between two worlds - that of science and of his ancestor's spiritual ways. Together they must unravel the mystery surrounding the house only to discover a passion that's hard to deny... The Prodigal Bride by Beth Cornelison Zoey Bancroft is in a dilemma. After hearing she's carrying his child her ex-boyfriend has left her stranded in Vegas with no money. Desperate, Zoey calls her best friend, firefighter Gage Powell. Tired of saving Zoey from yet another bind, but unable to forget the sparks they once shared, Gage impulsively proposes - for the sake of the baby, of course! It'll be a marriage in name only. But trouble that started in Vegas doesn't always end there, and this time Gage's life - and love - is on the line...
In a 25th anniversary, behind-the-scenes account of the making of the cult-classic film, the lead actor shares never-before-told stories and exclusive photographs as well as interviews with Robin Wright, Billy Crystal and more. 100,000 first printing.
In only six weeks, Isla Ramsey is due to marry Henry Northrup, the sixth Earl of Sydney. But she remains haunted by memories of the dashing Hugh Courtney, the Marquess Pierce. The handsome aristocrat had hinted at forever and then tossed her aside, leaving Isla with few viable options. Now, as she awaits her new fiancé’s arrival from London, she rides her horse past Hugh’s estate at Hazelwood every day, pining for a man who was never truly hers. Hugh Courtney may have left Isla’s life, but he can’t erase her from his thoughts. When he rescues her from a sudden snowstorm, they are forced to take shelter together at his private estate. In such close quarters there is no escaping each other. Yet no man wants a reckless wife—or a woman promised to another. As fate draws Isla further into his world, Hugh vows to keep her out of his bedchamber. However, some vows are meant to be broken . . .
In this spectacular new romance from acclaimed New York Times bestselling author Jane Feather, fate deals one stubbornly single young woman and one deceptively heartless man a shocking hand in a high-stakes bet. But is love in the cards? Jack Fortescu gambles to win, and this time his prize is not only his rival’s lavish mansion but everything in it– including the man’s beautiful sister! But when it comes to games, Jack has met his match. . . . Left homeless by her brother’s escapade, Arabella Lacey has two appalling choices: pack her bags–or agree to marry the lunatic who’s taken over her house. Why would such a handsome–and outrageously wealthy–man want such an unromantic arrangement? Arabella intends to find out, and have a little fun in the process at Jack’s expense . . . literally. As Jack discovers that his reluctant bride is no ordinary beauty, he feels a stir of admiration, among other emotions, that wasn’t part of the bargain. Now he’s the one with everything to lose. . . .
IS ALL FAIR IN LOVE AND WAR? Scotland, 1812—Rugged Highlander Graeme’s loyalty to his clan means that their enemies are his own—even when that includes his neighbor, the Duke of Lattimer. It’s a fight he doesn’t relish, but when Graeme’s reckless younger brothers foolishly kidnap Lattimer’s younger sister, all bets are off... Lady Marjorie Forrester may be aligned with the enemy, but capturing her puts Graeme squarely in the middle of a war. If he turns Marjorie over to his clan chief, she could be killed. If he lets her go, his brothers could face prison. In addition, the woman can’t stop trying to civilize the lot of them! What’s a Highlander to do, then, but keep the stubborn lass close...and explore the unexpected passion that develops between them? But how can Graeme protect Marjorie and his brothers when both Lattimer and his own clan are on the warpath—and will do whatever it takes to tear these two star-crossed lovers apart, in My One True Highlander, the next No Ordinary Hero Scottish romance from New York Times bestselling author Suzanne Enoch.
The Lost Girls analyses a number of British writers between 1850 and 1930 for whom the myth of Demeter's loss and eventual recovery of her cherished daughter Kore-Persephone, swept off in violent and catastrophic captivity by Dis, God of the Dead, had both huge personal and aesthetic significance. This book, in addition to scrutinising canonical and less well-known texts by male authors such as Thomas Hardy, E. M. Forster, and D. H. Lawrence, also focuses on unjustly neglected women writers – Mary Webb and Mary Butts – who utilised occult tropes to relocate themselves culturally, and especially in Butts's case to recover and restore a forgotten legacy, the myth of matriarchal origins. These novelists are placed in relation not only to one another but also to Victorian archaeologists and especially to Jane Ellen Harrison (1850-1928), one of the first women to distinguish herself in the history of British Classical scholarship and whose anthropological approach to the study of early Greek art and religion both influenced – and became transformed by – the literature. Rather than offering a teleological argument that moves lock-step through the decades,The Lost Girls proposes chapters that detail specific engagements with Demeter-Persephone through which to register distinct literary-cultural shifts in uses of the myth and new insights into the work of particular writers.
What was life like in England before the Industrial Revolution? The World We Have Lost is widely regarded as a classic of historical writing and a vital book in reshaping our understanding of the past and the structure of family life in England. Turning away from the prevailing fixation of history on a grand scale, Laslett instead asks some simple yet fundamental questions about England before the Industrial Revolution: How long did people live? How did they treat their children? Did they get enough to eat? What were the levels of literacy? His findings overturned much received wisdom: girls did not generally marry in their early teens, but often worked before marrying at much the same ages that young people marry today. Most people did not live in extended families, or even live their whole lives in the same villages. Going beyond the immediate structure of the family, he also explores the position of servants, the gentry, rates of migration, work and social mobility. Laslett’s classic work was crucial in causing an important sociological turn in early modern English history and remains as fresh and exhilarating today as upon its first publication. This Routledge Classics edition includes a new Foreword by Kevin Schürer.