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No Ordinary Engagement Miss Jane Whittington's hopes have been dashed. She'd always imagined herself marrying someone daring, adventurous, exciting. Instead, the man her father has betrothed her to is...a fop! Certainly William Chadwick is devastatingly handsome, but Jane could never love a dandy who cares for nothing save the latest fashions. So why does his heated gaze enflame a desire in her that she's never known? No Ordinary Love His work as a British spy has kept William apart from proper society for years -- and he has no idea that his latest “disguise” is anything less than appropriate. Now that he longs for a simpler, safer lot, he believes he's found his ideal bride in this irresistible beauty. But it will take a special sort of seduction to win Jane's heart. And when the Crown calls him back into service, how can William refuse -- even if it costs him the peace he covets...and the woman he can no longer live without?
Eloise Lawton has finally found the family she's never known. But now she's cast adrift in the high-society world where there's only one person Eloise can depend on: broodingly handsome Jeremy Norland. As family loyalties and secrets unravel, Eloise realizes that if she falls in love with Jeremy she's in danger of losing everything she's fought so hard to find. Will Eloise have the courage to risk it all?
The diaries in this collection include the writings of four young people between the ages of twelve and twentya boy growing up on a lake in Maine, a sea captain's daughter, a Shaker farm boy, and a daughter raised by a single mom. What can we discover from these diaries? Readers may be surprised, for example, by the technology available to Delmer Wilson in the Shaker community in 1887. Because all these diaries were produced during the writers' developmental years, teachers and young readers may find comments about school and growing-up issues to be of some interest. Young readers will also want to compare teenage life today with that of the past. Some teenage girls of today may find that their pastimes don't differ all that much from those of Ethel Godfrey in 1894. And, like Augusta Skolfield, how many of us have gazed up at a bright moon and thought about that same light shining on loved ones far away? Readers will find the personalities themselves of great interest. Nat Hathorne, f
'A plaine and easie waie to remedie a horse' is the first complete text to focus exclusively on the health and illness of the most important animals in early modern England. It also follows on and further develops the subject of early modern veterinary medicine introduced by Louise Hill Curth in 'The Care of Brute Beasts: a social and cultural study of veterinary medicine in early modern England'. This book is divided into three sections which start by providing an overview of the evolution of English hippiatric medicine from ancient and medieval times into the early modern period. The second section moves on to the structures of practice which include the astrological principles between preventative, remedial and surgical medicine for horses, followed by an in-depth discussion of how such knowledge was disseminated through the oral, manuscript and print culture.
Women who have maintained their sexual purity often ask, “Is it really that important for me to wait until I get married?” Meanwhile, single women who have been sexually active mourn the loss of their innocence, wishing they could somehow start again. Women want to protect the purity that is God’s gift to them, and they also long to be loved. This volatile combination makes them vulnerable to temptation. That is why it is vital that women know not only that God wants them to wait, but why God wants them to do so. They need solid reasons, conviction, and a strategy that will prepare them to live out their sexual purity as God intends. Filled with powerful true stories of hope and healing, Gift-Wrapped by God provides compelling emotional and spiritual reasons for choosing God’s path of sexual purity, as well as practical help for following it. Whether women have held onto their sexual innocence, have become prematurely sexually active, or have had their purity taken by force, they can express and fulfill their desire to come to their wedding day--and live out every day–-sexually pure and whole.
The bestselling follow-up to Jesus and the Jewish Roots of the Eucharist. Includes a reader's guide and an excerpt from Pitre's The Case for Jesus. In Jesus the Bridegroom, Brant Pitre once again taps into the wells of Jewish Scripture and tradition, and unlocks the secrets of what is arguably the most well-known symbol of the Christian faith: the cross of Christ. In this thrilling exploration, Pitre shows how the suffering and death of Jesus was far more than a tragic Roman execution. Instead, the Passion of Christ was the fulfillment of ancient Jewish prophecies of a wedding, when the God of the universe would wed himself to humankind in an everlasting nuptial covenant. To be sure, most Christians are familiar with the apostle Paul’s teaching that Christ is the ‘Bridegroom’ and the Church is the ‘Bride’. But what does this really mean? And what would ever possess Paul to compare the death of Christ to the love of a husband for his wife? If you would have been at the Crucifixion, with Jesus hanging there dying, is that how you would have described it? How could a first-century Jew like Paul, who knew how brutal Roman crucifixions were, have ever compared the execution of Jesus to a wedding? And why does he refer to this as the “great mystery” (Ephesians 5:32)? As Pitre shows, the key to unlocking this mystery can be found by going back to Jewish Scripture and tradition and seeing the entire history of salvation, from Mount Sinai to Mount Calvary, as a divine love story between Creator and creature, between God and Israel, between Christ and his bride—a story that comes to its climax on the wood of a Roman cross. In the pages of Jesus the Bridegroom, dozens of familiar passages in the Bible—the Exodus, the Song of Songs, the Wedding at Cana, the Woman at the Well, the Last Supper, the Crucifixion, and even the Second Coming at the End of Time—are suddenly transformed before our eyes. Indeed, when seen in the light of Jewish Scripture and tradition, the life of Christ is nothing less than the greatest love story ever told.
"Transit, transitional, transition: Dalia Judovitz catches Marcel Duchamp on the run with his art in a suitcase and his thought all boxed and ready to go. . . . She demonstrates how the theme of transition, reappearing from work to work, makes each piece reproduce some other piece, while all continue to exemplify an original which can no longer be found and which has no creator."—Jean-François Lyotard
Editors: May 1749-Sept. 1803, Ralph Griffiths; Oct. 1803-Apr. 1825, G. E. Griffiths.
A monthly book announcement and review journal. Considered to be the first periodical in England to offer reviews. In each issue the longer reviews are in the front section followed by short reviews of lesser works. It featured the novelist and poet Oliver Goldsmith as an early contributor. Griffiths himself, and likely his wife Isabella Griffiths, contributed review articles to the periodical. Later contributors included Dr. Charles Burney, John Cleland, Theophilus Cibber, James Grainger, Anna Letitia Barbauld, Elizabeth Moody, and Tobias Smollet.