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No One Gardens Alone tells for the first time the story of Elizabeth Lawrence (1904-1985). Like classic biographies of Emily Dickinson and Edna St. Vincent Millay, this fascinating book reveals Lawrence in all her complexity and establishes her, at last, as one of the premier gardeners and gardening writers of the twentieth century. "In this first biography of the renowned gardening writer Elizabeth Lawrence, Emily Herring Wilson reminds us that even quiet lives hold unsuspected passions. Written with graceful clarity, sensitivity, and empathy, this life is a perennial."--Linda H. Davis, author of Onward and Upward: A Biography of Katharine S. White Elizabeth Lawrence (1904-1985) lived a singular, often contradictory life. She was a traditional southerner; a successful, independent garden writer with her own newspaper column and numerous books to her credit; a dutiful daughter who cared for her elders and lived with her mother; a landscape architect; a passionate poet; a friend of literary figures like Eudora Welty and Joseph Mitchell; and a very private woman whose recently discovered letters illuminate aspects of her mystery. Lawrence earned many fans during her lifetime and gained even more after her death with the reissue of many of her classic books. When Emily Herring Wilson edited a collection of letters between Lawrence and famed New Yorker editor Katharine S. White in Two Gardeners, she found legions of readers who were eager to know more about the legendary Lawrence. Now, one hundred years after her birth, No One Gardens Alone tells for the first time the story of this fascinating woman. Like classic biographies of literary figures such as Emily Dickinson and Edna St. Vincent Millay, this book reveals Lawrence in all her complexity and establishes her, at last, as one of the premier gardeners and garden writers of the twentieth century.
No One Gardens Alone tells for the first time the story of Elizabeth Lawrence (1904-1985). Like classic biographies of Emily Dickinson and Edna St. Vincent Millay, this fascinating book reveals Lawrence in all her complexity and establishes her, at last, as one of the premier gardeners and gardening writers of the twentieth century. "In this first biography of the renowned gardening writer Elizabeth Lawrence, Emily Herring Wilson reminds us that even quiet lives hold unsuspected passions. Written with graceful clarity, sensitivity, and empathy, this life is a perennial."--Linda H. Davis, author of Onward and Upward: A Biography of Katharine S. White Elizabeth Lawrence (1904-1985) lived a singular, often contradictory life. She was a traditional southerner; a successful, independent garden writer with her own newspaper column and numerous books to her credit; a dutiful daughter who cared for her elders and lived with her mother; a landscape architect; a passionate poet; a friend of literary figures like Eudora Welty and Joseph Mitchell; and a very private woman whose recently discovered letters illuminate aspects of her mystery. Lawrence earned many fans during her lifetime and gained even more after her death with the reissue of many of her classic books. When Emily Herring Wilson edited a collection of letters between Lawrence and famed New Yorker editor Katharine S. White in Two Gardeners, she found legions of readers who were eager to know more about the legendary Lawrence. Now, one hundred years after her birth, No One Gardens Alone tells for the first time the story of this fascinating woman. Like classic biographies of literary figures such as Emily Dickinson and Edna St. Vincent Millay, this book reveals Lawrence in all her complexity and establishes her, at last, as one of the premier gardeners and garden writers of the twentieth century.
From the Foreword by Maya Angelou InHope and DignityEmily Wilson and Susan Mullally have offered some answers to the question of Black survival. Wilson, a good and recognized poet, traveled her adopted State of North Carolina (she is originally from Georgia) talking to older Black women and listening to their responses. Interestingly, the women collected in this book appear to be speaking more to their ancestors and even to their unborn progeny than to Emily Wilson and therein must lie the book's success. For, since Wilson is White, it is natural to suspect anything Black people might say to her. (There is the old saying among Blacks: "If white people ask you where you are going tell them where you've been.") It is a compliment to Wilson to say that she was wise enough to pose her questions then stand aside so that the women could reflect privately on the pasts they have lived and even those they wished they had lived. Mullally's photographs are inspired and to the point. She has demonstrated as much sensitivity as Wilson and an equal amount of poetic curiosity. The subjects appear, as out of a mist, suddenly clear and clearly mistresses of their real and imagined times. They have overcome the cruel roles into which they had been cast by racism and ignorance. They have wept over their hopeless fate and defied destiny by creating hope anew. They have nursed, by force, a nation of hostile strangers, and wrung from lifetimes of mean servitude and third class citizenship a dignity of indescribable elegance. "If I had it to do over," Mrs. Bryant explains, "I would just as soon have the days of back yonder as today. I had. But I'm sure the children can have so much more and so much more easier till this is better days for living but not the kind of living we was brought up with. We had time to visit each other, and had time to go see the sick and didn't have no thoughts of putting nobody in the rest home. Maybe if there was four or five working on the farm, one could stay at the house and wait on that sick person. And it didn't put no bigger strain on them. Now it seems like they have keyed up themselves for fine houses, fine furniture, fine cars, fine everything until it takes them both to work [the wife and the husband]. But used to if the man had to be sick, the woman with the neighbor's aid could carry on. Or if the woman had to be sick, the neighbors would help do the chopping or do whatever she had been doing till she could get well. Now there's no way that no one hardly, the way they've got themselves stretched out for wanting so much, that they can carry on as well as we did. When mother stays at home with the children and works with them, like I did, you near about know them. No way hardly they can fool you or nothing. I'm not giving myself no pat, but nobody worked more hours than I did." These women are teachers comprehensively. Their accounts inform us that while life in North Carolina and in all the United States, has been hard for the Black woman (and man and child) it can be borne with dignity, and it can be changed by hope. Salutes to Wilson and Mullally, and humble thanks to all the women collected in this book. I understand them. They are my grandmothers. Author note:Emily Herring Wisonis a writer in Wonston-Salem, North Carolina. She is working with Margaret Supplee Smith on a history of women in North Carolina.Susan Mullally Clarkis a photographer in Greensboro, North Carolina, who is currently working on a photographic study of brothers and sisters. Wilson and Clark traveled more than 20,000 miles through the South in the course of interviewing, lecturing, and photographing forHope and Dignity.
Bring in the energy of wild places and work in harmony with the land to grow your own food and live sustainably. In this beautifully illustrated book, award-winning garden designer Mary Reynolds encourages us to create a bond with the land to restore its health and feel its energy. Drawing inspiration from permaculture traditions as well as the ancient multi-tiered approach of forest gardening, Mary demonstrates how to create a magical garden that is an expanding, living, interconnected ecosystem. The Garden Awakening is both art and inspiration for any garden lover seeking to create a positive and natural space while incorporating sustainable living such as growing your own food. It combines practical step-by-step instructions with spiritual, ancient Celtic stories to help you awaken any garden space, nurturing it to benefit both the land and the people in it. This design approach allows ecosystems to be whole and in balance while providing a place for human beings to live happy and productive lives. Transform your garden into a vibrant, wild area that embraces the spiritual side of nature with this wonderful read.
Monty Don, Britain's treasured horticulturalist, and renowned photographer Derry Moore explore iconic and little-known gardens throughout America. For years, Britain's much-loved gardener Monty Don has been leading us down all kinds of garden paths to show us why green spaces are vital to our wellbeing and culture. Now, he travels across America with celebrated photographer Derry Moore to trace the fascinating histories of outdoor spaces which epitomize or redefine the American garden. In the book, which complements the BBC television series, they look at a variety of gardens and outdoor spaces at the center of American history including the slave garden at Thomas Jefferson's Monticello estate, Longwood Gardens in Delaware, and Middleton Place in South Carolina. Together, they visit verdant oases designed by modernist architects such as Richard Neutra. They delve into urban outdoor spaces, looking at New York City's Central Park, Lurie Garden at the southern end of Millennium Park in Chicago, and the Seattle Spheres. Derry Moore gives his unique perspective on gardens across the United States, including several not featured in the TV series. These include unpublished photographs of Bob Hope's Palm Springs home and garden of renowned architect Frank Lloyd Wright. Featuring luscious photography and Don's engaging commentary, this book will leave you with a richer understanding of how America's most important gardens came to be designed.
Gardening enthusiasts and those who love to read about gardening will be delighted by this new collection of Elizabeth Lawrence's work. A gifted landscape architect and writer, Lawrence (1904-85) chronicled her experiences with plants in a voice treasured
Hailed as "one of the three finest wits of her day," the Countess Elizabeth von Arnim cemented her literary reputation with this companion work to her extraordinarily popular first novel, the semi-autobiographical Elizabeth and Her German Garden (also available from Cosimo Classics). First published in 1899, this is a proto-feminist account of one woman's attempt to carve out of a space of her own-away from the husband she only half jokingly refers to as her "Man of Wrath"-in the rambling gardens of the family's county estate. By turns bitingly satirical and achingly lovely, this will delight fans of von Armin's friends and fellow writers E.M. Forster and Katherine Mansfield. British novelist ELIZABETH VON ARNIM (1866-1941) is also the author of Enchanted April.
Now in paperback, the book critics and readers have hailed as a remarkable story of friendship, inspired by gardening Renowned New Yorker editor Katharine White and Southern garden writer Elizabeth Lawrence began a correspondence in 1958 that lasted until Katharine White's death in 1977. These letters, edited and introduced by Emily Herring Wilson, bring to life the unique friendship between two intelligent women, both avid gardeners and legendary writers. More than 150 letters went back and forth during the course of their near-20-year correspondence, though Katharine and Elizabeth would meet face-to-face only once. Whether talking about their gardens or books, friends or family, each held a special place in the other's life. Illustrated with photographs of both Katharine White and Elizabeth Lawrence, their families, gardens, and houses, Two Gardeners is a special treat for gardeners, literature lovers, and anyone who delights in reading about women's friendships. Emily Herring Wilson is a writer, lecturer, and novice gardener living in Winston-Salem, North Carolina. Author of two previous books, she is currently writing a biography of Elizabeth Lawrence.
Vast legions of gods, mages, humans, dragons and all manner of creatures play out the fate of the Malazan Empire in this first book in a major epic fantasy series from Steven Erikson. The Malazan Empire simmers with discontent, bled dry by interminable warfare, bitter infighting and bloody confrontations with the formidable Anomander Rake and his Tiste Andii, ancient and implacable sorcerers. Even the imperial legions, long inured to the bloodshed, yearn for some respite. Yet Empress Laseen's rule remains absolute, enforced by her dread Claw assassins. For Sergeant Whiskeyjack and his squad of Bridgeburners, and for Tattersail, surviving cadre mage of the Second Legion, the aftermath of the siege of Pale should have been a time to mourn the many dead. But Darujhistan, last of the Free Cities of Genabackis, yet holds out. It is to this ancient citadel that Laseen turns her predatory gaze. However, it would appear that the Empire is not alone in this great game. Sinister, shadowbound forces are gathering as the gods themselves prepare to play their hand... Conceived and written on a panoramic scale, Gardens of the Moon is epic fantasy of the highest order--an enthralling adventure by an outstanding new voice. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Marta McDowell returns with a beautiful, gift-worthy account of how plants and gardening deepy inspired Frances Hodgson Burnett, author of the beloved children's classic The Secret Garden.