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At South Indian village funerals, women cry and lament, men drink and laugh, and untouchables sing and joke to the beat of their drums. No One Cries for the Dead offers an original interpretation of these behaviors, which seem almost unrelated to the dead and to the funeral event. Isabelle Clark-Decès demonstrates that rather than mourn the dead, these Tamil funeral songs first and foremost give meaning to the caste, gender, and personal experiences of the performers.
"A vivid, well-written, and deeply insightful ethnography."—Kirin Narayan, author of Storytellers, Saints, and Scoundrels "This is a book of true creative insight, originality, and extraordinarily rich materials. Clark-Deces shows a gift for finding and articulating very central, evocative cultural issues in her study of Tamil laments. She writes with sensitivity and care, and with a certain daring and boldness that repay close attention."—David Shulman, author of Classical Telugu Poetry "A stunning ethnographic essay."—Alan Dundes, author of Two Tales of Crow and Sparrow "In this book, Isabelle Clark-Deces gives us a clear-eyed view of the bond between the state of untouchability in India, and the pain of death and irretrievable loss. This is not a distanced work: the reader is always right there with the people Clark-Deces writes about; one can see them and hear their voices as one reads. The author also achieves some powerful theoretical insights that go beyond the words and other communicative acts of her informants."—Margaret Trawick, Professor of Social Anthropology, Massey University, New Zealand, and author of Notes on Love in a Tamil Family
Have you ever found yourself tongue-tied when encountering someone suffering, dying, or having just lost someone close? As people of faith, we are invited to trust in the wonderful goodness of God. Then how are we to understand the sufferings of so many of God's people? Where is God to be found in the midst of a world filled with so much pain and loss? What difference does it make to pray? No One Cries the Wrong Way offers some glimpses into these great questions. Certainly, there are no easy answers. Any words about God will fall far short of the truth of who God is. Indeed, we stand here before the great mystery. But we do not stand along; without hope; or without something to offer. Consoling in a way that is both simple and profound, Fr. Kempf helps us trust the Love in the midst of the pain. At the end of the book, there is a prayer service for each chapter, questions for reflect or discussion, and quotes for meditation and prayer.
Relocating to Charleston after a particularly grueling case, Dr. Kay Scarpetta opens a private forensic pathology practice but is quickly targeted by local politics and a covert saboteur before a series of violent deaths bring her skills into high view. 1,500,000 first printing. BOMC, Lit Guild, Doubleday, & Mystery Guild Main.
The Oxford Handbook of the Archaeology of Death and Burial reviews the current state of mortuary archaeology and its practice, highlighting its often contentious place in the modern socio-politics of archaeology. It contains forty-four chapters which focus on the history of the discipline and its current scientific techniques and methods. Written by leading, international scholars in the field, it derives its examples and case studies from a wide range of time periods, such as the middle palaeolithic to the twentieth century, and geographical areas which include Europe, North and South America, Africa, and Asia. Combining up-to-date knowledge of relevant archaeological research with critical assessments of the theme and an evaluation of future research trajectories, it draws attention to the social, symbolic, and theoretical aspects of interpreting mortuary archaeology. The volume is well-illustrated with maps, plans, photographs, and illustrations and is ideally suited for students and researchers.
Do Funerals Matter? is a creative interweaving of historical, sociocultural, and research-based perspectives on death rituals, drawing from myriad sources to create a picture of what death rituals have been; and where, especially in the Western world, they are going. Death educators, researchers, counselors, clergy, funeral-service professionals, and others will appreciate the book's theory- and research-based approach to the ways in which different cultural groups memorialize their dead. They will also find clear clinical and practical applications in the author's exploration of the five ritual anchors of death-related ceremonial practice and help for professionals counseling the bereaved surrounding funerals. Based on nearly three decades of research and teaching on funeral rites, this volume promises to fill an important gap in the cross-cultural literature on bereavement, while answering an important question for our generation: Do funerals matter?
‘Look, my feet measure beyond earth and sky!’ he said and touched the sky. I have surrendered to my lord who glanced at me with his large radiant eyes. The Tiruviruttam is an iconic poem by Nammāḻvār (c. ninth century CE), the greatest of the āḻvār poet-saints of the Tamil Śrīvaiṣṇava tradition. Its hundred interlinked verses celebrate the love between an anonymous heroine and hero, who come to be identified with Nammāḻvār and his beloved deity, Viṣṇu. The poet masterfully weaves the erotic and esoteric to reveal both the contours of love and the never-ending cycles of separation and union, of birth and death, from which only Viṣṇu can offer release. In A Hundred Measures of Time, Archana Venkatesan has crafted a sonorous free-verse rendering and an accompanying far-ranging essay to delight poetry lovers and scholars alike.
Lydia Lunch's second book will provoke rage, awe, and infectious desire. “Lunch has defined the underground music and art scene for over thirty years. Predictable only in her unpredictability, she has exploited every creative outlet at her disposal, from film to books, photography to poetry.” —SF Weekly No Wave founder Lydia Lunch’s first book, Paradoxia, proved that her presence is as strong on the page as it is on the stage. Her literary talents are even more impressive and varied in this iconoclastic and uncompromising collection. Whether crafting personal essays, short fiction, or interviews with fellow antiheroes Hubert Selby Jr. and Nick Tosches, Lunch dazzles in her ability to provoke discomfort and awe, terror and hope.