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A book that examines the unhealthy Struggle Love ideology promoted to black women. Black women are facing a truly unique yet harmful situation within the black community. Has everyone been right about black women needing to open their options? Black women deserve the same love and loyalty that they give, and what the Struggle Love ideology does is ignore the needs of black women and places the focus on loving unhealthy men. It's time that we examine the who, what, and why of the Struggle Love ideology and fight against it. A healthy relationship involves giving and receiving, but the idea promoted is that black women do all the giving and wait until a later time to receive. When low-value males create the standard for love, it is usually based on unrealistic ideas that do not consider the feelings and needs of a black woman. Black women can no longer allow low-value males to feed them poison disguised as love. We need to talk about the dysfunction and fight against it at all costs.
At one time or another, shifting seasons in family, friendships, employment, and communities will bring each of us face-to-face with the feeling of being on the outside looking in. Because we are made for connection, this will often lead us down one of two roads. Either we will hop on the popular but crowded highway that asks us to do whatever it takes to get noticed, or we'll stand still, paralyzed by the fear that we're not important, loveable, or worth other people's time and attention. But what if there is another way? With an understanding voice that will speak into your own circumstances, Kristen Strong walks beside you along the less traveled but more satisfying third way--the back road way--to belonging: remaining in Christ and relaxing into the unique role God has for you. Along the way, you will learn simple, doable actions that not only will help you feel and know that you belong but will welcome others in as well.
Originally published as an e-book that became a controversial media phenomenon, No More Mr. Nice Guy! landed its author, a certified marriage and family therapist, on The O'Reilly Factor and the Rush Limbaugh radio show. Dr. Robert Glover has dubbed the "Nice Guy Syndrome" trying too hard to please others while neglecting one's own needs, thus causing unhappiness and resentfulness. It's no wonder that unfulfilled Nice Guys lash out in frustration at their loved ones, claims Dr. Glover. He explains how they can stop seeking approval and start getting what they want in life, by presenting the information and tools to help them ensure their needs are met, to express their emotions, to have a satisfying sex life, to embrace their masculinity and form meaningful relationships with other men, and to live up to their creative potential.
Are you calling dibs? She's a woman, not the last piece of f**king pie. And yes, I'm calling dibs if it keeps your hands off her. Carter Pierce wants to spend his days tending the family farm he inherited and that's about it. After a tour of duty and a few bullet holes, he's looking forward to some peace and quiet in his hometown. Unfortunately for the sexy, bearded farmer, hippie-dippie Blue Moon doesn't believe in peace and quiet. And his nosy neighbors sure as hell don't know how to mind their own business. Neither does the big city journalist who arrives to interview him for a magazine article. Summer Lentz is out of place with her designer wardrobe and workaholic schedule. She asks too many questions and gets under his skin with her smart mouth and those denim-blue eyes. Now she's typing his family's story a mile a minute at his kitchen table and sleeping in the bedroom across the hall. His only option is to scare her away from farm life so he can go back to his nice, solitary life. But Summer's got a stubborn streak and secrets of her own. And once Carter starts pulling at those threads, he's not so eager to send her packing. Will a nudge from the matchmaking Beautification Committee result in a happily ever after or a homegrown disaster?
Alan Kaufman has been compared to Jack Kerouac, Henry Miller, Hubert Selby Jr., even Ernest Hemmingway—his life reads so much like a great movie that the world of cinema has just optioned his first memoir, Jew Boy, for a feature film. Drunken Angel, his new autobiographical work, drops like a sledgehammer. It is the most gripping, chilling and inspiring account ever written of a life-long battle with alcoholism and the struggle to write. Graphic in its grit, an education in pain, Drunken Angel is being hailed as "the Naked Lunch of memoirs." The book chronicles Kaufman’s headlong plunge into the piratical life of a literary drunk, and takes us shamelessly through noirish alleyways of S&M sensuality, forbidden pleasures and pitfalls of adultery, the thrilling horrors of war, plus raging poetry nights, mental illness, homelessness, literary struggle and his strange, magnificent rise into a sobriety of personal triumph as crazily improbable as the famous and notorious figures he meets along the way. Drunken Angel contains revealing portraits of such literary figures as Allen Ginsberg, Kathy Acker, Barney Rosset, Anthony Burgess, Elie Wiesel, Ron Kolm, Isaac Bashevis Singer, Jim Feast, Bernard Malamud, Hubert Selby Jr., Bob Holman, Sapphire, not to speak of the gutter dreamers, Nuyorican Poets, Unbearables, Babarians, Slammers, Black foot Indians, commandos, criminals, junkies, renegade cocktail waitresses, hoboes, painters, and a host of others who each in some way, big or small, play their part in peopling the wildly exilerating drama of Kaufman’s passionate and exotic life. Whether the addiction be booze, women, violence, writing or fame, Kaufman honors us with an explicit honesty that only a writer of enormous power and artistic greatness can attain, and his life, as Drunken Angel poignantly shows, is a profoundly meaningful quest for truth and spiritual values.
The Fatal Secret: Or, Constancy in Distress (1724) is a novel by Eliza Haywood. Blending tragedy and comedy, Haywood explores the intersection of ambition, family, and desire to reveal how women so often fall victim to the whims of villainous men. The Fatal Secret: Or, Constancy in Distress is considered a prime example of the popular genre of amatory fiction, which often used love triangles to expose the imbalance between male and female desire in a patriarchal society. “Nothing is so generally coveted by Womankind, as to be accounted Beautiful; yet nothing renders the Owner more liable to inconveniences.” Getting by on looks alone, young Anadea has managed to secure herself a marriage proposal from a wealthy gentleman. Pressured by her father, she believes it is up to her to renew her once-prominent family’s fortune and status in eighteenth century Paris. One night, she falls in love with the handsome Count Blessure. Although he reciprocates her feelings, he is keenly aware of his own family’s prejudice against the poor, no matter the nobility of their ancestors. With a beautifully designed cover and professionally typeset manuscript, this edition of Eliza Haywood’s The Fatal Secret: Or, Constancy in Distress is a classic of English literature reimagined for modern readers.
Studies the significance of Mrs. Haywood's romances written between 1720 and 1730 as they formed a complement to Defoe's romances of adventure just as her Duncan Campbell pamphlets supplied the one element lacking in his. Also looks at her essays and later fiction.
Most critics will acknowledge the enormous contributions Eliza Haywood made towards the development of the novel, but are often silent about her shorter fiction. Included in this volume are four of her most notable shorter pieces: "The British Recluse" (1722), "Fantomina" (1724), "The Fatal Secret" (1724), and "The City Jilt" (1726).