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This is the first book to celebrate the life and writing of one of the most charismatic Southern leaders of the middle twentieth century, Don West (1906-1992). West was a poet, a pioneer advocate for civil rights, a preacher, a historian, a labor organizer, a folk-music revivalist, an essayist, and an organic farmer. He is perhaps best known as an educator, primarily as cofounder of the Highlander Folk School in Tennessee and founder of the Appalachian South Folklife Center in West Virginia. In his old age, West served as an elder statesman for his causes. No Lonesome Road allows Don West to speak for himself. It provides the most comprehensive collection of his poetry ever published, spanning five decades of his literary career. It also includes the first comprehensive and annotated collection of West's nonfiction essays, articles, letters, speeches, and stories, covering his role at the forefront of Southern and Appalachian history, and as a pioneer researcher and writer on the South's little-known legacy of radical activism. Drawing from both primary and secondary sources, including previously unknown documents, correspondence, interviews, FBI files, and newspaper clippings, the introduction by Jeff Biggers stands as the most thorough, insightful biographical sketch of Don West yet published in any form. The afterword by George Brosi is a stirring personal tribute to the contributions of West and also serves as a thoughtful reflection on the interactions between the radicals of the 1930s and the 1960s. The best possible introduction to his extraordinary life and work, this annotated selection of Don West's writings will be inspirational reading for anyone interested in Southern history, poetry, religion, or activism.
Few places in the United States confound and fascinate Americans like Appalachia, yet no other area has been so markedly mischaracterized by the mass media. Stereotypes of hillbillies and rednecks repeatedly appear in representations of the region, but few, if any, of its many heroes, visionaries, or innovators are ever referenced. Make no mistake, they are legion: from Anne Royall, America's first female muckraker, to Sequoyah, a Cherokee mountaineer who invented the first syllabary in modern times, and international divas Nina Simone and Bessie Smith, as well as writers Cormac McCarthy, Edward Abbey, and Nobel Laureate Pearl S. Buck, Appalachia has contributed mightily to American culture — and politics. Not only did eastern Tennessee boast the country's first antislavery newspaper, Appalachians also established the first District of Washington as a bold counterpoint to British rule. With humor, intelligence, and clarity, Jeff Biggers reminds us how Appalachians have defined and shaped the United States we know today.
Any listener knows the power of music to define a place, but few can describe the how or why of this phenomenon. In Lonesome Roads and Streets of Dreams: Place, Mobility, and Race in Jazz of the 1930s and ’40s, Andrew Berish attempts to right this wrong, showcasing how American jazz defined a culture particularly preoccupied with place. By analyzing both the performances and cultural context of leading jazz figures, including the many famous venues where they played, Berish bridges two dominant scholarly approaches to the genre, offering not only a new reading of swing era jazz but an entirely new framework for musical analysis in general, one that examines how the geographical realities of daily life can be transformed into musical sound. Focusing on white bandleader Jan Garber, black bandleader Duke Ellington, white saxophonist Charlie Barnet, and black guitarist Charlie Christian, as well as traveling from Catalina Island to Manhattan to Oklahoma City, Lonesome Roads and Streets of Dreams depicts not only a geography of race but how this geography was disrupted, how these musicians crossed physical and racial boundaries—from black to white, South to North, and rural to urban—and how they found expression for these movements in the insistent music they were creating.
On his first day as a police officer, Jack Delaney saves the life of a petty thug named Doyle Howland. With the events that follow, Jack will come to regret this act of kindness. Doyle Howland is only the latest in a long line of criminally inclined Howlands. The murder of his father, Sonny, had sent shock waves through his small community in rural western Wisconsin many years ago. Rumors down at the local watering hole put good odds on navy veteran Will Graves for the crime. Jack has always admired the quiet World War II hero and remains convinced that someone else must have committed the crime. This conviction led him all the way to the police academy and a career in law enforcement. It also leads him to reexamine the case. Everyone believes that Will killed Sonny for having an affair with his wife, but Will's granddaughter Anna adamantly denies that her grandmother would fall for such a disreputable man. As Jack and Anna get closer to the truth, they also grow closer to each other. Will their burgeoning relationship weather the return of a vengeful Doyle Howland and shocking revelations about Sonny's murder?
North Carolina playwright's third book and second book of plays. Notable for including the first appearance in book format of Green's Pulitzer Prize-winning play "In Abraham's Bosom," centered on an African-American farmer from North Carolina whose efforts at self-improvement are thwarted by segregation. The main character attempts to start a school, though once he succeeds at getting one, white people run him out of it and drive him to murder. The play was included in Burns Mantle's The Best Plays of 1926-1927, and starred Charles Sidney Gilpin in its original run on Broadway."--Vendor statement.
This method begins with a review of the concepts presented in Level 2, then introduces new pieces and lessons in new keys to prepare the student for more advanced studies. Includes a "Just for Fun" section and an "Ambitious" section for the student who will devote a little extra effort toward learning some of the great masterworks that require additional practice.
NEW YORK TIMES BESTSELLER. SEMI-FINALIST FOR THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD FOR ART OF THE ESSAY. One of Amazon, Buzzfeed, ELLE, Electric Literature and Pop Sugar's Best Books of 2018. Named one of the Best Books of October and Fall by Amazon, Buzzfeed, TIME, Vulture, The Millions and Vol. 1 Brooklyn. “Hilarious, nimble, and thoroughly illuminating.” —Colson Whitehead, author of The Underground Railroad A globe-spanning, ambitious book of essays from one of the most enthralling storytellers in narrative nonfiction In his highly anticipated debut essay collection, Impossible Owls, Brian Phillips demonstrates why he’s one of the most iconoclastic journalists of the digital age, beloved for his ambitious, off-kilter, meticulously reported essays that read like novels. The eight essays assembled here—five from Phillips’s Grantland and MTV days, and three new pieces—go beyond simply chronicling some of the modern world’s most uncanny, unbelievable, and spectacular oddities (though they do that, too). Researched for months and even years on end, they explore the interconnectedness of the globalized world, the consequences of history, the power of myth, and the ways people attempt to find meaning. He searches for tigers in India, and uncovers a multigenerational mystery involving an oil tycoon and his niece turned stepdaughter turned wife in the Oklahoma town where he grew up. Through each adventure, Phillips’s remarkable voice becomes a character itself—full of verve, rich with offhanded humor, and revealing unexpected vulnerability. Dogged, self-aware, and radiating a contagious enthusiasm for his subjects, Phillips is an exhilarating guide to the confusion and wonder of the world today. If John Jeremiah Sullivan’s Pulphead was the last great collection of New Journalism from the print era, Impossible Owls is the first of the digital age.
Miss Maud Silver, governess-turned-sleuth, follows a trail of poison-pen letters to save an heiress from a murderer. The plate over the bell at London's Montague Mansions reads "Miss Silver, Private Enquiries." Despite having an appointment, Rachel Treherne hesitates. Even as a young woman, Rachel always had a steady head on her shoulders; it's why her late father, Rollo Treherne, named her the sole trustee of his considerable fortune. So Rachel fears she may be overreacting to the anonymous letters she's received threatening her life. After he struck oil in America, Rollo Treherne became a very rich man, but he never forgot the poverty he knew as a child. In his will, he entrusted his younger daughter with the task of ensuring his vast wealth would benefit only worthy causes--and worthy people. The decision galled a number of Rachel's relatives, including her married older sister, her socialist nephew, and her father's ambitious young cousin. And someone did, after all, tamper with the chocolates Rachel bought herself as a special treat. If Rachel's spinster cousin hadn't partaken first and noticed an unwholesome taste, who knows what may have happened? As Miss Silver listens to her client's tale, the retired-governess-turned-private-detective suspects that someone in Rachel's inner circle has grown tired of being a poor relation. Miss Silver travels incognito to the Treherne country home to unmask the culprit--before it's too late--in this intriguing entry in the beloved series featuring a contemporary of Agatha Christie's Miss Marple. Lonesome Road is the 3rd book in the Miss Silver Mysteries, but you may enjoy reading the series in any order. "Miss Wentworth is a first-rate storyteller." --The Daily Telegraph "Patricia Wentworth has created a great detective in Miss Silver, the little old lady who nobody notices, but who in turn notices everything." --Paula Gosling, author of the Jack Stryker mystery series "Miss Wentworth's plot is ingenious, her characterization acute, her solution satisfying." --The Scotsman Patricia Wentworth (1878-1961) was one of the masters of classic English mystery writing. Born in India as Dora Amy Elles, she began writing after the death of her first husband, publishing her first novel in 1910. In the 1920s, she introduced the character who would make her famous: Miss Maud Silver, the former governess whose stout figure, fondness for Tennyson, and passion for knitting served to disguise a keen intellect. Along with Agatha Christie's Miss Marple, Miss Silver is the definitive embodiment of the English style of cozy mysteries.