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For over forty years, criminal defence solicitor Henry Milner has been the go-to lawyer for some of Britain's most notorious and high-profile criminals – from Kenneth Noye and the Brink's-Mat robbers to gangster Freddie Foreman, John 'Goldfinger' Palmer and the gang who carried out the Millennium Dome raid. These and many others who reached serious misunderstandings with the law knew that once they were nicked, there was only one man to call: a genial cigar-smoking solicitor with an office tucked away in a leafy corner of central London, a man known to the Sunday Times as 'The Mr Big of Criminal Briefs'. In this remarkable memoir, Milner gives a real insight into the life of a top London criminal lawyer and into the mind of his clients, along the way introducing us to some of the most colourful characters ever to appear on either side of the dock. By turns shocking and hilarious, No Lawyers in Heaven gives a wry commentary on the frailty of human nature across the spectrum of the criminal justice system in a punchy narrative that could grace the pages of a bestselling crime novel.
Can God use an old lady who lives in a condo with her cat and computer? Doris Bookhart, the author of There's Only One Me, would answer with a resounding 'Yes!' Her cat, Smokey, would say that God can also use a mischievous cat! You're sure to become instant fans of Doris and Smokey when you read their new book There's Only One Me. Doris, a 64 year old widow, decided to fill the empty hours after her husband's death by writing a daily e-mail devotion. She uses a sense of humor and her unique outlook on life to share the lessons she learns from everyday events. Her readers began as a few friends and family, but soon expanded to hundreds of people in over ten states. See for yourself what won their hearts!
What do you call 600 lawyers at the bottom of the sea? Marc Galanter calls it an opportunity to investigate the meanings of a rich and time-honored genre of American humor: lawyer jokes. Lowering the Bar analyzes hundreds of jokes from Mark Twain classics to contemporary anecdotes about Dan Quayle, Johnnie Cochran, and Kenneth Starr. Drawing on representations of law and lawyers in the mass media, political discourse, and public opinion surveys, Galanter finds that the increasing reliance on law has coexisted uneasily with anxiety about the “legalization” of society. Informative and always entertaining, his book explores the tensions between Americans’ deep-seated belief in the law and their ambivalence about lawyers.
This quasi-autobiography began when I concluded my nightly prayer in The Home, “Enough is enough. Please take me back, God.” My intention was a one-way ticket to heaven. However, God sets me straight. “Luke, you have never been to heaven. Believe me, I AM never forgets a face.” But God does take me back, back to the day I was born, eventually. However, whoever was in charge, ignored any close consideration for chronology, duration of events or individuals actually involved was ignored. Nevertheless, I got what every man, woman and child, covets, and dying to get. A second first-chance!
Minority Report meets Blade Runner as a man must solve his daughter's murder only to find that the trail leads right back to himself in Dave Swavely's Silhouette, the first of The Peacer Series A post-quake San Francisco is ruled by a private corporation called the Bay Area Security Service. Its founder, Saul Rabin, is revered by many as the savior of the city, but by others he is feared and loathed as a fascist tyrant. And because of the cutting-edge antigravity technology being developed by his company, this controversial figure is about to become the most powerful man in the world. To his protégé, Michael Ares, the old man is a mysterious benefactor whom he respects and admires. But when Michael's daughter and best friend are brutally murdered, he follows a trail of evidence that leads dangerously close to home. Closer than he could ever imagine. A future world of aerocars, net glasses, and neural cyberware provides the backdrop for this timeless tale of good and evil, revenge and love, infamy and destiny. Fans of Blade Runner and Ghost in the Shell will love this page-turner filled with thought-provoking images of dark shapes which, despite their pain and power, could never blot out the light that surrounds them.
Training in rhetoric - the art of persuasion - formed the basis of education in the Roman Empire. The classical intellectual world centered around the debate between philosophers, who boasted knowledge of objective reality, and sophists, who could debate both sides of any issue and who attracted large audiences and paying students. The roles of the Talmudic rabbis as public orators, teachers, and jurists, parallel that of Roman orators. Rabbinic literature adopted and adapted various aspects of the classical rhetorical tradition, as is demonstrated in the Talmudic penchant for arguing both sides of hypothetical cases, the midrashic hermeneutical methods, and the structure of synagogue sermons. At the same time, the rabbis also resisted the extreme epistemological relativism of rhetoric as is evident in their restraint on theoretical argumentation, their depiction of rabbinic and divine court procedure, and their commitment to the biblical prophetic tradition. Richard Hidary demonstrates how rabbis succeeded in navigating a novel path between platonic truth and rhetorical relativism.
Heaven lays down the law, and Hell gets more hellish as the greatest shared universe of all time makes its malevolent return.
Did you hear the one about the Mother Superior who was so busy casting the first stone that she got caught in flagrante delicto with her lover? What about the drunk with a Savior complex who was fool enough to believe himself to be the Second Coming? And that's nothing compared to what happens when comedy gets its grubby paws on the confessional. Enter fifteenth- and sixteenth-century French farce, the "bestseller" of a world that stands to tell us a lot about the enduring influence of a Shakespeare or a Molière. It's the sacrilegious world of Immaculate Deception, the third volume in a series of stage-friendly translations from the Middle French. Brought to you through the wonders of Open Access, these twelve engagingly funny satires target religious hypocrisy in that in-your-face way that only true slapstick can muster. There is literally nothing sacred. Why this repertoire and why now? The current political climate has had dire consequences for the pleasures of satire at a cultural moment when we have never needed it more. It turns out that the proverbial Dark Ages had a lighter side; and France's over 200 rollicking, frolicking, singing, and dancing comedies—more extant than in any other vernacular—have waited long enough for their moment in the spotlight. They are seriously funny: funny enough to reclaim their place in cultural history, and serious enough to participate in the larger conversation about what it means to be a social influencer, then and now. Rather than relegate medieval texts to the dustbin of history, an unabashedly feminist translation can reframe and reject the sexism of bygone days by doing what theater always invites us to do: interpret, inflect, and adapt.