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The NIV is the world's best-selling modern translation, with over 150 million copies in print since its first full publication in 1978. This highly accurate and smooth-reading version of the Bible in modern English has the largest library of printed and electronic support material of any modern translation.
Returning to Earth the same moment Cyclops is captured, Iron Man accompanies the Uncanny X-Men to settle a score, only to be joined by the new Nova, Sam Alexander, on a journey across the galaxy.
The publication of the King James version of the Bible, translated between 1603 and 1611, coincided with an extraordinary flowering of English literature and is universally acknowledged as the greatest influence on English-language literature in history. Now, world-class literary writers introduce the book of the King James Bible in a series of beautifully designed, small-format volumes. The introducers' passionate, provocative, and personal engagements with the spirituality and the language of the text make the Bible come alive as a stunning work of literature and remind us of its overwhelming contemporary relevance.
"No End" is a piece written by Canadian music journalist and longtime Ark friend, Christian Patrick. Utilizing unprecedented access to the band for nearly six years, Patrick retells an amazing story in lurid detail of one of Sweden's greatest rock and roll bands. It includes the complete history of The Ark 1991-2011 and describes in intimate detail the humble beginnings of the band in Rottne and... Växjö to its quest for success in Malmö. It takes you on a journey through the eyes of six men - Ola Salo, Martin Axén, Sylvester Schlegel, Jens Andersson, Leari and Jepson - who epitomize the true meaning of "rock star". "No End" explains the band's domination of Sweden's press, fans' hearts, and charts. Ultimately, the book looks closely at the band's attempt to crack America and what ultimately went wrong, its 2007 success at Melodifestivalen and its appearance in the most unlikely of places - Eurovision. It is a tale of dreams realized and lives changed. Five albums filled with hopes and fears. Ultimately, it is a story of a band that has No End.
No End in Sight offers a critical analysis of Polish cinema and literature during the transformative late Socialist period of the 1970s and 1980s. Anna Krakus details how conceptions of time, permanence, and endings shaped major Polish artistic works. She further demonstrates how film and literature played a major role in shaping political consciousness during this highly-charged era. Despite being controlled by an authoritarian state and the doctrine of socialism, artists were able to portray the unsettled nature of the political and psychological climate of the period, and an undetermined future. In analyzing films by Andrzej Wajda, Krzysztof Kieslowsi, Krzysztof Zanussi, Wojciech Has, and Tadeusz Konwicki alongside Konwicki’s literary production, Anna Krakus identifies their shared penchant to defer or completely eschew narrative closure, whether in plot, theme, or style. Krakus calls this artistic tendency "aesthetic unfinalizability." As she reveals, aesthetic unfinalizability was far more than an occasional artistic preference or a passing trend; it was a radical counterpolitical act. The obsession with historical teleology saturated Polish public life during socialism to such a degree that instances of nonclosure or ambivalent endings emerged as polemical responses to official ideology.
The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.
This updated edition in paperback of the bestselling and critically acclaimed book on the rise of Google and the 'search industry" contains a major new Afterword from John Battelle. The rise of Google is one of the most amazing stories of our time. Google's enormous impact straddles the worlds of technology, marketing, finance, media, culture, dating, job hunting, and just about every other sphere of human interest. And no one is better qualified to explain this entire phenomenon than John Battelle, the acclaimed Silicon Valley journalist who co-founded "Wired" and founded "The Industry Standard". Much more than just a business book, this explains how the search industry is changing the way we live in profound and unpredictable ways. "The Search" contains exclusive interviews with some of the biggest names at the top companies including Google founders Larry Page and Sergey Brin. Google is the No. 1 search engine and is now a recognised word in its own right - they receive over 200 million search requests every day and it is estimated that over 80 per cent of webusers turn to Google first.
In No Beginning, No End, Zen master Jakusho Kwong-roshi shows us how to treasure the ordinary activities of our daily lives through an understanding of simple Buddhist practices and ideas. The author’s spontaneous, poetic, and pragmatic teachings—so reminiscent of his spiritual predecessor Shunryu Suzuki (Zen Mind, Beginner’s Mind)—transport us on an exciting journey into the very heart of Zen and its meaningful traditions. Because Kwong-roshi can transmit the most intimate thing in the most accessible way, we learn how to ignite our own vitality, wisdom, and compassion and awaken a feeling of intimacy with the world. It is like having a conversation with our deepest and wisest self. Jakusho Kwong-roshi was originally inspired to study Zen because of zenga, the ancient art of Zen calligraphy. Throughout this book he combines examples of his own unique style of calligraphy, with less-known stories from the Zen tradition, personal anecdotes—including moving and humorous stories of his training with Suzuki-roshi—and his own lucid and inspiring teachings. All of this comes together to create an intimate expression of the enlightening world of Zen.
In this cultural history, Ruth Katz conceives of opera as a laboratory dedicated to exploration of the powers hidden in the interaction between words and music. Opera combines not only music and libretto, but the sensuality, acting out, and lyricism that characterize the popular culture of the Italians. The Powers of Music is thus a contribution to cultural studies, providing unique insight into the social meaning of opera in Italy. According to Katz, opera's origins in Renaissance Italy can be traced to numerous characteristics of life at that time. Among them are: the belief of the Humanists that the magical properties of music could be harnessed; the transition from polyphony to monody that gave musical expression to individualism; the melodramatic propensity of Italian culture reflected in its literary and theatrical arts; and the salons of Florentine aristocrats, scientists, and artists whose agenda included the challenge to rediscover how the ancient Greeks succeeded in heightening the rhetorical power of words by allying them with music. Katz discusses each of these factors in detail. In her new introduction, Katz reconsiders her original work by discussing three topics. The first has to do with the perception that there has been a major change in the academic climate for this kind of analysis. The second relates to her concern with the eighteenth-century expansion of the Florentine comparison of the attributes of the arts, from which music emerges as the purest of all, for being freest of external reference. Third, she reconsiders her initial impression that opera was on the wane. The Powers of Music is an intriguing study that will be of interest to sociologists, cultural historians, and scholars of communication and popular culture.