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Investigative journalist Peter Laufer is back with his third book in a trilogy that explores the way we humans interact with animals. The attack of a trainer at Sea World by a killer whale in February 2010 is the catalyst for this examination of the controversial role animals have played in the human arenas of entertainment and sports. From the Romans throwing Christians to lions to cock-fighting in present-day California, from abusive Mexican circuses to the thrills of a Hungarian counterpart, from dog training to shooting strays in the Baghdad streets, Laufer looks at the ways people have used animals for their pleasure. The reader travels with Laufer as he encounters fascinating people and places, and as he ponders the ethical questions that arise from his quest.
When cameras roll and directors call, “Action,” some of the most dependable, funniest, and most enthusiastic actors stand poised on four legs, with ears alert. From Joey in War Horse to the wolves in Game of Thrones, what we see on screen is the result of meticulous preparation and professional teamwork. The eye-popping, heartwarming stories in these pages reveal the trainers, actors, directors, and, of course, dogs, cats, horses, penguins, deer, and other animals in all their behind-the-scenes glory. You’ll discover that some animal actors have diva tendencies and others have rags-to-riches backstories. American Humane Association certified animal safety representatives work carefully to ensure that no animals are harmed, as they have been doing for decades. Animal stars have done it all — convinced us to eat more tacos, broken our hearts in war dramas, inspired us with enduring love and loyalty, kept us at the edge of our seats as they snarled in the shadows, mirrored human antics to make us roar with laughter, and, like Uggie (from The Artist), stolen the show on the red carpet. Who besides a monkey named Crystal could impress a brilliant comedian like Robin Williams in Night at the Museum? And animal stars will work for food, including only KFC original recipe for Casey the bear — no other fried chicken will do! These charming and sometimes hilarious stories will give you a new appreciation for the skill and patience it takes to teach nonhuman actors to perform on camera. Training tips from the pros and personal recollections of celebrities such as Julia Roberts, Hailee Steinfeld, and Steven Spielberg make this insider’s look at the lives and work of these incomparable stars as irresistible as the animals themselves. A portion of the publisher’s proceeds from this book will aid American Humane Association.
How can someone who condemns hunting, animal farming, and animal experimentation also favor legal abortion, which is the deliberate destruction of a human fetus? The authors of Beating Hearts aim to reconcile this apparent conflict and examine the surprisingly similar strategic and tactical questions faced by activists in the pro-life and animal rights movements. Beating Hearts maintains that sentience, or the ability to have subjective experiences, grounds a being's entitlement to moral concern. The authors argue that nearly all human exploitation of animals is unjustified. Early abortions do not contradict the sentience principle because they precede fetal sentience, and Beating Hearts explains why the mere potential for sentience does not create moral entitlements. Late abortions do raise serious moral questions, but forcing a woman to carry a child to term is problematic as a form of gender-based exploitation. These ethical explorations lead to a wider discussion of the strategies deployed by the pro-life and animal rights movements. Should legal reforms precede or follow attitudinal changes? Do gory images win over or alienate supporters? Is violence ever principled? By probing the connections between debates about abortion and animal rights, Beating Hearts uses each highly contested set of questions to shed light on the other.
THE argument for animal rights, a classic since its appearance in 1983, from the moral philosophical point of view. With a new preface.
A pair of sellswords and a fallen nobleman become the world's unlikely—and only—hope against a dark force bent on destruction There have always been tall tales of the caverns beneath the Citadel—tales about magic and mages, monsters and gods. Wydrin of Crosshaven has heard them all, but she's spent long enough trawling caverns and taverns with her companion Sir Sebastian to learn that there's no money to be made in chasing rumors. So when a crippled nobleman named Lord Frith offers them a job exploring the Citadel’s darkest depths, it sounds like just another quest. For Wydrin and Sebastian, it comes with the exciting possibility of gold, adventure, and fame. For Lord Frith, it's a chance to avenge everything that was taken from him. But soon, these reckless adventurers will realize that what lies ahead is far bigger than their own goals, desires, and imaginations. Sometimes there is truth in rumor—and sometimes a story can save your life. File Under: Fantasy [ Beware of the Gods | Dungeon Crawlers | The Brood Rises | Prince of Wounds ]
By exploring the ethical differences between humans and animals,Animalkind establishes a middle ground betweenegalitarianism and outright dismissal of animal rights. A thought-provoking foray into our complex and contradictoryrelationship with animals Advocates that we owe each animal due respect Offers readers a sensible alternative to extremism by speakingof respect and compassion for animals, not rights Balances philosophical analysis with intriguing facts andengaging tales
How can we make sense of acts of cruelty towards animals?
Gary L. Francione is a law professor and leading philosopher of animal rights theory. Robert Garner is a political theorist specializing in the philosophy and politics of animal protection. Francione maintains that we have no moral justification for using nonhumans and argues that because animals are property or economic commodities laws or industry practices requiring "humane" treatment will, as a general matter, fail to provide any meaningful level of protection. Garner favors a version of animal rights that focuses on eliminating animal suffering and adopts a protectionist approach, maintaining that although the traditional animal-welfare ethic is philosophically flawed, it can contribute strategically to the achievement of animal-rights ends. As they spar, Francione and Garner deconstruct the animal protection movement in the United States, the United Kingdom, Europe, and elsewhere, discussing the practices of such organizations as PETA, which joins with McDonald's and other animal users to "improve" the slaughter of animals. They also examine American and European laws and campaigns from both the rights and welfare perspectives, identifying weaknesses and strengths that give shape to future legislation and action.
Science fiction, fantasy, comics, romance, genre movies, games all drain into the Cultural Gutter, a website dedicated to thoughtful articles about disreputable art-media and genres that are a little embarrassing. Irredeemable. Worthy of Note, but rolling like errant pennies back into the gutter. The Cultural Gutter is dangerous because we have a philosophy. We try to balance enthusiasm with clear-eyed, honest engagement with the material and with our readers. This book expands on our mission with 10 articles each from science fiction/fantasy editor James Schellenberg, comics editor and publisher Carol Borden, romance editor Chris Szego, screen editor Ian Driscoll and founding editor and former games editor Jim Munroe.