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Fronted by one of the world’s most iconic doors, 10 Downing Street is the home and office of the British Prime Minister and the heart of British politics. Steeped in both political and architectural history, this famed address was originally designed in the late seventeenth century as little more than a place of residence, with no foresight of the political significance the location would come to hold. As its role evolved, 10 Downing Street, now known simply as ‘Number 10,’ has required constant adaptation in order to accommodate the changing requirements of the premiership. Written by Number 10’s first ever ‘Researcher in Residence,’ with unprecedented access to people and papers, No. 10: The Geography of Power at Downing Street sheds new light on unexplored aspects of Prime Ministers’ lives. Jack Brown tells the story of the intimately entwined relationships between the house and its post-war residents, telling how each occupant’s use and modification of the building reveals their own values and approaches to the office of Prime Minister. The book reveals how and why Prime Ministers have stamped their personalities and philosophies upon Number 10 and how the building has directly affected the ability of some Prime Ministers to perform the role. Both fascinating and extremely revealing, No. 10 offers an intimate account of British political power and the building at its core. It is essential reading for anyone interested in the nature and history of British politics.
A YOUNG WOMAN IS DISCOVERED hanged in a room in a decrepit hotel, and Gothenburg’s Chief Inspector Erik Winter must try to figure out what happened. As Winter looks around, he realizes that he was in the same hotel room many years earlier, when it was the last known location of a woman who subsequently disappeared and was never found. The two women seem to have nothing in common except for this hotel room, but Winter suspects that there may be other connections. The young woman’s parents are bereft and unable to explain the puzzling contents of a note she left behind. Winter, however, senses that they are holding back some secret that might help him to find her murderer. As he pursues his hunch and digs into the old police report on the woman who disappeared—one of his first cases as a young detective—Winter becomes increasingly convinced that the two cases are somehow related. Room No. 10 is a first-rate thriller, suffused with the gray seaside beauty of Gothenburg and filled with the characters that Åke Edwardson’s readers have come to love: Winter, the veteran detective who veers between pessimism and optimism but never gives up; Bertil Ringmar, the methodical old-timer whose analytical mind keeps everyone focused; hotheaded Fredrik Halders, whose temper sometimes overwhelms his passion for justice; and Aneta Djanali, Halders’s girlfriend, an immigrant from Burkina Faso whose ability to talk to other women can open new leads. As compelling as they are dedicated, they are an unforgettable team determined to find a bizarre killer.
Eight months ago, Gray Langtry's mother became prime minister. Now, someone wants her dead. Gray's life has been in turmoil ever since her mother was chosen to lead the country. First, they had to leave their home and move into the prime minister's official residence at Number 10, Downing Street. Now, everywhere she goes, she must be accompanied by bodyguards. Worst of all, the media won't leave her alone - she's in every tabloid, and her behavior, appearance, the length of her skirts...everything is judged. The scars from her parents' divorce and her mother's abrupt remarriage are still raw. She doesn't like her stepfather. She doesn't like this life. When she's photographed drunk outside a London nightclub, it makes headlines. Gray is grounded and given new bodyguards - younger, cooler, and harder to fool than the last batch. It's Julia, the new bodyguard, who tells her that a new terrorist organization issued a threat, and the threat is credible. They say they're going to kill her mother and Gray. When Gray tries to find out more though, no one will tell her. One of the few people who understands what's happening is Jake McIntyre - the son of her mother's political enemy. But can she trust him? Late one night, while sneaking through dark government halls, she overhears a terrifying conversation. The situation is much worse than even her mother's security team suspects. But will anyone believe the prime minister's wild child daughter? Afraid for herself, her mother, and her country, Gray is determined to find proof. But she must move fast. The clock is ticking. Number 10 is the first book in a new series set in the world of C.J. Daugherty's international best-selling Night School books.
"This book is useful to historians of the Civil War who wish to draw on it for an authoritative account of this campaign, and Civil War buffs will want it in their libraries". -- James M. McPherson Princeton University
The Getty Research Journal features the work of art historians, museum curators, and conservators from around the world as part of the Getty’s mission to promote critical thinking in the presentation, conservation, and interpretation of the world’s artistic legacy. Articles present original research related to the Getty’s collections, initiatives, and research projects. This issue features essays on the cross-cultural features of a small alabaster vessel in the “international style” of the ancient Mediterranean, French and Flemish influences in the Montebourg Psalter, a new identification for the so-called bust of Saint Cyricus, the effects of the Reformation on the art market in northern Europe, sketchbooks kept by the Portuguese painter João Glama Stroeberle containing comments from his teachers, the origins of the architectural history survey, Japanese ink aesthetics in non-ink media, the impact of the invention of adhesive tape in the 1930s on the artistic process of abstract painters, and the importance of ephemeral artifacts for the documentation of Carolee Schneemann’s performance works. Shorter texts include notices on an Egyptian ushabti from the tomb of Neferibresaneith, a bronze statuette newly identified as representing the Alexandrian god Hermanubis, and an etching by Félix Bracquemond commissioned by the Parisian gallery Arnold & Tripp.
The report is a supplement to IQSY Instruction Manual No. 10, Cosmic Ray Tables by McCracken, et al. (1965), and contains the asymptotic directions, variational coefficients and cutoff rigidities for 48 stations not included in the original manual in addition to an explanatory text. The computer programs utilized to calculate the values given in the tables are given in the appendix.
Revista de Estudios Ingleses es un anuario dirigido y gestionado por miembros del Departamento de Filología Inglesa y Alemana de la Universidad de Almería con el propósito de ofrecer un foro de intercambio de producción científica en campos del conocimiento tan diversos como la lengua inglesa, literatura en lengua inglesa, didáctica del inglés, traducción, inglés para fines específicos y otros igualmente vinculados a los estudios ingleses.
There is a byway between reality and dream. A transit we call Möbius Blvd … Inspired by the enigmatic Möbius strip, a mathematical construct that defies conventional notions of linearity and infinity, Möbius Blvd has no beginning or end but exists in a place where reality and dream have fused … coalesced … merged. With each turn of the page, you'll encounter a unique blend of horror, fantasy, and science-fiction—fiction that will challenge your perceptions and leave you in awe of the infinite possibilities that exist within the written word. Indeed, Möbius Blvd is far more than a magazine; it's an experience. It's an exploration of the infinite, a passage through dimensions where the only constant is storytelling at its most daring, a kaleidoscope of wonder and terror. Join us on this winding, never-ending journey of speculative fiction that will keep you entranced from the first twist to the last loop. Open your mind to the limitless worlds of Möbius Blvd … and discover that the boundary between fiction and reality is as thin as a strip of paper with a twist. In this issue: ORIGAMI Gerri Mahn A WEED Mike Scofield THE DEAD HOUR EXPRESS Alex De-Gruchy CROSS-OVER S.I. Rocco THIS SAVAGE AND BEAUTIFUL NIGHT Wayne Kyle Spitzer HYBRID OPTION Erin Finnerty FROM OUT OF THE DEPTHS James Callan PIONEER Nicholas Woods THE SPIDER OBSCURING THE ABYSS Luke Dylan Ramsey THE JOURNAL OF MARY GURNEY Nathan Perrin